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When her father becomes ill, a young woman takes over the telegraph at a lonely western railroad station. She soon has to hold off a pair of ruffians who are bent on stealing the payroll fro... Read allWhen her father becomes ill, a young woman takes over the telegraph at a lonely western railroad station. She soon has to hold off a pair of ruffians who are bent on stealing the payroll from an arriving train.When her father becomes ill, a young woman takes over the telegraph at a lonely western railroad station. She soon has to hold off a pair of ruffians who are bent on stealing the payroll from an arriving train.
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The Lonedale Operator, which is about a young daughter of a rail operator (not on the train, at the nearby station) and how she has to fill in for her sick father (this after an opening where she, uh, flirts with some guy or something, I'm not sure), a couple of thieves plot to steal from the train and so she has to defend herself, albeit fainting for part of the time while the train has to deal with no operator.
It gets good in the second half, when the story actually fully kicks in and Blanche Sweet's fill-in train operator has to fend off a couple of thieves trying to break in (once again with Griffith, like the Lonely Villa and some other shorts he did with this theme of invasion). Sweet's wonderful, but the pacing felt off for me. Not one of the best nor worst, The Lonedale Operator, which features some fine color-tinting for some shots, is OKAY.
It gets good in the second half, when the story actually fully kicks in and Blanche Sweet's fill-in train operator has to fend off a couple of thieves trying to break in (once again with Griffith, like the Lonely Villa and some other shorts he did with this theme of invasion). Sweet's wonderful, but the pacing felt off for me. Not one of the best nor worst, The Lonedale Operator, which features some fine color-tinting for some shots, is OKAY.
This film, nicely preserved with tints, is part of the "Treasures" 4-disc DVD set from the American Film Archives. It captures DW Griffith in the middle of his stint at American Biograph, and it demonstrates his developing skill with montage. I'm fond of Lonedale because it captures day-to-day life in a bygone era (for example, the secretary operating an early typewriter and the operation of steam locomotives).
The performances are by necessity done in broad strokes. Blanche Sweet, then a very mature-looking 15-year-old plays the story's heroine who bluffs her way out of a sticky situation.
This film is one of the highlights of the Treasures DVD set.
The performances are by necessity done in broad strokes. Blanche Sweet, then a very mature-looking 15-year-old plays the story's heroine who bluffs her way out of a sticky situation.
This film is one of the highlights of the Treasures DVD set.
Wow. It's hard to believe that Miss Blanche Sweet was fifteen when she was directed by the great D.W. Griffith in this Biograph production from 1911. Blanche, at such an early age, was not only extremely mature in terms her physique and baring, she was a remarkably accomplished actress. Her naturalistic acting translates well with modern audiences (at leased with all my friends to whom I've shown this movie). This film is a good one, suspenceful and atmospheric, but it's definatly not the best of Griffith's Biographs. It ranks pretty highly with the other work of his that I've seen. It is certainly aided by Sweet's performance, and also helpful the exemplary early use of "montage" which Griffith had been putting to use in his films as early as 1909. For a peak at what a great man like Griffith was doing before he made The Birth of a Nation (1915), Intolerance (1916) and Way Down East (1920), this is certainly one to take a good look or two at, just to get a peak at what the future had in store for cinema history.
This is a very good drama with a fine performance by Blanche Sweet who, almost unbelievably, was only 15 at the time. If D.W. Griffith had not remade it the following year (as the fine feature "The Girl and Her Trust), then Sweet and "The Lonedale Operator" might be better remembered.
The story is very similar to that in the better-known remake, with Sweet playing the daughter of a telegraph operator, who takes over when her father becomes ill, only to find herself thrust into a highly dangerous situation. The scenario was written by Mack Sennett, which makes it very interesting to imagine Sennett and the somber Griffith working together. It's surprisingly tight, and only a funny bit at the end (which works well) breaks the tension.
If you've seen and enjoyed the remake, this one is also well worth watching. It's less complex, but it's quite good in its own right. Sweet gives the heroine a different nature than does Dorothy Bernard in the remake, and both of them are quite good in the role, with no need at all to choose one or the other as the 'best' of the two performances.
The story is very similar to that in the better-known remake, with Sweet playing the daughter of a telegraph operator, who takes over when her father becomes ill, only to find herself thrust into a highly dangerous situation. The scenario was written by Mack Sennett, which makes it very interesting to imagine Sennett and the somber Griffith working together. It's surprisingly tight, and only a funny bit at the end (which works well) breaks the tension.
If you've seen and enjoyed the remake, this one is also well worth watching. It's less complex, but it's quite good in its own right. Sweet gives the heroine a different nature than does Dorothy Bernard in the remake, and both of them are quite good in the role, with no need at all to choose one or the other as the 'best' of the two performances.
This D. W. Griffith short involves a young woman whose father is the telegraph operator in a relatively remote place. Her boyfriend is a railroad engineer. When she takes over the key (the telegraph key), she becomes responsible for a large payroll shipment. Unfortunately, a couple of no-goods want the money and they are going to break into the telegraph shack and steal it from her. The plots revolves around how long she can forestall these men until her engineer boyfriend can bring the train back and rescue her. There is an interesting twist that is pretty satisfying.
Did you know
- TriviaThe text of the first telegram is signed 'GWB', the initials of camera George William 'Billy' Bitzer.
- GoofsSince the movie was shot on an open-air set, the wind blows the paper's on the desk in the office as well as the clothes of the actors and Blanche Sweet's hair.
- ConnectionsFeatured in Historia del cine: Epoca muda (1983)
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- Stationsföreståndaren på Londale
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- Runtime
- 17m
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- Aspect ratio
- 1.33 : 1
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