Sealed Orders

When you look well into the past of cinema, what you usually get are historically significant films, and that isn't absolutely a synonym for good films. Well here's one you may want to watch simply for the fact that it is good.

Sealed orders is Christiansen's first film (a man I only know for the film "Haxan")and it is war drama at it's best. Tragic twist of fate, clear storyline, good pacing and great lighting work. It's a few years in advance on it's time, but it isn't technical wonders of the cinema of the 20s or of now. It's still theatrical, though it isn't anything like the early films of it's time and before. The film survived to our days in a great condition, nothing like the jerky pictures moving at a wrong speed we like to think of.

To put it simply, you'll watch it and have a great time, as long you like dramas of this kind. But if you actually cared enough to read a IMDb review of a 1914 film, It's surely your kind.

First of all, I really wish I could've found a version that was translated to English so I could more easily understand what was happening. From what I could gather through context and online summaries, it's a webbing romantic thriller that's more melodramatic than really good. However, the visuals are great enough to make it worthwhile (silhouetted windmill, redrawing elephant over sleeping wife).

A tale of injustice and redemption at the onset of the First World War. Fascinating glimpse into the distant past.

"Det Hemmelighedsfulde X" ( The Mysterious X or Sealed Orders ) was the first film from the Danish director Herr Benjamin Christensen, a film director with a very strange inclination toward occult sciences, witchcraft, macabre rituals and other black celebrations, his film "Häxan" (1922) ( wherein Herr Christensen appeared as Herr Satan himself ) being the paradigm of these strange Danish tastes. In every film of his film career ( in Denmark, Germany or the USA ), besides the liking for Herr Devil and Mr. Evil, there is always, more or less, depicted a strange sense of the futility of life, the darkness of men's souls, and no much place for happy endings.

Det Hemmelighedsfulde X" is the story of Lieutenant Van Hauen ( Herr Christensen himself ), a man very concerned to perform his duty, that is to say, make war while his wife makes love with Count Spinelli, a sinister Count with many obscure intentions ( this reminds this Herr Graf of something.… ); intrigues about secret sealed war orders given to Herr Van Hauen that are revealed to the enemy will put the lieutenant's honor in question and his physical integrity at stake in a film very well paced and directed, a mixture of spy film ( those wicked people use modern communication systems this German Count is very fond of, such as carrier pigeons and Morse code ), war film ( mysterious landscapes, sinister mills, and battles on land and sea are seen in connection with the plot ), and suspense film ( the efforts of the lieutenant's family to prove his innocence at the end of the film are very well resolved, giving a sense of modernity for a film made in 1914 ).

"Det Hemmelighedsfulde X" is an excellent debut; Christensen's characteristics I've mentioned before are not found in this film; in their stead are conventional human weaknesses such as adultery, treachery and honor, although there are some shots depicting the dark intentions the Danish director was so fond of, as when Count Spinelli is trapped in the mill's cellar threatened by rats .

And now, if you'll allow me, I must temporarily take my leave because this German Count must do the honors of the Schlöss in this Count's honor.

A wonderful silent film! This is one of the most innovative silent films ever. The danish director Benjamin Christensen made his director debut with this film that he financed himself. With his own company Dansk Biografkompagni, he started filming this film, that he wrote over one night. The plot in the film is good but not great. What makes this film so interesting is how Benjamin Christensen used darkness vs. light to create an atmosphere. Before this film a lack of light was considered as a lack of talent, but Benjamin proved that shadows can be very effective.

A great film