Men O'War

Stan Laurel and Oliver Hardy were comedic geniuses, individually and together, and their partnership was deservedly iconic and one of the best there was. They left behind a large body of work, a vast majority of it being entertaining to classic comedy, at their best they were hilarious and their best efforts were great examples of how to do comedy without being juvenile or distasteful.

Although a vast majority of Laurel and Hardy's previous efforts ranged from above average to very good ('45 Minutes from Hollywood' being the only misfire and mainly worth seeing as a curiosity piece and for historical interest, and even that wasn't a complete mess). 'Men O'War' is one of the best and funniest Laurel and Hardy short films up to this point of their output, one of their best from their overall early work and very nearly one of my personal favourites of theirs. Their filmography, apart from a few bumps along the way, was getting better and better and 'Men O'War' exemplifies this.

Not a lot to criticise here, though the story is a little all-over-the-shop at times and gets a bit confused.

Once again, 'Men O'War' is non-stop funniness all the way, its best part being the riotous ending. There is insane craziness that doesn't get too silly, a wackiness that never loses its energy, the lack of vulgarity that is a large part of 'Men O'War' memorability and the sly wit emerges here, some of the material may not be new but how it's executed actually feels fresh and it doesn't get repetitive.

Laurel and Hardy are on top form here, both are well used, both have material worthy of them and they're equal rather than one being funnier than the other (before Laurel tended to be funnier and more interesting than Hardy, who tended to be underused). Their chemistry feels like a partnership here too, before you were yearning for more scenes with them together but in 'Men O'War' we are far from robbed of that. Their comic timing is impeccable and love the spontaneity that seemed present here.

'Men O'War' looks good visually, is full of energy and the direction gets the best out of the stars, is at ease with the material and doesn't let it get too busy or static. The supporting players are solid, James Finlayson in particular.

Concluding, great. 9/10 Bethany Cox

Laurel & Hardy are in their sailor outfits again, although there's really no need for them to be other than to emphasise their ineptitude in the second part of the film, which takes place on a boating lake. They come across a pair of bloomers and mistakenly believe they belong to one of a pair of young ladies they meet in the park. Of course, they don't belong to the ladies, but the boys realise this before they can embarrass themselves. That fact alone is an indicator of the high quality of the writing here; a lesser writer would have had the boys making asses of themselves, but the more satisfying pay-off is gained from the audience's sense of relief combined with the idea of what could have happened.

The boys take the girls for a soda. The clerk here is their old nemesis James Finlayson, but he doesn't really have a lot to do here other than squint suspiciously at the boys through one eye and say 'doh!' (nearly sixty years before Homer). Of course they don't have enough money and Ollie decides he and Stan will have to share one between them. You probably know how that works out, and the simplicity of Stan's line is filled with the kind of crackpot – but understandable – logic that typifies Laurel & Hardy's humour.

The ending's a variation on a theme they had used many times before but it still works because it *is* a variation rather than a rip off. This one's definitely worth a look.

Starting right now, I'm reviewing a Laurel & Hardy film, and then an Abbott & Costello one with something similar, one after another. So it is that I'm reviewing Men O'War, L & H's third talkie. In this one, they are sailors charmed by a couple of young women. So they go to a soda shop and Ollie finds out there's only enough money for three drinks. So he tells Stan to refuse. I'll stop there and just say Bud & Lou go through something similar in Keep "Em Flying which I'll review next. So then they also go row boat riding and...well, if you've seen many L & H shorts it shouldn't surprise anyone what happens. This was pretty funny if not completely hilarious but still a treat to watch, just the same, especially when James Finlayson is involved, that's for sure! This short was early in the talkie era so the timing involving sound wasn't perfect, yet. So that's a recommendation for Men O'War.

The duo are back again, this time as sailors wooing to equally dumb girls. It's got the usual slapstick and facial expressions that make the viewer laugh but in addition to that, it's got some witty dialogues too. The bar scene where Hardy selfishly tries to get out of paying is downright hilarious. The slapstick regarding the boat where the duo try to row out but end up rotating in one spot, drags a little but the sequence thereafter, that leads to a 'catastrophe' is hilarious. I kept wondering, OK now the boat's going to sink until it eventually does. The underwear confusion in the beginning was another laugh-out-loud sequence and I'm glad they didn't overdo it by using clichés. That sequence could have ended with Laurel or Hardy handing over the underwear to the girls followed by an embarrassing scream but thankfully that was avoided and the plot continued well. Overall, it is a well executed movie. A nice little funny film.

A LAUREL & HARDY Comedy Short.

Sailors Stan & Ollie, two MEN O'WAR, are on shore leave. While strolling through the park, they meet & escort two silly young women. After a financial contretemps at the soda fountain, the Boys initiate a rowdy donnybrook on the boat pond.

A hilarious little film, with a delightful sense of spontaneity, as if the performers were extemporizing much of their dialogue. This short is also refreshing in that the plot takes place entirely out of doors. Highlight: bedlam in the boat. The knickers sequence shows that this film was produced pre-Production Code. That's James Finlayson as the soda fountain/boat rental manager; Anne Cornwall & Gloria Greer as the young women; and Charlie Hall as the man in the canoe.