Party Girl

There's nothing really shocking or even interesting about this precode, not even for 1930. It's basically about a ring of professional "party girls" that work for one particular madam and go around entertaining bored businessmen. Doug Fairbanks Jr. Is the partying son of the head of a manufacturing concern who crashes one of these parties one night and winds up with two souvenirs he could have done without - a huge hangover and a party girl wife. In the meantime, he's in love with his father's secretary who is a former party girl herself.

What is really notable here is the extremely bad acting. I've seen Doug Fairbanks Jr. In several of his early roles, and even if the films weren't that great, Doug's acting was OK. Here he really hams it up, along with the rest of the cast. I can only chalk it up to bad directing by Victor Halperin who made a number of unmemorable B pictures in the 30's, one of the exceptions to that being 1932's excellent "White Zombie".

The one strange thing that keeps happening in this film that I've never seen before is that everyone seems to think it's OK to drive your car into the service elevator of tall buildings and emerge on the floor of your choice. Fairbanks and his friends do it when they are crashing the party, and the police do the same thing at the end.

My verdict would be to pass on this film, even if you're a precode fan. It's neither cheesy nor entertaining enough to be worth your time.

This lurid pre-coder is about the use of "party girls" in big business. The idea is that business men are wined and dined at wild parties where there are available girls.

Douglas Fairbanks, Jr. stars as a college boy who attends a party and is picked up by evil Leeda (Judith Barrie). Next morning she pretends she has been "wronged" and what's he gonna do about it? The sap marries her only to discover that she wants a business deal for her real boy friend in order to Fairbanks to divorce her. What a tramp! His dad's secretary (Jeanette Loff, who sings a couple songs), a reformed "party girl," is heartbroken and so returns to the party circuit only to get caught in a police raid.

This is a pretty racy film even for 1930. There's once scene where the girls fill a fountain with perfume and then the guys grab Marie Prevost (who does NOT get billing in this film for some reason), strip here and bathe her in the fountain while everyone watches.

The acting is just awful, with Fairbanks and Barrie turning in hideous performances, but the film is so suggestive and trampy, it's impossible not to watch.

John St. Polis the father, Almeda Fowler (don't call me madam!) is the madam, Louise Carver is the masseuse, and Lucien Prival is Newcast.

On the plus side, the music is quite good, and there that freight elevator that keeps delivering cars into the party living room!

Party Girl (1930)

** (out of 4)

Jay Rountree (Douglas Fairbanks, Jr.) is the son of a wealthy banker who spends most of his time borrowing money from dad so that he and his friends can drink and have a good time. Jay ends up at a party and meets Leeda (Judith Barrie) and the next morning she cries that he "ruined" her good girl quality so the weak Jay marries her with no questions asked. This here breaks his heart because he wanted to marry his dad's secretary (Jeanette Loff) but before long he realizes that Leeda is a prostitute who is used at business parties to lure suckers.

Victor Halperin would make a name for himself two years from this film when he directed the Bela Lugosi film WHITE ZOMBIE so it's interesting getting to see something earlier. This film here starts off like a lot of the exploitation pictures of the era with a "warning" telling people that a party girl is a prostitute who tries to get her nails into men and ruin their lives with various scams. I did find it funny that this was warning people against these leech hookers yet they never bothered to tell men to just stay away from them!

With that said, I must admit that I was really shocked to see Fairbanks, Jr. in this role. This was obviously done when he was a struggling actor but it's still strange to see a name like his attached to what's basically a very low-budget exploitation movie. What's even more shocking is that he managed to go on and become a fine actor because his performance here is quite awful. Just check out the scenes where he's pouting about having to get married. Yikes. Loff isn't much better as the prostitute but Barie is good in her small role.

PARTY GIRL is certainly worth watching if you're a fan of exploitation movies or if you want to see an early film from Fairbanks where he's not all that good. Overall the film runs just over a hour so it's decent enough to make it worth watching.

Vaguely hysterical exploitation pic in which wastrel rich kid Douglas Fairbanks Jr finds himself tricked into marriage by a prostitute after he and his mates crash a boozy party. Needless to say, Daddy isn't impressed, and neither is love interest Jeannette Loff who was once herself a "party girl." It's the kind of movie that disappeared from movie screens for a couple of decades once the Production Code came into force, but the worst you see is young women sitting on old men's laps.

In those days when Douglas Fairbanks, Jr. was playing any kind of role other than costume swashbucklers, the better to establish his own identity separate from his father, Party Girl was a typical role for him. In Party Girl he plays a rich young playboy during that era of wonderful nonsense who gets himself tricked into a marriage to a gold digging flapper played by Judith Barrie. If Party Girl did anyone's career any good it should have been Barrie.

Almeeda Fowler plays the procurer for her escort service of which Barrie is part. Various businesses use her girls for 'entertainment' and the girls hope to land a rich husband one way or another.

Party Girl is one primitive talkie and it also bares no resemblance to Party Girl made a quarter of a century later with Robert Taylor and Cyd Charisse. Fairbanks is pretty insipid and that doesn't wear well on him.

Lots of pre-Code double entendre in Party Girl. But overall it hasn't worn well over the decades.