I Hired a Contract Killer

Great movie. Based on the story by Jules Verne Les Tribulations d'un chinois en Chine, Kaurismaki surprise us again with his strange humorous style. A story about feelings in an inexpressive way; don't mind how blue you can feel, there's always a place for love and hope. People and their contradictions; a man who don't want to live, contracts a killer who don't want to die. If you have seen any Kaurismaki's films, you should know that they are different; His way of filming and his stories are not "normal" in the commercial way; he seems to keep the distances with the characters, and that could be annoying for some people; but if you like it, you will love all his films. Kaurismaki is a genius, and he is funny too.

Do you like classics? Do you have a thing for Hitchcock, or lets say, Jean Pierre Melville? Do you wanna see how does that translate into a more modern progressive movie? Well! here is what you do: You go straight to a club and you purchase 'I Hired a Contract Killer'! It sticks with you; the futility, the humor, and the suspense. This is a picture that no matter what, you gonna remember for ever. The futility is so rich, that itself becomes the core meaning to everything. And the situation gets so baffled that emptiness becomes a survival. The suspension is perfectly 'Hitchcokic'& the use of music is great. It is among the pictures that secures you; makes you sure that still cinema exists; A cinema that tells you a story, a breathtaking one - and damn, Kourismaki is a great story teller; a noble one. One of the few left from the true heritage of motion picture industry and art. Lay back, watch and enjoy. This is pure cinema. As you might have guessed, I fully recommend it!

Finnish movies are often blamed (at least by Finns themselves) for containing very weak emotions and total lack of good humor. In my opinion, this movie gives a great deal of both.

The main character is an immigrant who loses his job and while swimming in depression, he tries to kill himself (and fails on it, too).

The movie gets great after the point where our hero hires an contract killer to kill him. Since his life is already lost (and the killer is going to kill him anytime), he begins to sink more and more into misery just when... he falls in love.

Suddenly, life isn't so bad anymore - too bad that the killer is still shadowing him and just trying to finish the contract they've made.

I just simply LOVE this movie, it is so funny and yet so good parody about all Finnish customs and traditions.

Over the course of seven movies, Aki Kaurismäki explored various sides of Finnish life and culture, from the inexorably tragic (The Match Factory Girl) to the upright hilarious (Leningrad Cowboys Go America). For his eighth feature film, he decided to try something new: he moved to England, ditched all of his regular actors, cast his all-time idol (New wave star Jean-Pierre Lèaud) in the lead and came up with one of the most brilliant and bizarre comedies of recent years. Well, not that recent, but it's genius, I can assure you.

The story takes place in London, and begins in what seems to be a very boring office (or at least the work is boring). Because of financial difficulties, some employees have to be made redundant. For some other reason, foreigners are the first victims. In other words, Henri Boulanger (Lèaud) is out of the game. Having lost the only thing he really cared for, he thinks there's nothing left for him in life and therefore tries to kill himself. Repeatedly. And with mediocre results (hanging? The rope is tron apart; putting the head in an oven? Gas strike all over the city).

This makes Henri even more miserable. So sad, in fact, that he eventually asks a professional assassin (Kenneth Colley) to do the job. While waiting for his final hour to come, he goes to a pub. And there the unexpected happens: he meets a woman (Margi Clarke), rediscovers the joy of living and changes his mind. Pity the killer won't...

In someone else's hands, this film could have been an absurd, grotesque, unrealistic parody of gangster movies. Kaurismäki, however, keeps it simple and believable, largely thanks to the controlled performances: Colley stays cold and unaffected throughout the whole film, even when he's coughing blood, while Léaud never abandons his everyman role, doing nothing more than occasionally raise an eyebrow when things take unpredicted turns.

The film is almost perfect, weren't it for one factor: Margi Clarke. With all the talented British actresses available, Kaurismäki had to pick an unknown with no charm and a dreadful accent. This slight casting mistake prevents I Hired a Contract Killer from being an undisputed masterwork, but like all the other movies on Kaurismäki's CV, it's still worth your attention.

I only saw this movie once, over a decade ago. It was horrible. Noone laughed or even smiled in it, all the scenery was bleak, the story was depressing, and it almost made the audience feel suicidal as well (like the protagonist).

But, with each passing year, I like this movie more. I'm very much looking forward to seeing it again. It actually is a great comedy, but it took me years to understand that.

Should you see it? Definitely. I still remember this obscure movie after over 10 years and although I hated it at first. It inspired me enough to write this comment here. About how many movies can you say that?