The Sky Pilot

When this German Count cosily prepared himself in the darkness of the Schloss private cinema to watch "The Sky Pilot", a film directed by Herr King Vidor, he thought that it was a film about Zeppelins or the adventures of the Red Baron. But nothing of that sort happens in the film; in Amerika, a very strange place, the inhabitants mean "preacher" when they talk about heavenly pilots.

On the contrary, the film depicts and shows more bizarre characteristics of that far away land when the main character of the film, a preacher, arrives at a small town, crowded with heathens who still don't hesitate to transform the saloon into a church. But it causes a tremendous fuss when he spreads God's word with fists…so, that's the Amerikan interpretation of trust in God but keep your powder dry??...

After such a shocking and strange religious practice and due that a minister of God must not behave in this way, he is expelled from town. Afterwards he and his rival, the one who "discussed" with him the sermon in the saloon, reconcile. As part of the peace, the preacher is offered a job in the ranch as a foreman. So now on the preacher has to deal with cows and other beasts, so… that's the Amerikan interpretation of the God's herds??...

Fortunately there are some similarities between Amerika and Europe depicted in the film because we can see an evil, treacherous Duke. So it seems that the aristocracy had common features in the two sides of the Atlantic Ocean.

"The Sky Pilot" it is a film that belongs to the transitional period of Herr King Vidor's career, a very important film director who will direct beautiful and moving masterpieces that will astonish future longhaired generations.

And now, if you'll allow me, I must temporarily take my leave because this German Count has an appointment with Herr Manfred von Richthofen, a genuine sky pilot.

Herr Graf Ferdinand Von Galitzien http://ferdinandvongalitzien.blogspot.com/

What a delightful actor that John Bowers was! He shines in his role as the gentle minister who finds that sermons and hymns alone cannot convert an unruly, godless populace to Christianity in the cold wilderness of the Canadian Rockies. He finds he has to lead by example. David Butler, who starts off fighting with him, but who eventually respects him, is super as the friend who encourages him. For some reason he reminded me of the goofy soldier in The Big Parade with John Gilbert. Don't know why, they really didn't look much alike.

The print of The Sky Pilot that I saw was kind of jumpy and the musical accompaniment wasn't appropriate for the action, but these two faults aside, the film itself was dramatic and moving. Colleen Moore was ok, but she's never been a favorite of mine.

This is the second John Bowers film I have seen and in both this one and Lorna Doone a year later John has scenes where he is braving rapids, trying not to drown! Once more I got the willies, since he died by self-imposed drowning in real life.

I am sure he would have made an excellent character actor in talkies if only the studios had given him half a chance. Cruel Hollywood.

Young director King Vidor knew he had a great gig in his working relationship with First National Pictures. The company, impressed by Vidor's earlier movies, hired him in late 1919 and funded his very own production studio in Santa Monica, California, naming it 'Vidor Village.' His April 1921 "Sky Pilot," starring Colleen Moore, was a culmination of small, yet successful movies that were made mostly inside his cozy studio building. But to film "Sky Pilot," a picture about a minister who arrives at a hostile Western town to begin a church, required shooting in the High Sierra mountains.

The movie proved to be much more expensive than Vidor's other projects, causing studio executives to raise their eyebrows. When the cost overruns ate into its profits, First National decided to cut ties with the director. Vidor became a free-lancer once again. But the studio's severance didn't stop what turned out to be one of the longest Hollywood careers in history. Vidor directed movies for 67 years, was nominated for the Academy Awards five times, and received an honorary Oscar for his body of work.

Named after his uncle, King Wallis, the Galveston, Texas, 1894-born lad witnessed the 1900 destructive Galveston Hurricane, destroying much of the town. He later put his memory of the storm to good use when he directed the tornado scene with Dorothy and Toto in 1939's 'The Wizard of Oz.' King was given a heavy dose of Christian Science religion by his mother early on, a faith that touched many of his movies. At 18, after working for a Houston, Texas film production company, he headed out to California with his newlywed, actress Florence Cobb Vidor. While Vitagraph Studio hired the two in 1916 to act, King's passion was scriptwriting and directing. After directing a moralistic film series, he gathered ten doctors to finance his first feature movie, 1919's 'The Turn in the Road.' An instant financial success, the movie's tidy profit gave the doctors the impetus to form a film production company backed by young Vidor's directorship.

What is a Sky Pilot? That's a nickname for a preacher. John Bowers stars as a missionary to a rural area filled with rough cowboys who mock religion. He has trouble converting the area, aside from one friend and a beautiful girl (Colleen Moore) that he falls in love with.

For the most part, nothing much happens in this film. It is short, but hardly sweet. There is a lot of time spent waiting for the characters to do something. The romantic relationship is hardly developed, and the real attraction to this movie, Moore, is barely in the movie.

If you like westerns or early, somewhat primitive films, this one is for you. If you're a Moore collector, grab this one, but don't stress over it. It probably will never be a favorite.

Heavy-handed but well-mounted, this early King Vidor film would have us believe that all that is needed to bring Christianity to cattle rustlers is to win their respect. Vidor mixes sentimentality and excitement a little ham-handedly, as when Colleen Moore regains the use of her legs so she can drag the unconscious John Bowers from the burning church. On the other hand, some of the scenes -- as when John Bowers stands off a herd of stampeding cattle so they won't trample the obvious dummy standing in for Colleen Moore stand up very well. David Butler, later to be a major director of musical comedies, has the second lead and Miss Moore never looked lovelier.