Call of the Cuckoo

The main story here is the standard stuff of destroying a house and car, with some pretty offensive antisemitic stuff as the center.

Both of those elements are pretty disposable, a worthless film, except for the side story.

The reason for the destroyed house is that Mr. Gimplewart traded his house for this one because he couldn't stand the neighbors. In the credits, they are called "asylum inmates," but there is nothing in the movie that imposes this sense on them.

Anyway, we see them early in the thing generally acting nuts. I've been watching a lot of Laurel and Hardy recently. I don't expect to see everything — they are just not that interesting.

But the few moments they are on screen have to be the funniest I have ever seen of them. It makes it worthwhile. Just watch that part.

Ted's Evaluation -- 2 of 3: Has some interesting elements.

Call of the Cuckoo (1927)

** (out of 4)

A man (Max Davidson) swaps houses, sight unseen, due to his wacko neighbors. When he moves into the new house it turns out the thing is falling apart in every way possible. The only real highlight is the few scenes with the neighbors who are played by Laurel, Hardy and Charley Chase.

Second Hundred Years, The (1927)

** 1/2 (out of 4)

Laurel and Hardy play convicts who make an escape but they find themselves in a more dangerous place than prison. There's small laughs scattered throughout this short but in the end the only real highlight is seeing boys with shaved heads.

CALL OF THE CUCKOO

Aspect ratio: 1.33:1

Sound format: Silent

(Black and white - Short film)

Desperate to escape their crazy neighbors, Max and his family accept a house-swap sight unseen, but their new home turns out to be a dilapidated wreck...

Though headlined by silent star Max Davidson, Clyde Bruckman's unusual comedy opens with second-billed Laurel and Hardy performing strange, child-like mimes with James Finlayson outside Davidson's property, rather like circus clowns dressed in regular outfits! Once the action shifts to Davidson's new home, however, the movie becomes less interesting, as the building collapses around him at every turn. Davidson's bearded appearance and overcooked performance suggests - intentionally or not - some kind of appalling Jewish caricature, which taints the entire movie. One of the intertitles describes his nerdish son (Spec O'Donnell) as 'Love's great mistake!', a pre-Code insult which just about takes the biscuit, even today!

Since this was filmed not long after The Second 100 Years, Stan Laurel & Oliver Hardy still have their shaved heads from that one. They, along with James Finlayson and Charley Chase, are the cuckoos of the title. They're not the stars, however, it's actually someone named Max Davidson who ended up during the talkies taking roles with scant time on screen. He plays a house owner who wants to sell because of those next door neighbors I just mentioned. One potential buyer wants the house so bad, he agrees to a trade, no questions asked. I'll just now say Max really should beware of what he's purchasing and leave it at that. I thought this short had plenty of earned laughs whether concerning that new house or those next-door cuckoos. So that's a recommendation of Call of the Cuckoo.

Laurel and Hardy appear in supporting roles in this short Max Davidson comedy, playing two of a quartet of loons living next door to the hapless hero. I've never seen a Davidson film before – or heard of him to be honest – and judging by this effort, it's no surprise that he's now largely forgotten. He strokes his beard a lot and holds the side of his face but rarely does anything remotely funny. In the film he's so desperate to get away from his mentally challenged neighbours that he agrees to swap houses with a stranger. He takes his long-suffering wife and heavily freckled (and rather gormless-looking) son with him and soon finds out that the new family home is about to fall down around his ears. Everything that can collapse does so, flames come from a tap while the cooker sprays fountains of water, and the pattern on the kitchen floor disappears when Mrs Max wipes it with a mop. Despite none of these escalating series of mishaps being particularly funny, they are nearly all repeated two or three times.