Man joins a gang to free his girlfriend from prison.Man joins a gang to free his girlfriend from prison.Man joins a gang to free his girlfriend from prison.
- Director
- Writers
- Stars
- Awards
- 4 wins total
William 'Stage' Boyd
- McCoy
- (as William Boyd)
Terry Carroll
- Prison Inmate
- (uncredited)
Allan Cavan
- Cop
- (uncredited)
Bill Elliott
- Nightclub Patron
- (uncredited)
Norman Foster
- Shooting Gallery Patron
- (uncredited)
Paulette Goddard
- Nightclub Patron
- (uncredited)
Bert Hanlon
- Baldy
- (uncredited)
A.R. Haysel
- Fourth Henchman
- (uncredited)
Matty Kemp
- Man Stabbed with Fork
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
I saw this film last night at a "pre-Code" film festival, and I have to tell you that when Gary Cooper turned his head for his introductory close-up, the entire audience gasped. He was just that beautiful.
Cooper's looks aside, this film displays Rouben Mamoulian's directorial artistry to perfection. Wonderful scene-fades, creative camera angles, symbolic allusions--Mamoulian just keeps exploring the directorial medium and coming up with innovation.
This was Sylvia Sidney's first role in Hollywood, after her success on the New York stage, and she is just as lovely as a Gary Cooper leading lady ought to be. It's nice to see her in a role with a harder edge than many she was given--so often she looks like she's afraid she's about to be hit by someone.
There are lots of familiar faces in this film, including the wonderful Wynne Gibson. Most striking is Guy Kibbee, best known for playing fatuous rich men, as a grinning and mendacious hit-man.
There aren't nearly enough of these pre-Code films available on VHS or DVD, so if you can't find a pre-Code festival near you, try campaigning Turner Classic Movies for a broadcast! As for the reviewer who believes Gary Cooper was too stupid to have dialogue more complex than "Yep" or "Nope," he should perhaps consider Coop's performance in films such as "Mr Deeds Goes to Town" or "Meet John Doe." Although heaven knows anyone who looked that good shouldn't have to be smart as well.
Cooper's looks aside, this film displays Rouben Mamoulian's directorial artistry to perfection. Wonderful scene-fades, creative camera angles, symbolic allusions--Mamoulian just keeps exploring the directorial medium and coming up with innovation.
This was Sylvia Sidney's first role in Hollywood, after her success on the New York stage, and she is just as lovely as a Gary Cooper leading lady ought to be. It's nice to see her in a role with a harder edge than many she was given--so often she looks like she's afraid she's about to be hit by someone.
There are lots of familiar faces in this film, including the wonderful Wynne Gibson. Most striking is Guy Kibbee, best known for playing fatuous rich men, as a grinning and mendacious hit-man.
There aren't nearly enough of these pre-Code films available on VHS or DVD, so if you can't find a pre-Code festival near you, try campaigning Turner Classic Movies for a broadcast! As for the reviewer who believes Gary Cooper was too stupid to have dialogue more complex than "Yep" or "Nope," he should perhaps consider Coop's performance in films such as "Mr Deeds Goes to Town" or "Meet John Doe." Although heaven knows anyone who looked that good shouldn't have to be smart as well.
If it had been made 2 years later it would have been BANNED! The number one MUST SEE recommendation of the day!. The best Rouben Mamoulian film I have seen this far (have but have not yet seen J+H).
There's no wonder why this film got less than 200 votes. A bigger greyzone that could not care less about what's proper would not be seen again until the 60's. As morally ambiguous and dark as 70's grit but with a certain charm as well. Of course this had to lay low in the later 30's and sadly it does not appear to have been re-discovered.
Seriously. This got it all. Great actors: Gary Cooper, Sylvia Sidney and the this time not so lovable Guy Kibbee. And a mighty good director. This far I haven't been RM's biggest fans but I have liked his films a lot and with this he steps into a new league. One of the best 30's films I have ever seen! This is something I never thought even existed! 9.5/10
There's no wonder why this film got less than 200 votes. A bigger greyzone that could not care less about what's proper would not be seen again until the 60's. As morally ambiguous and dark as 70's grit but with a certain charm as well. Of course this had to lay low in the later 30's and sadly it does not appear to have been re-discovered.
Seriously. This got it all. Great actors: Gary Cooper, Sylvia Sidney and the this time not so lovable Guy Kibbee. And a mighty good director. This far I haven't been RM's biggest fans but I have liked his films a lot and with this he steps into a new league. One of the best 30's films I have ever seen! This is something I never thought even existed! 9.5/10
I thought I'd witnessed every wrinkle the crime/gangster flick had to offer, but the Garrett-Marcin-Hammett combination pull off some genuine thrills and surprises here, thanks to the inventively forceful direction by Mamoulian, the atmospheric photography by Lee Garmes, plus remarkably sharp film editing and flawless special effects. Brilliant acting helps too. Coop gives one of his most convincing performances as the reticent hayseed-turned-fearless bootlegger (the sort of character progression he was to repeat in other roles such as Sergeant York). Miss Sidney (pictured center) in her first major role is also an eye-opener. The principals receive great support from Paul Lukas, Wynne Gibson and Stanley Fields as the heavies, and even from Robert Homans' hard-as-nails detective. The movie has obviously been realized on an extensive budget which is brilliantly deployed in its realistic, crowd-filled sets.
The first thing that stuck me as I was watching this gem was the lack of a sound track. Other than the club scene where a band is jamming there is no music at all. The introduction of sound in film was so recent that technique hadn't been fully developed yet. But the strange thing is that the dialog was enough to fill that void. It actually didn't even appear as a shortcoming. And another strange thing: the bad guys were played by actors who always play honorable characters, Paul Lukas and Guy Kibbee, and boy are they despicable. Very good at it too, especially Kibbee. I never thought of that jovial, ebullient character actor as able to bring it off but he does, and well. As for Lukas he is evil incarnate. There's plenty of other reasons to watch this one. The story is gripping. The camera work was way ahead of its time. Character development is superior. And I could go on and on. If there was ever a film deserving to be digitized this one is it.
Clearly patterned after the first gangster movies that Warner produced the same year,Little Caesar (1931) and The Public Enemy (1931),this gangster movie is one of the better efforts I've seen. Although not quite in the same league as the previous mentioned classics, it has a powerful performance by young Sylvia Sidney.She's magnificent and delivers her lines more natural than perhaps anyone did at the time.Gary Cooper is better than usual at this stage in his career and shows signs of what would follow the next few years when he rose to the top. The movie has some fascinating villains in Paul Lukas (never seen him this detestable) and Guy Kibbee (what a shock to see him act the hoodlum).The direction of Rouben Mamoulian is very inventive,probably the first voice-over to show a persons thoughts appear in this movie. If you get the chance to see this little gangster flick, don't let the chance go by.
Did you know
- TriviaThis was Clara Bow's last film on her five-year contract, but due to her nervous breakdown, Sylvia Sidney replaced her after Nancy Carroll declined the part.
- GoofsWhen the henchman is talking to the out-of-town hit men, he gives Pop's address as beginning with a "6" before the scene cuts away. In the next scene, the address of the building is "165".
- ConnectionsFeatured in Hollywoodism: Jews, Movies and the American Dream (1998)
- How long is City Streets?Powered by Alexa
Details
- Runtime
- 1h 23m(83 min)
- Color
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