The Benson Murder Case

Amateur Detective Philo Vance investigates the murder of a heartless financier. William Powell's third outing as Vance is a fast-paced mystery full of the usual red herrings and false confessions. The identity of the murderer is rarely in doubt but the brisk 65 minute running time means it maintains its impetus until Vance can gather all the suspects together for the big reveal. The method of murder - or rather the attempt by the killer to deflect suspicion from himself - is about as elaborate as you're likely to see in a movie from any era.

Philo Vance (William Powell) is back for a third time solving murders of his choosing. This time he had to be involved because the murder occurred while he was present at the scene of the crime.

The victim, Tony Benson (Richard Tucker), was a broker who owned a brokerage firm. When the stock market crashed in 1929 he had to "sell out" many of his clients. Undoubtedly, after such a huge crash, many people would be furious with their stock brokers. In other words, many people had a motive to kill Tony. In this case, only a handful of people with motives had the second element of a murder: opportunity.

At Tony Benson's property, uninvited, were Fanny Del Roy (Natalie Moorhead), Mrs. Paula Banning (May Beatty), Adolph Mohler (Paul Lukas), and Albert Brecker (Mischa Auer). The only one there by invitation was Harry Gray (William 'Stage' Boyd). Dropping by also were District Attorney Markham (E. H. Calvert) and Philo Vance.

Fanny wanted a pearl case in Tony's possession. Adolph had to settle a debt with Benson. Paula was chasing down her husband Adolph, trying her best to keep him though she was now broke. And Adolph Brecker came by to bring a bag to Harry Gray.

Tony Benson was murdered in a full house. A shot was heard then he toppled downstairs. Downstairs at the time were Philo Vance, Harry Gray, and Markham. So, then, who was the murderer?

"The Benson Murder Case" was a bit more elaborate than I would've liked. All good murder mysteries have a little bit of misdirection and multiple suspects. "The Benson Murder Case" was no different, it's just that once we found our answer and how it was done, I wasn't too enthused.

Still, I like William Powell as a part time detective rather than a "Ladies Man" and "Man of the World."

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1930's "The Benson Murder Case" marked William Powell's third outing as debonair Philo Vance, following "The Canary Murder Case" and "The Greene Murder Case," with E. H. Calvert's District Attorney Markham, and Eugene Palette's Sgt. Ernest Heath also returning. The target for murder is ruthless stockbroker Anthony Benson (Richard Tucker), and it's certainly a happy coincidence that all of his jilted victims conveniently turn up in time for that fatal shot, his lifeless body tumbling down the steps. This time Vance is already present, challenged to solve this case by Harry Gray (William 'Stage' Boyd), who believes that no truly clever murderer would ever be caught by Vance. The paucity of suspects reduce the story from a 'whodunit' to a 'howdunit,' with future Philo Vance Paul Lukas and his Hungarian accent particularly difficult to decipher, playing a spineless, charisma-free gigolo. It's nice to find Powell's future "Thin Man" co-star (as Julia Wolf) Natalie Moorhead, playing a distinctively pre-code independent woman. Palette is again a delight, and Powell himself has even more to do than before, his meticulous recreation of the crime finally wearing down his devious foe. This was Paramount's final Philo Vance feature, following the release of MGM's "The Bishop Murder Case," which headlined another former villain, Basil Rathbone, in the title role. It would be three years before Vance would return to the screen, played for a fourth and last time by Powell, again joined (this time at Warners) by Eugene Palette, with Robert McWade playing Markham.

The third Philo Vance movie starring William Powell. It's adapted from the first Vance novel, itself based on the real life "locked room" murder of famous bridge player Joseph Bowne Elwell. The mystery here has a neat resolution. Powell is always aces and he has fun support from Eugene Pallette. Paul Lukas gives a nervous turn that gets a little grating. Lukas would later play Vance himself. The only real downsides are the usual complaint about early talkies, namely the pacing and that they have a lot of stiff joints. I'm an avid fan of classic films so it doesn't bother me much. But your mileage may vary.

"The Benson Murder Case" would have been another unexceptional, run-of-the-mill murder film. Worth watching but largely stagebound and with a primitive sound system (the players' voices fade in and out as they get closer or further from the mike). The deus-ex-machina is outrageously contrived to the point of unfairness, like some of Agatha Christies' stories. It starts off on a dark and stormy night, all suspects at the country estate of a hated stock broker, and, guess what? He gets bumped off. So far, pretty routine.

Enter William Powell as Philo Vance and the picture immediately goes from a rating of 4 up to a 6. Dapper and sophisticated and with his inimitable off-handed cocksuredness, Powell rescues the film just by coming in the front door. This was his milieu and in these circumstances he was the best ever.

Also on hand is Eugene Palette as the dense Police Lieutenant. and Richard Tucker as the corpse-to-be. Mischa Auer appears as a suspicious manservant and Paul Lukas as a mendacious gigolo. If it comes on it is worth a watch as a whodunit (you won't guess) and as a very early example of a new sound film.