My Wife's Relations
- 1922
- 25m
IMDb RATING
6.6/10
2.6K
YOUR RATING
By accident, Buster and an intimidating woman end up married.By accident, Buster and an intimidating woman end up married.By accident, Buster and an intimidating woman end up married.
- Directors
- Writers
- Stars
Wallace Beery
- Photographer
- (uncredited)
Monte Collins
- The Father
- (uncredited)
Wheezer Dell
- Brother
- (uncredited)
Harry Madison
- Brother
- (uncredited)
Kate Price
- Kat - the Wife
- (uncredited)
Joe Roberts
- Brother
- (uncredited)
Tom Wilson
- Brother
- (uncredited)
- Directors
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Buster winds up married to a harridan and finds himself sharing a house with her, her surly father and four brutish brothers. They treat him abominably until they begin to think he might be well-off ... Made a year after Buster had got married and was single-handedly supporting his wife's large family, this is one of his more auto-biographical shorts, and feels rather bitter. Some very funny scenes, but not one of the genius' best.
Not one of Keaton's better efforts, but there are a few laughs to be found in this wry tale of a man who finds himself accidentally married to a battle-axe (Kate Price) with four hulking brothers, none of whom take kindly to his presence in their home.
Buster Keaton was often one to draw creative inspiration from his personal life. Frequently his love life, which was stormy and dramatic. Here's one such example: he married his first wife in 1921, and within a year he produced this short film, about a well-meaning sucker who's torn from his happy livelihood by a sudden marriage and an abhorrent set of greedy, oafish in-laws. The fictional version involves four large, bumbling brothers, as contrasted by his real bride's two sisters (all successful actresses), but it doesn't take much effort to read between the lines.
In this case, unfortunately, the personal connection doesn't result in many laughs. Buster is unjustly abused and exploited, despite his best efforts to make nice and blend in. Even when those good intentions don't backfire, his craftiness occasionally trumping his overwhelming bad luck, he's barely given a pat on the head before catching the persona non grata tag again and the whole dance begins anew.
It all culminates in a desperate chase, as many of Keaton's capers seem to, this one through a posh mansion and across the crowded roadways just outside. That's the sizzle of the film, another example of the expressive star's knack for repurposing everyday objects in acrobatic new ways, but it's brief and inconclusive. Satisfying climaxes sometimes seem optional in these brief comedies, but this one ends far more abruptly than most. Almost as if its star hadn't yet found an answer to his own similar, private entanglement.
In this case, unfortunately, the personal connection doesn't result in many laughs. Buster is unjustly abused and exploited, despite his best efforts to make nice and blend in. Even when those good intentions don't backfire, his craftiness occasionally trumping his overwhelming bad luck, he's barely given a pat on the head before catching the persona non grata tag again and the whole dance begins anew.
It all culminates in a desperate chase, as many of Keaton's capers seem to, this one through a posh mansion and across the crowded roadways just outside. That's the sizzle of the film, another example of the expressive star's knack for repurposing everyday objects in acrobatic new ways, but it's brief and inconclusive. Satisfying climaxes sometimes seem optional in these brief comedies, but this one ends far more abruptly than most. Almost as if its star hadn't yet found an answer to his own similar, private entanglement.
In the world where people misunderstand each other perfectly Buster Keaton is accidentally wedded with intimidating woman (Kate Price) with even more intimidating brothers. Buster is not very welcome in the family and he gets bullied around until one of the brothers finds an envelope in the Buster's pocket. Inside the envelope is a letter that declares that he has inherited $100.000. Suddenly all the family starts to take care of Buster - they treat him good (well, almost) and they rent an expensive mansion. Then they discover that the letter wasn't for Buster, and all hell breaks loose.
The film has some quite funny and clever moments, but they are just moments. Like usually in the Buster Keaton's movies, this time the story doesn't go nowhere and random stunts (as magnificent as they are) are just random stunts in random order. Seems bit wasted opportunity, considering the talents of Buster Keaton. Still, it is fun and entertaining enough to spend your 25 minutes.
The film has some quite funny and clever moments, but they are just moments. Like usually in the Buster Keaton's movies, this time the story doesn't go nowhere and random stunts (as magnificent as they are) are just random stunts in random order. Seems bit wasted opportunity, considering the talents of Buster Keaton. Still, it is fun and entertaining enough to spend your 25 minutes.
Really love Buster Keaton, he was incredibly funny, very daring and was also one of the few in film history to make deadpan work. Love many of his feature films, with 'The General' especially being a masterwork, and most of his independent short films too ('The Scarecrow' and 'One Week' being my favourites). Not all of them though, as a few did suffer from not being particularly inspired or disjointed and cobbled together stories, such as 'Balloonatics' and 'The Frozen North'.
'My Wife's Relations' is not one of Keaton's best either, while putting it above those two only just. As far as his short films go, while above average and worth watching it is one of his lesser ones. A lot to like, but doesn't do enough with a great idea and Keaton did funnier and more imaginative work before and since. 'My Wife's Relations' is worth watching if wanting to see as much of Keaton's work and silent comedy in general, but it's not one of the essential.
There are plenty of good things. Keaton is without complaint, he has great comic timing, he shows off his fearlessness whenever he is able to and he is endearing (keep saying a lot about his near-unparallelled mastery of deadpan, but it is always impressive when something you don't usually care for is done well). His character is a likeable one in an on paper relatable predicament. Kate Price is very convincing as a formidable battleaxe of a character and Keaton regular Joe Roberts plays to his strengths very well.
It looks good with nicely framed photography throughout. There are amusing moments, especially in the second half where Keaton's bold physical comedy shines in the climax. The dinner scene has some very funny little touches and wedding nights don't often get more chaotic or hellish than the one in 'My Wife's Relations'
However, 'My Wife's Relations' did feel a bit inconsistent in the pace and laughs so it made it hard for me to fully connect with it. It does have slow spots before properly coming to life in the climactic moments and there could have been more laughs, or at least ones that felt more consistently natural than those here.
Also felt that the thin and at times contrived story brought things down as well as going well overboard on the unlikeability factor for most of the characters. While Keaton, Price and Roberts are good, the others seemed to be over-compensating.
Summing up, above average but not exceptional. 6/10
'My Wife's Relations' is not one of Keaton's best either, while putting it above those two only just. As far as his short films go, while above average and worth watching it is one of his lesser ones. A lot to like, but doesn't do enough with a great idea and Keaton did funnier and more imaginative work before and since. 'My Wife's Relations' is worth watching if wanting to see as much of Keaton's work and silent comedy in general, but it's not one of the essential.
There are plenty of good things. Keaton is without complaint, he has great comic timing, he shows off his fearlessness whenever he is able to and he is endearing (keep saying a lot about his near-unparallelled mastery of deadpan, but it is always impressive when something you don't usually care for is done well). His character is a likeable one in an on paper relatable predicament. Kate Price is very convincing as a formidable battleaxe of a character and Keaton regular Joe Roberts plays to his strengths very well.
It looks good with nicely framed photography throughout. There are amusing moments, especially in the second half where Keaton's bold physical comedy shines in the climax. The dinner scene has some very funny little touches and wedding nights don't often get more chaotic or hellish than the one in 'My Wife's Relations'
However, 'My Wife's Relations' did feel a bit inconsistent in the pace and laughs so it made it hard for me to fully connect with it. It does have slow spots before properly coming to life in the climactic moments and there could have been more laughs, or at least ones that felt more consistently natural than those here.
Also felt that the thin and at times contrived story brought things down as well as going well overboard on the unlikeability factor for most of the characters. While Keaton, Price and Roberts are good, the others seemed to be over-compensating.
Summing up, above average but not exceptional. 6/10
Did you know
- TriviaIncluded in "Buster Keaton: The Shorts Collection" blu-ray set, released by Kino.
- ConnectionsFeatured in Fractured Flickers: Paula Prentiss (1963)
Details
- Release date
- Country of origin
- Languages
- Also known as
- En min frus släktingar
- Production company
- See more company credits at IMDbPro
- Runtime
- 25m
- Color
- Sound mix
- Aspect ratio
- 1.33 : 1
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