When a hypochondriac learns that he is dying, he accepts an offer to throw himself in a volcano at a tropical island, and along the way there, learns to truly live.When a hypochondriac learns that he is dying, he accepts an offer to throw himself in a volcano at a tropical island, and along the way there, learns to truly live.When a hypochondriac learns that he is dying, he accepts an offer to throw himself in a volcano at a tropical island, and along the way there, learns to truly live.
- Awards
- 1 nomination total
Jon Conrad Pochron
- Tony
- (as Jon Pochran)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Like many others who have commented, this movie speaks to me on many different levels. Whenever my life gets out of control, this is the movie I plug in. Joe is a character we can all identify with, and everyone has a bit of DeeDee, Anjelica and Patricia in them as well. I just wish Warner Bros. would release this on DVD (and the soundtrack, while they're at it). By far the best Tom Hanks/Meg Ryan movie. I just can't believe the low "grade" of this movie on IMD after reading mostly positive comments. And the few who hate it should give it another chance, and pay no attention to the silly previews that exist on some older videotapes.
John Patrick Shanley both wrote and directed this quirky comedy that stars Tom Hanks as put-upon worker Joe Banks, who finally quits his depressing dead-end job after being told he has a "brain cloud" by Dr. Ellison(played by Robert Stack) Despondent, Joe ponders suicide but is interrupted by multi-millionaire Mr. Graynamore(played by Lloyd Bridges) who offers Joe a deal: he will live like a king before jumping into the volcano of a Pacific island to appease the tribal chief, with whom he has dealings. Joe agrees, and meets three different women(all played by Meg Ryan) until the last, Patricia, with whom he falls in love, as they make the fateful sailing journey together... Delightful film is decidedly different and odd, but also charming and unpredictable, with two appealing lead performances and many funny scenes. Becomes more of a life-affirming fable than a straight narrative story, explaining credibility issues, with a sweet ending.
This is my favorite film for a number of reasons. One reason is that it includes _homages_ to many classic films. For instance, the very first shot of the factory immediately brings to mind Chaplin's _Modern Times_ and Lang's _Metropolis_. The first minutes of the film, until Joe is called into the doctor's office, are filmed almost in black and white. The tones are all grey, black, or taupe, with some glaring whites. Then the door to the doctor's office opens to show warm leather, paneling, and firelight, and it's a sudden reminder of _The Wizard of Oz_, when Dorothy opens the door into Oz and the movie changes from black and white to color.
I also look for the "crooked path," which shows up four times at different parts of the movie. When Joe says, "We've come a long way on a crooked path," we know exactly what he's referring to!
I could go on with these details for pages, but I don't want to leave out the main reason this is my favorite film. It is one of the most life-affirming movies I have ever seen. When I had received devastatingly bad news about my health, this is the movie I watched, and it helped get me over the hump and start integrating the condition into my life.
Movies like this are one of the reasons for having movies at all, and I will continue watching it, as I return again and again to favorite books, for the rest of my life.
I also look for the "crooked path," which shows up four times at different parts of the movie. When Joe says, "We've come a long way on a crooked path," we know exactly what he's referring to!
I could go on with these details for pages, but I don't want to leave out the main reason this is my favorite film. It is one of the most life-affirming movies I have ever seen. When I had received devastatingly bad news about my health, this is the movie I watched, and it helped get me over the hump and start integrating the condition into my life.
Movies like this are one of the reasons for having movies at all, and I will continue watching it, as I return again and again to favorite books, for the rest of my life.
Highlights of this underrated film include witty, dark humor, with many laugh out loud moments and performances; moments of unexpected poignancy; and an equally unexpected reflective quality. Starring and supporting acting is brilliant and, at times, even subtle, which contributes to more character development than usual for this kind of movie. The plot wavers about an hour in, becoming too silly for a time. During this same chunk the script includes some unfortunate '90s style stereotyping of native people and cultures, and what is actually quite a shocking and cavalier conclusion to this segment of the movie. The final 10 minutes recaptures the tone and sentiment from the first part of the movie and brings the story to a fitting conclusion and simultaneously doing justice to the characters.
Did you know
- GoofsWhen DeDe walks into Joe's apartment at the end of their date, she places her handbag on the floor a few steps across from the door. When she comes back in to get the bag because she forgot it after she leaves, she reaches for the bag just inside the door.
- Alternate versionsThe movie was re-shot to change the ending, which was unpopular with test audiences. In the original ending, after Joe and Patricia are expelled by the volcano, they are rescued by the Tweedle Dum (the sister of the yacht that was sunk, the Tweedle Dee.) On board are the rescued crew of the Dee, as well as Graynamore and "Dr. Ellison", who turns out to be Graynamore's tax accountant (and hatchet man) by the name of Kenneth Hindmick. Graynamore reveals he had Hindmick pose as a doctor to make Joe think he had a fatal disease. Hindmick pulls a gun on Joe to protect Graynamore from Joe's anger, and to allow Graynamore to keep the yacht. Joe, having stared into the mouth of a volcano, calmly swipes the gun from Hindmick, then announces to Graynamore that he and Patricia had gotten married by the Chief. They both banish Graynamore and Hindmick to the boat's dinghy in the middle of the ocean. Graynamore tells Hindmick that he likes Joe, and admits being banished in a small dinghy in the middle of the ocean is his price for being too greedy, and tells Hindmick to help him row home. Back at the Tweedle Dum, Joe and Patricia see the four steamer trunks popping to the surface, with the Chief riding the last one, brandishing his Tobi, happily telling them he didn't lose his soul after all. Joe replies he didn't lose his either. The only remnant from the original ending is that in the end credits, you see an artist's rendition of the Tweedle Dum sailing off into the distance.
- SoundtracksSixteen Tons
Written by Merle Travis
Produced by Val Garay
Executive Producer Artie Ripp
Performed by Eric Burdon
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Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Joe contra el volcán
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $25,000,000 (estimated)
- Gross US & Canada
- $39,404,261
- Opening weekend US & Canada
- $9,252,232
- Mar 11, 1990
- Gross worldwide
- $39,404,261
- Runtime
- 1h 42m(102 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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