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How It Feels to Be Run Over

  • 1900
  • Not Rated
  • 1m
IMDb RATING
6.1/10
1.1K
YOUR RATING
How It Feels to Be Run Over (1900)
Dark ComedyComedyShort

In one glorious point-of-view shot, a vehicle dashes full-speed into an ill-starred passer-by.In one glorious point-of-view shot, a vehicle dashes full-speed into an ill-starred passer-by.In one glorious point-of-view shot, a vehicle dashes full-speed into an ill-starred passer-by.

  • Director
    • Cecil M. Hepworth
  • Stars
    • May Clark
    • Cecil M. Hepworth
  • See production info at IMDbPro
  • IMDb RATING
    6.1/10
    1.1K
    YOUR RATING
    • Director
      • Cecil M. Hepworth
    • Stars
      • May Clark
      • Cecil M. Hepworth
    • 13User reviews
    • 5Critic reviews
  • See production info at IMDbPro
  • See production info at IMDbPro
  • Photos2

    View Poster
    View Poster

    Top Cast2

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    May Clark
    May Clark
    • Passenger
    Cecil M. Hepworth
    Cecil M. Hepworth
    • Driver
    • Director
      • Cecil M. Hepworth
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews13

    6.11K
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    Featured reviews

    Snow Leopard

    A Creative Little Film

    Some of these earliest features pack a good amount of creativity into a very short running time. There are probably as many signs of genuine imagination in less than a minute of this little film as you could find in two hours of most recent movies. The idea here is simple, but clever, and it is carried out with an unaffected liveliness that makes it work well.

    The camera is set up so that it looks down an open road as different conveyances approach, to create an anticipation of what might happen when they get closer. It works well, and it also features what must be one of the very earliest uses of title cards - which themselves are done in an amusing fashion. A lot of pioneering films are worthwhile more for their effort and their intentions than for their content or their entertainment value, but this one does pretty well in both departments.
    10evandyni

    I felt like I was really there

    This was amazing work for the time period. If this was a 3D movie I might have had to leave the theater because WOW. While the film was short that was expected for being from 1900. I could've watched this film for hours however.
    bob the moo

    Still interesting to see how it is structured to achieve its aim and then hits it well

    OK so the title more or less gives away the entire "plot" of this very short short film but it is still quite interesting. The point obviously is to try and amaze the audience and draw a reaction by having a car rushing towards the viewer in the hope that audiences still dealing with this new technology will instinctively panic somewhat. Watching it now of course I didn't react this way but you can imagine how it once did (even today we do it in the cinemas – it now just means it has to move faster and have effects that make it a lot realer.

    However the film is nicely done because the cart going by first makes us assume safety before the car is seen approaching and the music lifts to become more dramatic. Of course it also plays on the fear of that other "new" piece of technology – the motor car, so the combination of these factors would have got a good reaction I would guess. Nothing really to it now but it is still interesting to see how it is structured to achieve its aim and then hits it well.
    6addick-2

    Duck!

    Interesting early short in which an out of control motor-car drives straight towards the camera, obviously in an attempt to create the sort of panic that accompanied showings of the Lumiere brothers film of a train arriving at a station. The film itself is a pretty basic one shot clip, as was standard at the time, but of interest is the fact that before the main action a horse drawn carriage trots harmlessly past the camera. An early example of an establishing shot and an attempt to lure the audience into a false sense of security perhaps.
    reptilicus

    The first driving safety film?

    Automobiles were still the source of a lot of humour when this film was made so it is no surprise the Hepworth's made a comedy film about the perils of encountering a horseless carriage. The camera is in the middle of the road as a horse and buggy come by. They pass by without calamity and you fully expect some hapless pedestrian to wander into the road just as another comes by. Well guess what? In this movie the camera, and hence the audience, plays the part of the pedestrian. An automobile comes around the corner, drives straight at the camera and . ..well . . .THAT is how it (almost) feels to be run over; the film is a lot more painless than the actual experience. Seeing this film I wonder if the Hepworth's were doing a conscious parody of the 1896 Lumiere film THE ARRIVAL OF A TRAIN AT LA CIOTAT in which the sight of a train coming right at the camera is said to have panicked many people seeing their first moving picture? Perhaps.

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    Related interests

    Phoebe Waller-Bridge and Sian Clifford in Fleabag (2016)
    Dark Comedy
    Will Ferrell in Anchorman: The Legend of Ron Burgundy (2004)
    Comedy
    Benedict Cumberbatch in The Wonderful Story of Henry Sugar (2023)
    Short

    Storyline

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    Did you know

    Edit
    • Trivia
      How It Feels To Be Run Over is based on a very simple premise: a car is driven directly at the camera so that it eventually fills the screen, creating the visual impression suggested by the title.
    • Crazy credits
      The intertitle of "Oh my, mother will be pleased" is seen at the end of this film.
    • Connections
      Featured in Silent Britain (2006)

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    Details

    Edit
    • Release date
      • July 1900 (United Kingdom)
    • Country of origin
      • United Kingdom
    • Languages
      • None
      • English
    • Also known as
      • Каково это, когда тебя переехали
    • Filming locations
      • UK(location)
    • Production company
      • Hepworth
    • See more company credits at IMDbPro

    Tech specs

    Edit
    • Runtime
      • 1m
    • Color
      • Black and White
    • Sound mix
      • Silent
    • Aspect ratio
      • 1.33 : 1

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