The Little Tramp and his dog companion struggle to survive in the inner city.The Little Tramp and his dog companion struggle to survive in the inner city.The Little Tramp and his dog companion struggle to survive in the inner city.
Edna Purviance
- Bar Singer
- (uncredited)
Dave Anderson
- Bartender
- (uncredited)
Bert Appling
- Unemployed Man
- (uncredited)
Albert Austin
- Crook
- (uncredited)
Henry Bergman
- Fat Unemployed Man
- (uncredited)
- …
Alva D. Blake
- Man in Dance Hall
- (uncredited)
Mel Brown
- Employment Agency Clerk
- (uncredited)
- …
Minnie Chaplin
- Dance-Hall Dramatic Lady
- (uncredited)
Syd Chaplin
- Lunchwagon Owner
- (uncredited)
Dorothy Cleveland
- Woman in Dance Hall
- (uncredited)
Slim Cole
- Unemployed Man
- (uncredited)
Margaret Cullington
- Woman in Dance Hall
- (uncredited)
Billy Dill
- Man in Dance Hall
- (uncredited)
Margaret Dracup
- Woman in Dance Hall
- (uncredited)
Jack Duffy
- Man in Dance Hall
- (uncredited)
Robert Dunbar
- Old Man in Dance Hall
- (uncredited)
Ella Eckhardt
- Woman in Dance Hall
- (uncredited)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
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Featured reviews
master of comic timing
By the time he made `A Dog's Life', Charlie Chaplin was already a master of cinematic comic timing. Editing techniques had not developed to the point at which they would be much help to Chaplin's physical comedy gags, so laughs required expertly handled choreography. Chaplin must have rehearsed countless takes to get each scene just right. The incredible opening sequence, seemingly shot all in one take, is particularly amazing. Chaplin and his fellow actors synchronize their movements perfectly so that, no matter what action they undertake, they always arrive on opposite sides of the fence at the exact same moment. Additionally, they make each movement at a natural pace so that, rehearsed though they may be, their motions always seem spontaneous and believable. You never get the sense that Chaplin or the policemen are speeding up or slowing down.
Rating: 6.5
Rating: 6.5
Entertaining Chaplin short
In 'A Dog's Life' our little tramp takes care of dog, the nice touch in this movie. Other things are familiar. He encounters the police, he tries to steal food from a salesman, has money problems in a bar, has some trouble with two thugs and of course he gets the girl.
The best single moment in this short is when he pretends to be one of the two thugs. With perfect timing this a perfect piece of comedy and just this part makes the movie worth watching. There are other funny moments, especially with the dog's tale. A nice short that is a little too long. The very funny final moments (including the part with the two thugs) make sure we don't think about that too much.
The best single moment in this short is when he pretends to be one of the two thugs. With perfect timing this a perfect piece of comedy and just this part makes the movie worth watching. There are other funny moments, especially with the dog's tale. A nice short that is a little too long. The very funny final moments (including the part with the two thugs) make sure we don't think about that too much.
Good Comedy With Some Particularly Good Scenes
This is an entertaining comedy with a couple of particularly amusing scenes. Chaplin is joined by several of his regular supporting players like Edna Purviance and Henry Bergman, plus Syd Chaplin, and the cast works together well. The story is funny, yet not without some substance either.
As his usual 'tramp' character, Charlie is already living "A Dog's Life" when he befriends a stray dog, and they share some adventures together. Chaplin hits a good balance in keeping himself and the dog sympathetic without overdoing the sentiment. There are some slow stretches that keep it from being even better, but the good parts make up for them and make this definitely worth watching. One particular highlight is a scene where Charlie tries to outwit two thieves - it's very cleverly done and very funny.
Anyone who likes Chaplin's comedies should enjoy this one. It has good comedy, a talented and familiar cast, and some worthwhile material - just about everything you would expect in one of Chaplin's features.
As his usual 'tramp' character, Charlie is already living "A Dog's Life" when he befriends a stray dog, and they share some adventures together. Chaplin hits a good balance in keeping himself and the dog sympathetic without overdoing the sentiment. There are some slow stretches that keep it from being even better, but the good parts make up for them and make this definitely worth watching. One particular highlight is a scene where Charlie tries to outwit two thieves - it's very cleverly done and very funny.
Anyone who likes Chaplin's comedies should enjoy this one. It has good comedy, a talented and familiar cast, and some worthwhile material - just about everything you would expect in one of Chaplin's features.
The Kid / The Dog
Played as a double feature, A Dog's Life is the short comedy that played with one of Chaplin's famous and most adored comedies The Kid. Set in the same atmosphere of the depressing ghettos of 1918, The Tramp becomes friends with a stray dog. A lost soul much like himself, the Tramp and the tramp become friends and become a team. After finding a stolen loot, the two work together to re-take the money they found. The ending is cute and nothing more. For a short, it does the trick of making the audience laugh. The title indicated that this is the story of the dog, when in fact, the Dog is the Tramp! Both are homeless and without love in their lives. By the end of the movie, they both end up finding true love and end up living a better life, together.
One of my favorites
Of Charlie Chaplin's many works, "A Dog's Life" is in my top 5, under "The Kid", "City Lights" and "Modern Times". Though just a short, I think this film is one of Chaplin's funniest and most poignant of them all. It had me laughing the whole time and this is the film that made me fall in love with his hands: It was the miming scene where the Tramp has to pretend to be the bully he's just knocked out, to get the wallet back, simply by using hand gestures! It's a moment that shines for all silent movies, showing how little sound is needed to communicate - it's a favorite scene of mine. This is a great film, and especially when coupled with "The Kid" (Chaplin's best work, I think, and my favorite film of all time) how could *anyone* refuse?
Did you know
- TriviaThis was Charles Chaplin's first film for First National Pictures under a $1M contract where Chaplin had full creative control over his films for the first time.
- GoofsDuring the fight at the lunch cart, one of the props holding up the awning gets knocked away. In subsequent shots, the prop is back in place.
- Quotes
Title Card: When dreams come true.
- ConnectionsEdited into The Chaplin Revue (1959)
Details
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- Also known as
- I Should Worry
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- See more company credits at IMDbPro
- Runtime
- 33m
- Color
- Sound mix
- Aspect ratio
- 1.33 : 1
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