Those Awful Hats

I wonder if this was a major problem a long time ago. I'll bet it was. I am referring to the subject matter of this early and very short D.W. Griffith film: rude people wearing big hats to the theater and blocking the view of those in back of them.

Considering that people have probably been inconsiderate for as long as humans have inhabited the planet, this might have been a problem. Since people haven't word big hats in a generation or two, a lot of people don't remember "big hat days." Whatever, it makes for an amusing little film with a unique suggestion to dealing with the problem! If people were slow to get the message, the director put in print at the end.

The special-effects aren't exactly state-of-the-art for today's audiences but I bet they shocked the film-goers 99 years ago, when this was seen.

Early film short directed by D.W. Griffith; it might be more accurately called a "short short" at barely three minutes. It is entertaining, though. The director is saying, "Ladies, please remove your hats!" Why? Because you can't match a movie when some woman parks herself in front of your seat, and leaves her HUGE hat on.

There are some early silent film stars in attendance - obviously Flora Finch, Linda Arvidson, and Florence Laurence. Mack Sennett is the man with the finny nose and the checkered suit. The men are not easy to identify, with their backs turned; but, that must be Robert Harron in the lower right of your screen, going crazy over "Those Awful Hats".

The film really MOVES… all the time, there is movement ALL OVER the screen. Ms. Arvidson recalled, in her autobiography, "How many times that scene was rehearsed and taken! It grew so late and we were all so sleepy that we stopped counting. But pay for overtime evolved from this picture."

***** Those Awful Hats (1/25/09) D.W. Griffith ~ Flora Finch, Mack Sennett, Robert Harron, Linda Arvidson

This ultra-short film (only 2 minutes long) uses very rudimentary techniques, but it's rather interesting. It's about a theater full of people watching a movie, so there are two different screens combined into one image, and while the 'special effect' is not very good by the standards of later eras, it was probably a clever idea for its time. The light-hearted nature of this feature is an interesting contrast to the ultra-serious films that Griffith usually made.

This three-minute farce is one of the most unique and unusual Biograph shorts. Those Awful Hats sees DW Griffith, father of film narrative, doing what is virtually a non-narrative film. A one-liner, basically, giving a message to the audience in a fresh, entertaining form that they would take notice of.

This is also Griffith's only special effects film in the mode of Georges Melies. Melies' trick shot shorts had been widely imitated throughout the 1900s, although by 1909 they were dying out as cinema became less of a magic show and more of a storytelling medium. Griffith not only makes smooth use of a few Melies techniques (superimposition and stop motion) but has also absorbed some of the older pioneer's extreme and absurd comedy style, with the huge grabbing machine. Griffith was just making passing use of the style though – he was rather more subtle (for the era) in his regular shorts.

What is more interesting today is that this is one of the earliest films in which cinema references itself. You have a screen audience being watched by a real audience, and a film within a film. Nothing really symbolic here – this isn't Fritz Lang – but it does show you how much of an institution cinema was becoming, as well as being a rare glimpse into what a movie theatre of the time would look like (minus the grabby thing of course).

Although his point-and-shoot approach has been denounced as theatrical (although it is no more so than that that of his contemporaries), at this point Griffith was really starting to experiment with the infinite possibilities of depth within the frame. The screen was a stage for Griffith, but it was the biggest and most versatile stage imaginable, into which a street, a beach or even another theatre could be placed. The idea of a "show-within-a-show" may date back to Shakespeare's Taming of the Shrew, or perhaps even earlier, but at this stage in the game Griffith's introduction of theatrical and literary devices was moving the medium forward, not holding it back.

When you recall that it was made as a public service announcement, in the same vein as those "turn off your phone" things you get in cinemas today, Those Awful Hats is simple yet effective. It doesn't show you Griffith the master of film technique, just a functional short by a practical filmmaker.

This ultra-short film from movie pioneer D. W. Griffith isn't so much a film as a public service announcement. In the early years of cinema there were no restrictions on women wearing hats in a theatre (although men had to remove theirs) a situation that led to some heated moments due to the size of some ladies' bonnets.

The film takes place in a tiny cinema, and Griffith makes use of a split-screen technique to show the second film taking place on the cinema's screen. It looks fairly primitive today, but was probably quite effective in its day. As the film unfolds, more and more ladies wearing increasingly outlandish hats take their seats at the front of the cinema, blocking the view of those sitting behind. Mass pandemonium almost breaks out until the kind of bucket contraption used by diggers descends from the ceiling to remove one lady's hat before accidentally picking up a second lady who is still attached to hers.

It's a fairly amusing picture, and Griffith, who also wrote the piece, displays a sense of humour that he is not normally noted for, but at two-and-a-half minutes it's definitely as long as it needs to be.