Gangsters posing as police officers offer a woman a chance to make money if she helps them out.Gangsters posing as police officers offer a woman a chance to make money if she helps them out.Gangsters posing as police officers offer a woman a chance to make money if she helps them out.
Henry Armetta
- Tony - Hot Dog Vendor
- (uncredited)
Irving Bacon
- Oscar
- (uncredited)
William Bailey
- Gangster Eddie
- (uncredited)
Wilson Benge
- Waiter at Benefit
- (uncredited)
Wade Boteler
- Barney Goodman
- (uncredited)
Jack Carlyle
- Man
- (uncredited)
Spencer Charters
- Police Sergeant Riley
- (uncredited)
Davison Clark
- Policeman Eddie
- (uncredited)
G. Pat Collins
- Gangster Spud
- (uncredited)
William B. Davidson
- Police Lieutenant
- (uncredited)
Patricia Ellis
- Vivian
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Central Park is a short not quite an hour B film that starred Joan Blondell and Wallace Ford who meet in the famous park over a pair of purloined hamburgers. They are the leads in a series of interconnected incidents involving a robbery of the famous Central Park Casino, an escaped lion from the zoo, Guy Kibbee as a beloved patrolman who is slowly losing his vision and trying to stick it out until retirement and an escaped mental patient who happens to be the former zoo keeper.
Of course the zoo and the Sheep Meadow are there, but today's audiences unless they're read in the history of the times wouldn't know about the Central Park Casino or that there was gambling and a nightclub on the park grounds. And in 1932 when the film came out, the Central Park Casino was the favored hangout of Mayor James J. Walker. An added dimension that theatergoers of the day had that people watching on TCM can't appreciate.
The film is structured kind of like Boogie Nights or Crash with the separate elements all coming together at the end. For B film, Warner Brothers put a lot of care into this one.
Of course the zoo and the Sheep Meadow are there, but today's audiences unless they're read in the history of the times wouldn't know about the Central Park Casino or that there was gambling and a nightclub on the park grounds. And in 1932 when the film came out, the Central Park Casino was the favored hangout of Mayor James J. Walker. An added dimension that theatergoers of the day had that people watching on TCM can't appreciate.
The film is structured kind of like Boogie Nights or Crash with the separate elements all coming together at the end. For B film, Warner Brothers put a lot of care into this one.
Enjoyable Pre-Code drama centering around activity in New York's famous Central Park. Of course, it's filmed mostly on sets with rear projection effects used to place it in the park but it's not cheesy or anything distracting. The primary focus of the plot is on a couple of young jobless people (Joan Blondell, Wallace Ford) getting mixed up with gangster Harold Huber and his associates. There's also some interesting side stuff going on with Guy Kibbee as an aging policeman with bad eyesight and John Wray as an escaped lunatic who unleashes a lion in the park. Kibbee's got a week to go until he can retire. We know what that means in modern films but does it mean the same in a movie made in 1932? Watch and see. It's a good B movie that gives you a look back at Depression-era New York. That little slice of history, coupled with a short runtime, some exciting action scenes, and a quality Warner Bros. cast makes this one classic film fans will want to seek out.
Central Park (1932)
** 1/2 (out of 4)
Dot (Joan Blondell) and Rick (Wallace Ford) are both as broke as broke can be when they meet each other in Central Park. After stealing a couple hot dogs to eat the two agree to meet up later in the day. They both end up getting small jobs by the police. Rick gets one from a nice policeman (GUy Kibbee) who is losing his vision. Dot thinks she's working for cops for a charity benefit but she's actually getting double crossed by a gangster.
CENTRAL PARK is without question one of the strangest films you're ever going to see from this era of Hollywood. I'm going to guess that the screenwriter had written four or five incomplete scripts and just decided to throw bits and pieces of all of them into one film. This movie starts off dealing with the depression, which is something rare for this era. It then turns into a cute romantic comedy. Then, out of nowhere, it turns into a bizarre murder film with a nut escaping from a mental hospital. Then it turns into a film about an escaped lion. Oh, then we get back to the woman being double crossed by gangsters.
As you can tell, there's all sorts of crazy stuff that happens in this film and what's even more shocking is that they pack it all into a short 58 minutes. Is this a good movie? Not really but with so much weird stuff going on you can't help but be entertained. The greatest thing going for the picture are the three leads who deliver fine performances. Again, with such a short running time they don't get too much to do but what's here is a lot of fun. Blondell and Ford have a lot of nice chemistry together and Kibbee is always watchable no matter what he's doing.
CENTRAL PARK isn't a well-known movie, which is a shame. I'm sure if more people watched it it could gain a cult following because of how nuts it actually is.
** 1/2 (out of 4)
Dot (Joan Blondell) and Rick (Wallace Ford) are both as broke as broke can be when they meet each other in Central Park. After stealing a couple hot dogs to eat the two agree to meet up later in the day. They both end up getting small jobs by the police. Rick gets one from a nice policeman (GUy Kibbee) who is losing his vision. Dot thinks she's working for cops for a charity benefit but she's actually getting double crossed by a gangster.
CENTRAL PARK is without question one of the strangest films you're ever going to see from this era of Hollywood. I'm going to guess that the screenwriter had written four or five incomplete scripts and just decided to throw bits and pieces of all of them into one film. This movie starts off dealing with the depression, which is something rare for this era. It then turns into a cute romantic comedy. Then, out of nowhere, it turns into a bizarre murder film with a nut escaping from a mental hospital. Then it turns into a film about an escaped lion. Oh, then we get back to the woman being double crossed by gangsters.
As you can tell, there's all sorts of crazy stuff that happens in this film and what's even more shocking is that they pack it all into a short 58 minutes. Is this a good movie? Not really but with so much weird stuff going on you can't help but be entertained. The greatest thing going for the picture are the three leads who deliver fine performances. Again, with such a short running time they don't get too much to do but what's here is a lot of fun. Blondell and Ford have a lot of nice chemistry together and Kibbee is always watchable no matter what he's doing.
CENTRAL PARK isn't a well-known movie, which is a shame. I'm sure if more people watched it it could gain a cult following because of how nuts it actually is.
A Warners B that crams a lot into just under an hour, and belongs to no genre. It's a comedy! It's a tragedy! It's a drama! It's Warner Brothers social consciousness! Joan Blondell and Wallace Ford, both unemployed and living in the titular park, meet, flirt, and get into adventures, mostly involving her being hired by thugs posing as cops to help throw a charity event at the Central Park Casino. Meanwhile, in the Central Park Zoo, a keeper is abusing a lion, and is about to be confronted by a former colleague, who has escaped from the loony bin. So we've got gangsters, Depression romance, a sympathetic cop going blind (Guy Kibbee, plunging deeper than usual), and a lion loose in the park. It's fast and lively, far livelier than the usual output of John Adolfi, who tended to drag scenes out. It may have been filmed in Burbank, but the combination of stock footage and studio footage is expertly assembled, and the mad-lion sequences are satisfyingly frightening--I wouldn't be surprised to learn that extras WERE harmed during the making. Blondell is in her beguiling sexy-sassy mode, and Ford may not have been her strongest lead ever, but he gives good Forgotten Man.
This movie is beautifully photographed. George Cukor did well by Central Park a couple decades later. In between (and after) -- has the beauty been paralleled?
In this Central Park, there are actual sheep in Sheep Meadow!
There are also the always marvelous Joan Blondell, Wallace Ford, a lion, gangsters, a touching cop losing his eyesight, and as many plots as there are in "Grand Hotel" (though this movie seems less dated than that more famous one.)
In this Central Park, there are actual sheep in Sheep Meadow!
There are also the always marvelous Joan Blondell, Wallace Ford, a lion, gangsters, a touching cop losing his eyesight, and as many plots as there are in "Grand Hotel" (though this movie seems less dated than that more famous one.)
Did you know
- TriviaThe $2.00 that Rick makes for washing the police motorcycles would be worth about $47.00 in 2025.
- GoofsAll entries contain spoilers
- Quotes
Luke, the Lion Keeper: I never did anything to you. Why, why, we're friends, aren't we, Smiley?
Robert Smiley: Ha-ha-ha. No, we're not. I don't like you. You're mean! You're cruel to the cats. They all used to whisper to me about you.
Details
Box office
- Budget
- $202,500 (estimated)
- Runtime
- 58m
- Color
- Sound mix
- Aspect ratio
- 1.37 : 1
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