Trolley Troubles

'Trolley Troubles (1927)' is a short film starring Oswald the Lucky Rabbit that has been remastered and re-released on Disney+. To say this thing is nearly 100 years old, it looks fantastic, with crisp linework and a distinctly rubber hose aesthetic. The animation is satisfying and energetic. It's particularly impressive when conveying things coming towards the frame, as it creates a palpable sense of perspective that enhances the believability of its absurdist action. It's an enjoyable outing that isn't particularly complex but doesn't need to be. Some of its gags are quite clever, and it's generally fairly inventive overall. It also features one of those iconic 1920s animated cows with massive hip bones and hooves that look like feet. It's a solid effort and it's great to see it looking so good.

Disney was still pretty far back in the pack of cartoon producers at this stage of the game, when Felix the Cat and Koko the Clown were still way ahead in the lead. Nor was Disney backwards about borrowing gags: this cartoon opens with Oswald polishing his trolley, which he then places on his rump as a fluffy bunny's tail: a typical Felix trick.

Despite this and some cheating in production -- the last sequence is a repeating series as the trolley goes into a number of black tunnels -- to hold down costs, there are also clear signs that Disney is still ambitious, particularly a well-composed shot from a low Point of View.

The basic situation and many of the gags are borrowed from Fontaine Fox' popular TOONERVILLE TROLLEY strip. It's not an awful variation, it's not a great one.

Oswald Rabbit is a trolley car conductor. He packs it with passengers. A cow on the tracks is blocking him. After clearing the cow, he gets hit next by a goat. Oswald uses the goat to push the trolley up a hill, but it's the coming down that is the problem.

This early Walt Disney short is fine. I like Oswald. The rabbit's foot is probably the best gag in the whole thing. This is my first Oswald cartoon. My initial impression is that he's not quite Bugs Bunny, but he's pretty good as a character of his own. He just needs more unexpected humor like the rabbit's foot. Mostly, this is pretty straight forward.

One of the first Oswald the Rabbit cartoons, written and directed by Walt Disney, has four minutes of gags involving Oswald trying to get his trolley going on the tracks only to his some obstacles - he has to give a cow a stern paying-his-mind to that won't get off the tracks - and then the last two minutes are sheer mayhem in the most enjoyable way from the era of 1920's cartoons.

There's little moments that stick out as being especially funny and cool, like when the train is going on its manic spring through its tunnels and then when Oswald takes off one of his legs to kiss himself goodbye, literally. The general pace of this is what keeps it entertaining, that there's something about to come every mother second. The gags are so fast that you may need to watch it a second time to catch the few good ones that you might have missed. It's mostly those final two minutes though that seals the deal for this being a fun sit as opposed to just an important but slight one. Already here Disney is primed for when he has to go forward with his own Mickey Mouse shorts.

Despite Oswald the Lucky Rabbit and his cartoons being popular and well received at the time, they have been vastly overshadowed over time by succeeding Disney characters (like Mickey, Donald and Goofy) and those from Looney Tunes. It is a shame as, while not cartoon masterpieces, they are fascinating for anybody wanting to see what very old animation looked like and what Disney animation was like before Mickey arrived on the scene.

'Trolley Troubles', actually the second Oswald cartoon (his debuting cartoon being the very rare 'Poor Papa'), is not great but still pretty good. The story is not much of one and has its absurd and rushed spots, and a couple of the gags are a little hokey.

Animation is not bad at all for a cartoon so old and techniques still in early days, it's crisp and fluid enough with some nice detail, sure there are some rough spots understandably especially with Disney animation becoming much more refined later. The added soundtrack and sound effects add a lot rather than distract, actually improving the cartoon's impact and making things easier to understand.

Most of the gags work very well, never hilarious as such but they are well timed and amusing, with the final two minutes being close to riotous. Oswald is an endearing protagonist and the other characters are quite fun.

Overall, pretty good. 7/10 Bethany Cox