The Boat

This is definitely one of Buster Keaton's better short films. The key is the simplicity of the premise...Keaton's character builds a houseboat...and the multitude of problems that it causes.

The jokes are simple but usually funny (even now in our more "enlightened times" and Keaton's slapstick acrobatics are, as usual, simply wonderful to watch. He uses that one basic, if large, prop...the boat...to great effect.

And the final line, while an old joke, is still funny.

The Boat (1921) : Brief Review -

The Boat of Buster Keaton's Comedy sails on adventurous voyage. Looking at this film from contemporary point of view one must have enjoyed it a lot, that includes me. But Keaton's raising graph wasn't affected by it. That's good and bad both. Good because it didn't fall and bad because it didn't rise when people were expecting him to deliver sensational stuff with every film. Practically it wasn't possible because all the innovative ideas were used and anyhow some of films were meant to be hurt by it. From this point of view, The Boat is one of those hurt films but keeping Keaton's high standard aside, this one is as good as any other good comedy of that time. His 'One Week' was such an astonishing experience that the impact has stayed with me and will stay with me forever. The Boat is nothing like that but a fair, actually very good one. It has different adventures, different proportions so it shouldn't be judged by comparison with One Week. If one has to compare it then compare it with 'The Playhouse' which released in the same year and to me this comparison looks fine. Buster and his family go on a voyage on his homemade boat that proves to be one disaster after another. This has some great shots, i mean some real great. That boat flipping scene is shot so brilliantly. An impressive piece of cinematic genius. One must know how to shoot it, how to flip camera and how to make movements according to that and Keaton as a director (along with Edward F. Cline) and as an actor knew exactly what to. That one scene takes this film so High even though it doesn't have too many gags. It's more like an adventurous and genuinely funny ride than a hysterical, out-an-out comedy. Keaton and Cline make sure that they don't produce an underwhelming product. Yes, this one is Nice and extremely watchable.

RATING - 7/10*

By - #samthebestest.

This one might not be the best one of Keaton, but the adventures of one family on the self made boat is entertaining enough that it is worth your time. To understand the joke where Buster sends out S.O.S signal is good to know that the name of of the boat 'Damfino' means damned is I know. Also, International Buster Keaton Society (yes, there is such a cool organization) is called 'The Damfinos'.

Films starts with the scene, where Buster tries to get the boat out of the house and from there, one thing after another goes hilariously wrong that you finally start feel for the heroes. Fantastic scene is where the boat capsizes repeatedly and Buster runs like a hamster in a wheel while trying to send S.O.S. message.

This was a short that had no long term goals. If not from dumb luck, this movie could have been lost forever. This was found among a series of other shorts that Keaton had kept at home. In many ways, this is a rip off of Chaplin. Nothing seems to go right for this little "Tramp" as he is pushed around and put into one situation after another. Not as funny as many other Keaton classics, it is worth keeping on tape for future generations to enjoy. In many ways, this and The Love Nest are often found with Keaton's classic the Navigator. Both have to do with Keaton on the Ocean. This alone keep them together in a category. If you like Keaton, you'll enjoy this one. If not, you'll agree that this is a dime a dozen for Keaton.

While I love everything Keaton did, I particularly like his short comedies the best. They're packed full of gags and it's always an endless laugh riot from beginning to end. The Boat is one of my favorites, along with The Scarecrow and One Week. Keaton's brusque treatment of his children in this short speaks to my heart since I'm not very fond of children, either. The gag where he measures the temperature of the water before jumping in to save his kid from drowning is priceless and I never cease to laugh. This short is also an early example of Keaton's ability to take one prop and base a whole story around it, a la The General. Sybil Seeley is also excellent as his patient wife and her performances in Keaton's other shorts are equally delightful.