The scene opens with an assembly of citizens who are harangued by one of their number, whose words have great weight with the crowd, and their attitude of approval shows that Roman misrule i... Read allThe scene opens with an assembly of citizens who are harangued by one of their number, whose words have great weight with the crowd, and their attitude of approval shows that Roman misrule in Jerusalem has reached its climax. Heralds now approach and Roman soldiers beat back the ... Read allThe scene opens with an assembly of citizens who are harangued by one of their number, whose words have great weight with the crowd, and their attitude of approval shows that Roman misrule in Jerusalem has reached its climax. Heralds now approach and Roman soldiers beat back the crowd to make way for the approach of the Roman Procurator. The scene changes to the home ... Read all
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Featured reviews
The good folks at Kalem (the film company responsible) were counting on viewers to have either seen "Ben-Hur" on stage, or read the Lew Wallace book. And, undoubtedly, most 1900s flicker watchers had the prior knowledge necessary to understand the action. This film highlights the inferiority of the medium, at that time. Director Olcott and Gene Gauntier, who was credited with having written the "Ben Hur" scenario, would have much greater artistic success with films like "From the Manger to the Cross" (1912).
** Ben Hur (12/7/07) Sidney Olcott, Frank Rose ~ Herman Rottger, William S. Hart
The story is fragmented and would only make sense if you already knew it. (Which, to be fair, was likely at the time; Ben-Hur was as popular then as Harry Potter is now.) The chariot race is pathetic, being nothing more than the horses passing the camera several times until the movie ends. It would have been difficult to film an exciting chariot race within the limitations of the time, but this was not a good workaround. The only saving grace of this movie is that, like others of the time, it is short, barely ten minutes long.
Ben-Hur 1907 is proof that crappy cash-ins have been around even in the early days of cinema. We are fortunate it has survived, if only because that prevents any mystique from being attached to it, as has happened with films like "The Great Gatsby (1925)".
** (out of 4)
The first version of the classic novel has a bit of history behind it but the actual film doesn't hold up. We get Herman Rottger playing Ben Hur, the man who becomes a slave and will eventually revolt and go up against Messala (William S. Hart). For starters, if anyone tries comparing this to the 1925 or 1959 versions then they're really cheating all three films. This is a 13-minute short so there's a lot to get crammed in here and of course the story is going to have to bounce around and not spend too much time on one plot point. With that said, the end result here is pretty disappointing because none of the apparent five directors knew how to build any real suspense or to make us care about anything we're seeing. We can never really get into the actual story and it's hard to care for any of the characters. Another problem is that the film really doesn't even appear to try and do anything overly special. We get some very impressive costumes but that's about it. This movie remains entertaining as a curio if you've seen what films would follow. On the historic side, this was the first film to end up in court due to copyright violations so I guess all authors has this film to thank for filmmakers not being able to take their work without credit.
Did you know
- TriviaThe making of this movie brought about the first-ever question of film rights to an author's work. Harper's, the publisher of Lew Wallace's novel, sued Kalem, the movie's producers, for copyright infringement. After fighting the case for four years, Kalem finally settled for $25,000.
- ConnectionsFeatured in Ben-Hur: The Making of an Epic (1994)
Details
Box office
- Budget
- $500 (estimated)
- Runtime
- 15m
- Color
- Sound mix
- Aspect ratio
- 1.33 : 1