The Play House

Long before we became John Malkovich, an entire playhouse became Buster Keaton... and it's absolutely delightful. "The whole thing seems to be this Keaton fellow," says Keaton to Keaton dressed in drag (a much more attractive crossover than Jack Lemmon and Tony Curtis!). Indeed.

Oh, but that's not all! Nooo, why stop there when we have an antagonist to show? Because Malkovich is only in the head, and thus Keaton is but a dream. However, the real playhouse owner... he has a bone to pick with the little guy, in some of the most hilarious Keaton hijinks.

This is the consummate Buster Keaton short. From the magic and creativity of the beginning, to the chase scenes and guy-gets-girl later story, we follow him as he takes on and removes persona faster than the speed of a swinging chimp! Oh, and he gets to play that chimp too, and very very believably.

--PolarisDiB

In The Play House there is an opening sequence with multiple Buster Keatons on stage, playing the performers, musicians and the audience. It is a dream sequence which also comes across as a tribute to Georges Méliès.

This short then settles down as Keaton plays a stage hand and a performer, well a performing monkey. Keaton also tries to woo his girl but she is a set of identical twins and he keeps picking on the wrong twin to kiss. He then gets constantly interrupted by the main performer who is also a beastly big man leading to hijinks and acrobatics.

This short is rather episodic and surreal. Keaton's stunt work is more safe here as he was recovering from an injury at the time.

To be honest, the only video of this movie I've seen has been rather washed out. But the wonderful special effects of the first half still show through. This isn't a Melies' fantasy with avant garde stylings and effects, but rather a simple and almost elegant movie with one simple effect: Buster Keaton plays ALL the parts in a theatre presenting a minstrel show. This may not seem much in the CGI-world of the nineties...but back in the 1920's it was a tour de force. The ease with which Keaton brings together at least ten separate performances at one time is amazing...one can only imagine the planning that went into this movie.

The second half is a tad low-key...though it of course features more of Keaton's acrobatic slapstick, and a particularly striking bit with him dressed up as a monkey.

This is definitely not The General or Steamboat Bill, Jr., but it is very enjoyable and, I believe, very deserving of a high place in the canons of early film for the artistry that Keaton applied to the special effects.

For some reason, I find the Buster Keaton features such as "the General" and "Steamboat Bill Jr." to be well-made, yet lacking in the explosive laughter I would expect. His short films however, pack a punch with comedy. "The Playhouse" is his best work ever - a showcase of his versatility and unparalleled comedic techniques. Any musician watching his clarinet technique (gnawing on the mouthpiece) can't help but hit the floor when they watch the opening orchestra scene. Likewise, the variety of audience members he plays, this is amazing. I can't help but wonder... how long (given makeup and costumes) did this one scene take to film? There are also more Warner Brothers cartoon foreshadowing in this than most other films I've seen. For a true short film masterpiece, see this film.

... and there is stiff competition.

This two reeler is set in a vaudeville house, the kind of place Keaton grew up in and where he grew into a comic as part of The Three Keatons, along with his parents, so he is familiar with this environment.

Keaton mainly plays a stagehand. Many descriptions say he is a goof up employee, but I'd say he is pretty innovative considering the strange messes into which he is thrown by the plot. He does some things here that you don't see much of in his other shorts - he pantomimes other types of people than he is or has had much contact with entirely. In the audience he plays an upper crust couple commenting on the low brow humor, he plays a grandma and her grandson, and he play s a middle class couple. He is also "the whole show" towards the beginning as there are all Busters in the orchestra, in a minstrel show, and he manages to dance with himself onstage, showing his knowledge of the camera and what it can do.

He also falls in love with one of two identical twins, played by Virginia Fox. Since he can't tell them apart without drawing an X on the one he wants, you have to wonder how he knows he really wants that one in the first place. Virginia Fox was the future wife of Darryl F. Zanuck, head of 20th Century Fox for decades.

If you are not familiar with Buster Keaton's work, this is a great place to start. But then when it comes to Buster I can't think of a bad place to start save for his sound films at MGM, and even they have their charms.