The Love Flower

On 4 February 1919, David Wark Griffith joined with Charles Chaplin, Douglas Fairbanks and Mary Pickford in establishing United Artists as a major film distributor. Griffith had one film ready for U.A. release in "Broken Blossoms", but he had also negotiated a contract with First National in which he had promised them three films.

Griffith duly delivered "The Idol Dancer" (1920) to First National, but had second thoughts regarding "The Love Flower". Griffith decided to augment the footage shot on location in the Bahamas with an underwater swimming scene (shot in Florida). He also felt the film needed additional close-ups of both Carol Dempster and George MacQuarrie. (These were made in a studio and can easily be detected as the players are photographed against a pure black backdrop). The re-cut movie was then handed to United Artists but it received only lukewarm reviews and was not a great commercial success.

However, although "The Love Flower" has a poor reputation, it is by no means the clinker most references suggest. True, there is no great outpouring of lavish spectacle or rousing crowd scenes, but the South Seas locations are both pictorially fascinating and dramatically utilized. The characters are likewise sympathetic and the story holds more than enough suspense to grip one's attention.

In the acting department, Anders Randolf delivers a consistently strong and most compelling performance as the Inspector Javert character, while Florence Short makes quite an impression in her brief role as the heroine's unsympathetic step-mother. I also thought Richard Barthelmess handled his role with all the necessary charm and conviction—although I should mention that Barthelmess is an actor who can do no wrong as far as I'm concerned.

As for the two leads, however, I have mixed feelings. (Despite his status as the hero of the piece, Barthelmess—as in the Victor Hugo novel from which this story is derived—doesn't come into the action until the movie is half over). MacQuarrie is generally able enough, despite a tendency to over-emote, but simply lacks the charisma that a lead role calls for. This miscasting is actually a serious flaw, because the audience doesn't share the heroine's obsessive desire to protect him at all costs.

Equally at fault is Carol Dempster. Oddly enough, she seems more convincing as the young girl chasing shadows in the movie's opening scenes, despite the fact that she is obviously too old for the part. When called upon to act her actual age, she is less successful. Her simpering close-ups are especially unappealing.

Love Flower, The (1920)

** 1/2 (out of 4)

D.W. Griffith film about a father (George MacQuarrie) who murders his wife's lover and then runs off to a South Sea island with their daughter (Carol Dempster). After a few years a detective shows up looking for him and the daughter decides it's her duty to keep her father with her. A fairly weak story and a stupid message really drags this film down but there are still quite a bit of good things working for the film. The cinematography by G.W. Bitzer is certainly the highlight, especially a couple scenes that take place under water. The three leads all do a decent job but poor Dempster is clearly playing a role meant for Lillian Gish. She can't pull off all the emotions but she does do a good job at playing a young girl.

"The Love Flower" kept me on the edge of my seat with suspense. What a great film! Miss Dempster was very enigmatic and strangely intoxicating as the young daughter who is willing to kill the police detective who is after her father for murder. They hide out on a South Sea island for years, but the detective pursues them to the end.

Richard Barthelmess was a delight to watch as the young sailor who is tricked into bringing the detective to the island. Richard's face was literally gorgeous. No wonder Griffith preferred him over other male actors in his stock company. Griffith's personal attraction to Miss Dempster was also apparent, especially in the beach and water scenes with her scantily dressed outfits revealing ... well, I'll leave you guessing there.

If you are a fan of D.W. Griffith's work don't miss this film! It is his most contemporary and one of his most fascinating movie projects.

"The Love Flower" is a real mixed bag from director D.W. Griffith. On one hand, the story itself has some holes and doesn't make a lot of sense at times. And, the intertitle cards are the worst written ones I've ever seen. Yet, in spite of all this, I could not hate the movie because the direction and cinematography were so good.

When the film began, I felt vaguely ill as I tried to read the horrid intertitle cards. Most of the worst were used to describe the daughter, a girl described this way on one card--'Girlish dreams sighed into the pink ear of a rose beneath the azure southern skies'. What does this even mean?! This was not the only time--no many more times the very prosaic writer made me ill!

The story begins in the Caribbean. Some guy had apparently written a bad check and ran off to the islands with his wife and daughter to evade the law. However, his wife was a total skank--and was fooling around on him. When he entered his home to find the wife and her lover, the lover tried to murder the husband and the husband killed the guy in self-defense. However, with his criminal record AND a wife who was going to lie about the attack, he and his loyal daughter take to the South Seas in search of a life of solitude. However, there is a crazed cop--one who vows to search EVERYWHERE to find the killer. And, there's also a nice man (Richard Barthelmess) who meets the daughter. What becomes of all this?

The plot had many problems. How could Barthelmess fall in love this quickly and sacrifice so much for a lady he didn't even know? Why was it okay for this lady to be a repeated attempted murderess in order to protect her father?! While the plot is hard to believe at times, the film did feature many amazingly good and difficult shots for 1920. Some underwater footage as well as the view from the rope bridge were incredible--as was the island footage. Overall, a very mixed bag--with lots to like and a bit to make you ill!

By the way, IMDb lists this film at 70 minutes but it ran 96.

Griffith was efficient when he filmed what turned out to be Clarine Seymour's final completed movie in April 1920's "The Idol Dancer," where the late actress served as the female lead. Using the backdrops of Ft. Lauderdale, Florida, and Nassau, Bahamas, the director was fulfilling his movie contract with First National by tackling two tropical-based films, "The Idol Dancer" and "The Love Flower."

The later movie starred Griffith's up-and-coming favorite actress, Carol Dempster. Very few people could see the reasoning behind the director's favorability on what critics felt was the young actress' limited talent. A 15-year-older in 'Intolerance' as a harem girl, Dempster slowly emerged as Griffith's primary actress in his early 1920's films. "The Love Flower" was her second co-starring role as a step-daughter of a father who murdered his wife's lover. They both escape on a boat to South Pacific Island, where they're chased down by a persistent detective.

Some praised Dempster for her action sequences, but others complained she was a poor imitation of the Gish sisters as well as veteran Mae Marsh. Such criticism failed to dissuade Griffith from rejecting her and overall "The Love Flower." In fact, he enjoyed the film so much after seeing the reaction of the audience during its premier, he bought the motion picture for $400,000, a considerable amount, from First National for his United Artists' distribution.