IMDb RATING
6.3/10
1.4K
YOUR RATING
Based on a play by Philip Barry, this sophisticated comedy is about a man trying to justify his love for both his wife and his mistress.Based on a play by Philip Barry, this sophisticated comedy is about a man trying to justify his love for both his wife and his mistress.Based on a play by Philip Barry, this sophisticated comedy is about a man trying to justify his love for both his wife and his mistress.
- Awards
- 3 wins total
Cecil Arden
- Additional Cast
- (uncredited)
Ralph Bard
- Additional Cast
- (uncredited)
Henry A. Barrows
- Partygoer
- (uncredited)
William Begg
- Partygoer
- (uncredited)
Curtis Benton
- Radio Announcer
- (voice)
- (uncredited)
Lorena Carr
- Partygoer
- (uncredited)
Oliver Cross
- Partygoer
- (uncredited)
William B. Davidson
- Grace's Husband
- (uncredited)
George DeNormand
- Additional Cast
- (uncredited)
Featured reviews
A film examining character and intelligence, motives and integrity, the artist's life versus the conventional life. It is a love story which depicts love and friendship on many levels. This film is one of those interesting ones where the viewer has to be able to listen to dialogue and interpret meaning. There are subtle interactions between the characters and a civilized, low-key ambiance.
very good movie that the censors couldn't destroy. amazing for it's blatantly adult themes in 1932. the story hasn't aged one bit. lesile howard is brilliant in his role. i saw this on tv one night and searched for half a year to figure out what it was called. fantastic.
10SHAWFAN
Previous reviewers have summarized the plot well. Likewise its pre-code frankness. But what makes this movie most interesting is the unusual context the various stars find themselves in. Think playwright Phillip Barry. What comes to mind: "The Philadelphia Story." Think Leslie Howard: "Pygmalion" and "Gone with the Wind." Think Myrna Loy: the "Thin Man" series. Think William Gargan: many later movies. Notice that Myrna Loy, later such an important star, has to take third billing after Ann Harding. That certainly wouldn't have been the case just a few years later. Good to see Ilka Chase in a screen role. I thought Howard and Loy superb in their acting, probably among the best work they ever did. Under the banal everyday polite surface of the dialogue and events little by little the characters expose themselves: Loy as the manipulative femme fatal and Howard as the man for whom the light begins slowly to turn on. For those whom the title puzzled, I caught Howard saying at one point, "We're just members of the animal kingdom."
Compare this film to Platinum Blonde of 1931 starring Jean Harlow. My IMDb review summarizes the parallels between these two films.
Compare this film to Platinum Blonde of 1931 starring Jean Harlow. My IMDb review summarizes the parallels between these two films.
Once I actually spoke to Ann Harding on the telephone, but, alas, I didn't really know who she was. Yes, it was late in her life and early in mine, but if I had had the slightest idea what an extraordinary actress she had been, I would have been more forward, would have tried to spend time talking with her in person.
I knew the name. She had been a star. But now having seen her in "The Animal Kingdom," I am simply astonished at her ability.
In fact the entire cast is compelling. Even other people of whom I knew nothing or very little were impossible to look away from.
For example, "Franc," played by Leni Stengel, was such a strong, and well-written, character, she was never over-shadowed even by the major characters. "Joe," played by Don Dillaway, was another, and I had never heard of either actor before. Now I want to see everything they ever appeared in. The two actors were remarkable performers, contributing great talent to an already overwhelmingly talented cast.
Myrna Loy played a strong and attractive "society lady," but her character was different from the kind she is known for and gave her a chance to demonstrate she too was one fine actress, capable of variety, and not just a pretty face.
Leslie Howard played, as it seemed he so often did, a rather weak character, but one capable of greatness, or at least potentially of strength.
William Gargan was wonderful as a supposed-to-be-servant who just didn't "know his place." I've never seen him in this type of role, and he was just captivating.
But Ann Harding stole it all.
She was, of course, beautiful, but her mannerisms and gestures, under played, just proved definitely that she was an actress, and an actress of power.
Horace Jackson's script is based on a Philip Barry play so perhaps credit for the dialogue belongs mostly to Barry, but it's intelligent and entices an audience into sticking with everything happening on the screen, even though the actual story is rather sad. It's about misdirected desires, and sacrifices people really shouldn't make.
"The Animal Kingdom" is a good movie, one I recommend, and one I am grateful to Turner Classic Movies for presenting on 9 December 2016. It is and has much more than the one-sentence description found in TV listings. It is much more than a soap opera. It is a strong drama beautifully acted and written, and deserving of serious attention.
I knew the name. She had been a star. But now having seen her in "The Animal Kingdom," I am simply astonished at her ability.
In fact the entire cast is compelling. Even other people of whom I knew nothing or very little were impossible to look away from.
For example, "Franc," played by Leni Stengel, was such a strong, and well-written, character, she was never over-shadowed even by the major characters. "Joe," played by Don Dillaway, was another, and I had never heard of either actor before. Now I want to see everything they ever appeared in. The two actors were remarkable performers, contributing great talent to an already overwhelmingly talented cast.
Myrna Loy played a strong and attractive "society lady," but her character was different from the kind she is known for and gave her a chance to demonstrate she too was one fine actress, capable of variety, and not just a pretty face.
Leslie Howard played, as it seemed he so often did, a rather weak character, but one capable of greatness, or at least potentially of strength.
William Gargan was wonderful as a supposed-to-be-servant who just didn't "know his place." I've never seen him in this type of role, and he was just captivating.
But Ann Harding stole it all.
She was, of course, beautiful, but her mannerisms and gestures, under played, just proved definitely that she was an actress, and an actress of power.
Horace Jackson's script is based on a Philip Barry play so perhaps credit for the dialogue belongs mostly to Barry, but it's intelligent and entices an audience into sticking with everything happening on the screen, even though the actual story is rather sad. It's about misdirected desires, and sacrifices people really shouldn't make.
"The Animal Kingdom" is a good movie, one I recommend, and one I am grateful to Turner Classic Movies for presenting on 9 December 2016. It is and has much more than the one-sentence description found in TV listings. It is much more than a soap opera. It is a strong drama beautifully acted and written, and deserving of serious attention.
10charmadu
I caught this by accident the other night trolling on amazon prime. WOW. I had never seen Ann Harding before - now I'm searching for all her films. Her scenes with Leslie Howard are timeless. She reminds me a bit of Helen Hunt - the intelligence, integrity and genuine affection she displays jump right across the screen. Her character is a total opposite to the completely controlled and controlling wife played by Myrna Loy. I never liked Philadelphia Story all that much so I was not anticipating that I would sit through the entirety of another Phillip Barry story, but I was wrong. Philadelphia Story asked us to smile at the elderly father's affairs with younger women and dismissed his daughter's opposition solely because her mother declared "it doesn't bother me", when clearly the reverse situation would have been unthinkable and abhorrent. Animal Kingdom instead shows us a woman typically viewed by society as "dishonorable", living a life of integrity. Not what you would expect from this era. I only wish we'd had a final scene with Harding and Howard, but I'm a romantic.
Did you know
- TriviaConsidered lost for many years. In the early '80s film historian Ron Haver was searching for missing material for the restoration of A Star Is Born (1954) when he came across a long-forgotten print and negative in the Warner Bros. vaults. The studio had purchased the remake rights for this film from RKO sometime in the mid-'40s and, due to unreliable bookkeeping, misplaced the print and negative in its vaults.
- Goofs(around 1h 18 mins) Tom and Cecelia are sitting shoulder-to-shoulder at a dining table that has a floral centerpiece, and they both have glasses of wine. There's a camera angle change, and when Cecelia leans back in her chair, Tom is holding his glass, but Ci's glass and the centerpiece are gone.
- Quotes
Daisy Sage: Behold, the bridegroom cometh. And no oil for my lamp, as usual. A foolish virgin me. Oh, foolish anyway.
- ConnectionsEdited into Your Afternoon Movie: Animal Kingdom (2022)
- How long is The Animal Kingdom?Powered by Alexa
Details
Box office
- Budget
- $458,000 (estimated)
- Runtime
- 1h 25m(85 min)
- Color
- Aspect ratio
- 1.37 : 1
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