The Night Before Christmas

Twixt shots of Santa feeding the reindeer and polishing off one last puppet for the poppets, scenes of a family in the parlor celebrating Christmas Eve, children having a pillow fight, and some cute miniature work of the sleigh carrying gifts traveling over snow, we get verses of Clement Clark More's "A Visit From Saint Nicholas."

It's just the thing to watch during Christmastide in my apartment in Chelsea in Manhattan, where Moore wrote the poem so many years ago, helping to establish our modern idea of Old St. Nick. It captures the spirit of the poem perfectly. As another classic of the season urges, G*d bless us, every one.

This film was made by Edwin S. Porter for Edison in a style consistent with "The Great Train Robbery", though not containing quite as many setups. It is loosely based on Clement Clark Moore's original poem, and only includes brief snatches from the text in the form of titles. The opening scenes are short and deal with Santa's activities at the North Pole, as he feeds hay to his reindeer, works with his elves and updates his "list". Then it cuts to a rather long scene in a household with several children getting ready for Christmas and being sent up the staircase to bed. The most remarkable sequence in the film follows, as it consists of an elaborate turntable diorama portraying Santa, reindeer and sleigh traveling from the North Pole's icy wastes to the bright lights of the city. Some of the reindeer seem not to gallop quite consistently, but it is still an amazing achievement for a 1906 film. Then, in a scene well-known via an oft reproduced still, Santa is seen on rooftop, dropping his sack into the chiminy and going down it himself. The next scene is set in the same household as before, with Santa installing presents, stockings, decorations; he even puts up the tree! (This is followed by a title which is either misplaced or once led to scene which is now missing). The title is followed by another long scene where the children run down the stairs, open presents, jump around and generally involve themselves in the merriment and joy of Christmas. The film closes with a close-up shot of Santa with the caption "Merry Christmas To All." While "The Night Before Christmas" is not cut of quite the same ground-breaking cloth of the "The Great Train Robbery", it is still immensely charming as an early Christmas film, and the diorama constructed for Santa's journey is quite an impressive special effect for this era.

'Twas THE NIGHT BEFORE CHRISTMAS and all through the house not a creature was stirring, not even a mouse...

The wonderful old poem by Clement C. Moore comes to life in this little silent film. Looking like a Victorian Christmas card, it has all the charm of a bygone era. The special effects, especially the scenic diorama used for St. Nicholas' ride, are quite effective.

Al Kryszak provided the score for the video compilation A Christmas Past, in which this film appears.

A rather charming little film, which starts with Santa feeding hay to his reindeer, before moving back into his workshop to finish toymaking. The scene switches to a middle class house (parents, five children all about 4!, grandpa and maid). They tell the Christmas story, then hang up stockings before the children are packed off to bed (in two beds and one cot). The children get up, are chased back to bed, then have a proper pillow fight with feathers flying everywhere: I wonder how difficult this scene was to film. Santa checks his delivery schedule and inventory, loads up the sleigh and heads off - a superb animated sequence. Arriving at a chimney, he climbs down, fills stocking and otherwise creates a festive air before continuing his deliveries. The children and adults come down and are delighted. As a children's story, the film still works today.

This early holiday-themed feature is enjoyable to watch, and it is also a good example of Edwin S. Porter's style in filming special effect or fantasy movies. The story, loosely based on the theme of the poem "The Night Before Christmas", is old-fashioned in a good way that works pretty well. It's also one of the earlier movies to feature the use of cross-cutting or parallel editing.

The story alternates between two story lines, with 'Santa Claus' getting everything ready for his December 24 deliveries, while at the same time the children from a large family are having difficulty falling asleep due to their excitement. The 'Santa' portions flesh out the standard legend with Porter's characteristic style, and the family sequences are easy to identify with, for just about anyone who remembers being a child.

As director and cinematographer, Porter takes his usual approach with this kind of material. Rather than striving to make the settings and visual effects seem as lifelike as possible, he instead aims to make them interesting and pleasing to look at in their own right. It works well here, and the images seem to fit in well with the story. It's short (less than ten minutes), yet the length seems just about right, and it makes for an entertaining little movie.