The Scarlet Letter

I love this film for everything that it is. The story, the acting, the direction, everything about it is great.

The story revolves around Hester Prynne(Lillian Gish) and her love for the Reverrend Arthur Dimmesdale(Lars Hanson). Poor Hester is marked with the 'scarlet letter' when she gives birth to her lovechild with the bishop, and the bishop suffers on his own as his heart begins to fail on account of the guilt he feels.

The orchestration of this film helps a lot because the wonderful music helps you follow the story more and bring intensity. I love Lars Hanson's performance, he has the perfect profile for love scenes.

After years of desperately wanting to see this movie I finally got hold of a copy of it. I put the DVD in the machine and waited with baited breath, was the film going to be as wonderful as the other commenters(?)had rated it? was it going to be anywhere near as good as the other Gish/Hanson/Seastrom collaboration "The Wind"? Well, the answer was that it was everything I hoped for and more. The version I saw a recording of TCM's restoration so the quality of the print veered from superb to not quite so good, but, in all honesty that did not matter as I soon got caught up in the story of Hester Prynne and the Rev. Dimmesdale. The acting was superb by all the cast, the direction was excellent and the whole setting of the movie was outstanding. It still amazes me who there are those who will not watch a silent movie, are you crazy? This version is a million miles better than the Demi Moore/Gary Oldman version made 70 years later, the chemistry between Gish and Hanson is perfect, the child actress Joyce Coad who plays Pearl, the love child, is delightful and Henry Walthall is menacing as Roger Chillingworth, Karl Dane also deserves mentioning as Master Giles in a slightly comedic role. The only downside to the movie and it had nothing to do with the movie itself was that I bought it from a guy who contacted me via IMDb and led me to believe it was his own print, I paid $52 for a TV recording off TCM. He is contacting people concerning vintage movies so beware if someone offers to get a print of that vintage movie you want to see.

Exactly what we've lost since the end of the silent era is magnificently on display in Victor Seastrom's THE SCARLET LETTER: shimmering black and white photography of superbly composed and paced scenes capturing the essence of the American classic novel by Hawthorne, though certain details of the story have been altered and may annoy literary purists. This is not the novel but a separate work, more than a perceptive and intelligent picturization. Here is the great, lost art of silent screen acting, with Lillian Gish, unforgettable as Hesther Prynne, leading an accomplished cast. The result is pure visual poetry.

There just aren't enough words to describe the beautiful performances in this film....not that words are needed, then or now. Victor Seastrom's lovingly crafted scenes provide perfect visual frames for the transcendent performances of Lillian Gish and Lars Hanson. An artistic triumph for everyone concerned, and a bittersweet reminder of what was lost with the death of the art of the silent film. (The Turner restoration is alas, also bittersweet, as prints of wildly differing quality had to be "married" in order to create a substantially complete copy of the subject. Thus, viewers move from scenes that shimmer with pristine beauty to muddy, contrasty dupes. It's a tribute to the art of all concerned however, that this is not the distracting issue it might be with a lesser film. Like any work of art, you won't notice the cracks and flaws after a while if you're paying attention as you should. It's just a shame that the entire film isn't as mint-fresh as some of its scenes.)

I'm familiar with concept of the story, but didn't know any of the details of the film, so I was left gripped by it, waiting to see how it would all unfold. Lillian Gish is the lead, and Lars Hanson is the pastor who she has an affair with. Both give great performances on par with their work in The Wind, and the film does a wonderful job at dealing with the complexity of the religious themes. The scene where a bunch of town kids pelt Gish's young daughter with mud simply for being the child of an unwed mother is one of the more harrowing sequences I've seen. It's just brutally grim. Without having read the original source material, I have no idea how accurate the film is, but regardless it was really compelling and complex exploration of religion and hypocrisy.