IMDb RATING
7.0/10
3.9K
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Charlie competes with his fellow shop assistant. He is fired by the pawnbroker and rehired. He nearly destroys everything in the shop and himself. He helps capture a burglar. He destroys a c... Read allCharlie competes with his fellow shop assistant. He is fired by the pawnbroker and rehired. He nearly destroys everything in the shop and himself. He helps capture a burglar. He destroys a client's clock while examining it in detail.Charlie competes with his fellow shop assistant. He is fired by the pawnbroker and rehired. He nearly destroys everything in the shop and himself. He helps capture a burglar. He destroys a client's clock while examining it in detail.
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For a two reeler this short felt a little too long. In the end it became more of the same although the biggest laugh is very near to the end. Chaplin is working in a pawnshop and he fights with one of his co-workers, argues with his boss, pulls off some nice things with customers and saves the day.
Like I said it became a bit dull. There are some great sequences, especially one involving a balancing ladder. The physical action in that sequence made me think of the physical comedy done by Buster Keaton. A nice short, nothing more.
Like I said it became a bit dull. There are some great sequences, especially one involving a balancing ladder. The physical action in that sequence made me think of the physical comedy done by Buster Keaton. A nice short, nothing more.
This is definitely one of Chaplin's top 5 or 6 shorts. The part with Albert Austin and the clock is just so hilarious, and I really like the end of that bit where the drunk gets pushed down, just because it makes no sense.
I think this is the exact point in Chaplin's oeuvre in which he matured to the point in which he could make masterpieces. Don't get me wrong I like many of his earlier shorts, but everything he did from this point on could be argued as a masterpiece of comic cinema.
It is true that there isn't a great amount of pathos in this one, but I like the fact that there a just so many ridiculous situations that come one after the other. A+ grade.
I think this is the exact point in Chaplin's oeuvre in which he matured to the point in which he could make masterpieces. Don't get me wrong I like many of his earlier shorts, but everything he did from this point on could be argued as a masterpiece of comic cinema.
It is true that there isn't a great amount of pathos in this one, but I like the fact that there a just so many ridiculous situations that come one after the other. A+ grade.
I saw this with a friend at a screening with a live ragtime orchestra (Paragon Ragtime Orchestra?). It was excellent. A good print and good music (not always easy to find in silent movie reissues). Both of us probably never laughed harder; I was actually worried at one point that I was going to hurt myself. While dedicated Buster Keaton fans, we were forced to admit that Chaplin was an equal, at least. Try to find a decent print and appropriate scoring. It should look good and play at normal speed, not fast, which only happens during a poor transfer of these public domain films (I think the old silents were made at 18 frames a second, and playing them on today's 24 fps speeds them up). Awesome to think that one of the earliest pioneers in film has not been surpassed--or even equaled.
I've seen about 15 early shorts by Chaplin so far and this is definately in the top 5. Charlie works at a pawnshop and has to deal with several customers, his boss and ultimately a thief. But, once again, he saves the day.
Great slapstick early on with the 'ladder-scene' and later on with what seems to be a cello or contra-bass (I know nothing of those sort of things), hitting people in the face. There's also a very funny scene with an alarm-clock, which Charlie 'fixes', but not quite!
Although probably not up there with The Adventurer (my favorite short so far) or The Tramp, this is pretty funny stuff, even by Chaplins standards. Final score: 8/10.
Great slapstick early on with the 'ladder-scene' and later on with what seems to be a cello or contra-bass (I know nothing of those sort of things), hitting people in the face. There's also a very funny scene with an alarm-clock, which Charlie 'fixes', but not quite!
Although probably not up there with The Adventurer (my favorite short so far) or The Tramp, this is pretty funny stuff, even by Chaplins standards. Final score: 8/10.
"The Pawnshop" is a pretty good Charlie Chaplin comedy, with some routine stretches but also some very good slapstick. It features Charlie as an assistant in a pawnshop, engaged in a heated rivalry with another employee, trying to stay on the good side of the boss and the boss's pretty daughter, and occasionally waiting on a customer. The beginning has some very funny moments, with some slapstick that makes good use of the props, which include a feather duster and a ladder. There is a funny finale with Eric Campbell - one of Chaplin's best regular supporting players - playing a thief. The parts in between have some good moments, too, but they overdo it a bit with Charlie's fights with the other shop assistant. Overall, this is an average short feature for Chaplin, which means it is pretty good by most other standards.
Did you know
- TriviaRestoration work was carried out at L'Immagine Ritrovata laboratory in 2013.
The Pawnshop (1916) has been restored by Fondazione Cineteca di Bologna and Lobster Films, from a nitrate dupe negative from the Blackhawk Film Collection preserved at the Academy of Motion Picture Arts and Sciences and a nitrate print from the Library of Congress.
Some fragments were added from two nitrate prints preserved at the British Film Institute and the Cinémathèque Royale de Belgique, and a fine grain preserved at the Cinémathèque française.
Intertitles have been reconstructed according to the original Mutual Film intertitles and documents of the Library of Congress.
The surviving elements come from two different negatives. Negative A was restored whenever possible while negative B was used to reconstruct missing or severely damaged shots.
- Alternate versionsKino International distributes a set of videos containing all the 12 Mutual short films made by Chaplin in 1915 - 1917. They are presented by David Shepard, who copyrighted the versions in 1984, and has a music soundtrack composed and performed by Michael Mortilla who copyrighted his score in 1989. The running time of this film is 25 minutes.
- ConnectionsEdited into The Chaplin Cavalcade (1941)
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- At the Sign of the Dollar
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- 25m
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- 1.33 : 1
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