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After causing restaurant chaos at work, a bumbling waiter tears up the local roller rink with his skating.After causing restaurant chaos at work, a bumbling waiter tears up the local roller rink with his skating.After causing restaurant chaos at work, a bumbling waiter tears up the local roller rink with his skating.
- Director
- Writers
- Stars
Lloyd Bacon
- Guest
- (uncredited)
- …
Leota Bryan
- Barmaid
- (uncredited)
- …
Frank J. Coleman
- Restaurant Manager
- (uncredited)
- …
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
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Chaplin is a waiter in a chaotic restaurant. After he work he visits a skating rink for roller skates where he meets a girl but upsets plenty of others. She invites him to a skating party later but can he win her heart whilst avoiding others?
Based on a sketch this short required Chaplin to expand the set-up to cover the longer running time and it occasionally shows. The restaurant scene is good but the real meat is in the two skating scenes that are fast and well choreographed to be amusing and skilfully done.
Chaplin is good as the little tramp and is even better when called on physically in the skating scenes. He shows his talent in those scenes much more than the others, however the actual plot needed a little more of the relationship in the wings even if it is just a short film.
Fans, however, will enjoy it regardless.
Based on a sketch this short required Chaplin to expand the set-up to cover the longer running time and it occasionally shows. The restaurant scene is good but the real meat is in the two skating scenes that are fast and well choreographed to be amusing and skilfully done.
Chaplin is good as the little tramp and is even better when called on physically in the skating scenes. He shows his talent in those scenes much more than the others, however the actual plot needed a little more of the relationship in the wings even if it is just a short film.
Fans, however, will enjoy it regardless.
A raucous day's work for Charlie Chaplin, who waits tables (poorly) when he isn't absconding to the neighboring roller rink to generate chaos and steal kisses. These two-reel comedies aren't long enough to get much deeper than that, but there's no glaring need to. The spotlight is always, rightfully, on Chaplin's well-orchestrated bits of frenetic energy and fluid pandemonium, a hectic machine-gunning of highly polished comic routines that can adapt to fit the frequent changes of scenery.
In the restaurant, Chaplin bounds wildly between kitchen and dining room, spreading ruin in his wake but always, somehow, skipping out on the punishment. He's more assertive in the rink, sabotaging a rival in pursuit of a pretty girl while showing off his premier skill on a pair of skates. That particular aspect is the short's most striking attribute, a brilliant display of mastery that's just as remarkable in a 1916 film as it would be, twenty years later, in Modern Times.
The Rink may be slapstick through and through - lots of accelerated head-over-heel spills and broken plates - but it's efficient, crafty, and takes great care not to repeat itself. Silly and shallow, perhaps, but also highly entertaining.
In the restaurant, Chaplin bounds wildly between kitchen and dining room, spreading ruin in his wake but always, somehow, skipping out on the punishment. He's more assertive in the rink, sabotaging a rival in pursuit of a pretty girl while showing off his premier skill on a pair of skates. That particular aspect is the short's most striking attribute, a brilliant display of mastery that's just as remarkable in a 1916 film as it would be, twenty years later, in Modern Times.
The Rink may be slapstick through and through - lots of accelerated head-over-heel spills and broken plates - but it's efficient, crafty, and takes great care not to repeat itself. Silly and shallow, perhaps, but also highly entertaining.
Chaplin was almost always amusing but it occurred to me while watching this story of a waiter who woos a girl at a skating rink that in his earlier films he was more often the perp than the vic.
This was released in 1916 and Chaplin is a rude waiter who humiliates guests and steals money. If a stranger happens to be bending over and fastening a lady's roller skate, Chaplin can't help giving him a swift kick in the pants when he passes by. There's nothing here about "the little people." If the tramp is little, it's because that's his most comfortable social niche.
Ten years later, in "The Gold Rush," Chaplin had introduced humanity into his character, an innocent who is more sinned against than sinning.
Ten years after "The Gold Rush", he was sending social messages about worker alienation. (That's what happens when your work permits you to take no pride in having done it well. Anyone up for McDonald's Chicken Nuggets?) But in movies like "Modern Times," the milieu is only a peg from which to hang gags that are more hilarious than ever. And movies about poverty in 1936 were hardly uncommon anyway.
The gags here are sometimes spectacular, and always speedy. The tramp could certainly skate well.
This was released in 1916 and Chaplin is a rude waiter who humiliates guests and steals money. If a stranger happens to be bending over and fastening a lady's roller skate, Chaplin can't help giving him a swift kick in the pants when he passes by. There's nothing here about "the little people." If the tramp is little, it's because that's his most comfortable social niche.
Ten years later, in "The Gold Rush," Chaplin had introduced humanity into his character, an innocent who is more sinned against than sinning.
Ten years after "The Gold Rush", he was sending social messages about worker alienation. (That's what happens when your work permits you to take no pride in having done it well. Anyone up for McDonald's Chicken Nuggets?) But in movies like "Modern Times," the milieu is only a peg from which to hang gags that are more hilarious than ever. And movies about poverty in 1936 were hardly uncommon anyway.
The gags here are sometimes spectacular, and always speedy. The tramp could certainly skate well.
This film is laugh out loud funny. Who knew Charlie Chaplin was so graceful (and funny) on roller skates? This short film is watchable by all ages, and despite being close to 90 years old, it is still downright funny. Lookout for a character called Mrs. Stout played by a man in drag.
There isn't a lot of subtlety to "The Rink", but it does have some entertaining slapstick and some traces of some of Chaplin's favorite themes. The first part in the restaurant has both good moments and routine stretches, and then things liven up when everyone gets their skates on - the action combines tangled relationships with tangled limbs. Although he has his character take a good assortment of slips and falls, in so doing Chaplin also demonstrates his physical skill, and his performance anticipates his more famous roller skating scene in "Modern Times". It's probably not among his best short features, but all the same it's one that Chaplin fans will want to see.
Did you know
- TriviaRestoration work was carried out at Lobster Films in 2014.
The Rink (1916) has been restored by Fondazione Cineteca di Bologna and Lobster Films, from a diacetate fine grain preserved at the Library of Congress, a safety dupe positive preserved at the British Film Institute, and a nitrate print preserved at the Archives Françaises du film (CNC).
Some fragments were added from a nitrate print preserved at the British Film Institute.
Intertitles have been reconstructed according to the original Mutual Film intertitles from the same age, and documents of the Library of Congress.
The surviving elements come from two different negatives. Negative A was restored whenever possible, while negative B was used to reconstruct missing or severely damaged shots.
- GoofsAs Charlie prepares to leave for lunch, his light-colored vest is visible beneath his coat. As he exits the building, his vest is now much darker, and blends in with his coat and trousers.
- Quotes
A Waiter - Posing as Sir Cecil Seltzer: Mum's the word!
- Alternate versionsKino International distributes a set of videos containing all the 12 Mutual short films made by Chaplin in 1915 - 1917. They are presented by David H. Shepard, who copyrighted the versions in 1984, and has a music soundtrack composed and performed by Michael D. Mortilla who copyrighted his score in 1989. The running time of this film is 24 minutes.
- ConnectionsEdited into The Chaplin Cavalcade (1941)
Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- Rolling Around
- Filming locations
- Production company
- See more company credits at IMDbPro
- Runtime
- 30m
- Color
- Sound mix
- Aspect ratio
- 1.33 : 1
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