The Mystery of the Leaping Fish

Great for a laugh, this film is totally bizarre! Perhaps the single strangest silent comedy I've ever seen, it's very enjoyable, and leaves a viewer with the question, "where on earth did they get this stuff?!" Like a version of Popeye who is powered by drugs in the place of spinach, Douglas Fairbanks' "Coke Ennyday" is the manifestation of absurdity. His wild inventions and disguises add even more flavor to this already ludicrous comedy. The film's wacky style is reminiscent of "Alice in Wonderland," and the sheer preposterousness of its goings-on are enough to bewilder the brain while delighting the heart. I would recommend this film to anyone who is willing to give it a chance. Hilarious and bizarre!

Something happened when Hollywood got respectable; it got less fun. This is a silly bit of nonsense that had a brief revival as camp 25 or 30 years ago. It merely plays off the fact that, according to his creator, Sherlock Holmes was a cocaine addict. Later films that touched on this subject (most notably The Seven Percent Solution) generally had to treat it as Watson did--the disease of a great man. I certainly don't advocate drug abuse, but zany Holmes the cokehead is far more congenial than dutiful sober Holmes surrendering his mystery to the dull schematics of that officious intermeddler, Dr. Freud.

I haven't seen this film since the '70s midnight movies craze. This short blew by, but was incredibly funny.

Detective Coke Ennyday's clock (set on Sleep as we first see him with his head down on his desk) has four settings: Eat-Drink-Sleep & Dope.

When the hands shift to Dope, Ennyday pulls out of Flour Canister, opens it to reveal contents of white powder, grabs a handful and blows it for comedic effect about his face and the room.

As I recall the depiction of opium dens is somewhat ominous (probably quite scary for 1916 movie audiences). There is an air of anti-Chinese sentiment in the film (also playing upon 1916 fears?)

And yes, Ennyday has a television transmitter that he uses to communicate. Odd to see from a 1916 film, but actually pretty accurate in its design to some of the earliest TV Tuners.

Thank you, IMDb, for helping me to track down the title to this film. I need to seek it out for another viewing.

Sherlock Holmes was written as a flawed individual, a mind so brilliant that, when deprived of stimulation, it turns to artificial stimulants – namely, opium. 'The Mystery of the Leaping Fish (1916),' a clear parody of Holmes, takes this vice to the extreme. Coke Ennyday (Douglas Fairbanks) sits in his laboratory, puffing on a pipe and regularly pumping himself with a cocaine syringe he keeps on a holster around his chest. His wall-mounted clock has no need for hours or minutes, but instead divides its time between the activities "Eats," "Sleep," "Dope," and "Drinks." On this occasion, the great detective is consulted by the Secret Service Chief (Tom Wilson), who is admitted to the lab only after observation through a primitive surveillance camera, described as a "scientific periscope." (I seem to recall that Louis Feuillade's serial 'Judex (1916)' also featured a similar gadget).

'The Mystery of the Leaping Fish' is an odd little spoof. It was released two years after cocaine was effectively outlawed in the United States by the Harrison Narcotics Tax Act of 1914. Our hero's mission, though this becomes a little unclear in the convoluted middle-act, is to bust an opium-smuggling operation. He does this, but not before he's tasted enough of the stuff to satisfy his appetite. Drug addiction is lightly passed over as an amusing quirk. Whenever he feels down, Coke Ennyday injects himself with cocaine, and immediately perks up, proceeding to laugh and dance across the room (indeed, he essentially bounces through the entire final act). Drugs are even depicted as a useful weapon of sorts: when faced with one formidable foe, Ennyday simply injects his opponent, who promptly jumps to the ceiling. In scenes like this, reversed footage is used to amusing effect, as in G.W. Bitzer's 'The Impossible Convicts (1906).'

This very strange comedy from 1916 features a not-quite-yet-a-star Douglas Fairbanks (Senior) as Coke Ennyday, a bumbling private detective who spends most of his time injecting, snorting, or otherwise ingesting opium & cocaine products. ("Coke Ennyday" - get it?)

There's neat-o effects like backwards film to show Ennyday leaping out of water or onto rafters, as well as some minor slapstick, but the film's not all that funny, just weird. A recurring image is Ennyday looking a bit down, hand propping up his drooping face, the other reaching into his rope where a a belt of syringes is strapped around his chest. He'll take a syringe, inject himself, & then his face will beam with happiness.

Was drug humor like this popular in the 1910s? Did people really have that sort of knowledge about what cocaine could do? I don't really know, but for the modern audience - I saw this last night & the crowd ate it up - its utter strangeness & the farce that drug use is returned to is sure to please.