A group of amateur detectives sets out to expose The Crooked Circle, a secretive group of hooded occultists.A group of amateur detectives sets out to expose The Crooked Circle, a secretive group of hooded occultists.A group of amateur detectives sets out to expose The Crooked Circle, a secretive group of hooded occultists.
Raymond Hatton
- Harmon (The Hermit)
- (as Ray Hatton)
Berton Churchill
- Col. Walters
- (as Burton Churchill)
Paul Panzer
- Cult Member
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
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Featured reviews
Warring Clubs
By 1930, film was already a living, breathing organism that was manipulating artists and audiences in its quest to survive and grow. From 1932 to 1938, that organism tried a number of potential branches of evolution before settling on one main one. But during that period, many experiments can be viewed, experiments that did not blossom and quickly became extinct.
Sadly, this exemplifies one of them and it is such a perfect example, such a pure specimen, it really must be seen if only for history. I'm increasingly convinced that we cannot be fully in the film experience until we have shared in some of its failed attempts.
What characterizes this is extreme abstraction. The basis is the detective story, a basis that is so strong in narrative appeal it survives today as the root of most film. But this experiment abstracts it extremely.
The bad guys are not just bad, but have a club. The good guys are not just good and smart, but they have a club too. The two clubs are at war, mostly it seems because that's what two groups do: define the other as the enemy and adopt roles accordingly.
The setting is abstract too: a "haunted" mansion with trap doors, secret passages, resident hunchback, disembodied music, skeletons (that predictably catch on the girl's dress) and blackouts. There's a very, very clever twist in the story too, one you know is there but you just can't pin down until it happens.
Zazu Pitts does a spooked housekeeper whose voice would be appropriated for Olive Oyl who would make her first appearance the following year.
Ted's Evaluation -- 3 of 3: Worth watching.
Sadly, this exemplifies one of them and it is such a perfect example, such a pure specimen, it really must be seen if only for history. I'm increasingly convinced that we cannot be fully in the film experience until we have shared in some of its failed attempts.
What characterizes this is extreme abstraction. The basis is the detective story, a basis that is so strong in narrative appeal it survives today as the root of most film. But this experiment abstracts it extremely.
The bad guys are not just bad, but have a club. The good guys are not just good and smart, but they have a club too. The two clubs are at war, mostly it seems because that's what two groups do: define the other as the enemy and adopt roles accordingly.
The setting is abstract too: a "haunted" mansion with trap doors, secret passages, resident hunchback, disembodied music, skeletons (that predictably catch on the girl's dress) and blackouts. There's a very, very clever twist in the story too, one you know is there but you just can't pin down until it happens.
Zazu Pitts does a spooked housekeeper whose voice would be appropriated for Olive Oyl who would make her first appearance the following year.
Ted's Evaluation -- 3 of 3: Worth watching.
"Evil is on the way!"
The "old dark house" sub-genre that dominated the early talkies rarely fails to disappoint when we re-view the oldies to-day. Here is one that provides so very many suspicious characters you have to wonder how they will be able to tie up all the loose ends in the 6 reel running time.
The Crooked Circle is a gang of counterfeiters and thieves who have decided to take revenge on Col. Walters (Berton Churchill) who has sent one of their ranks to prison. They decide he must die that very night. Meanwhile the Colonel's own group, The Sphinx Club, is determined to protect him at all costs. This does not sit well with Thelma (Irene Purcell) fiancée of club member Brand Osborne (Ben Lyon, late of the mega-budgeted HELL'S ANGELS (1930)) who wants him to quit the club and stop endangering his own life. Brand promises to resign after saving the colonel's life. Everyone heads off to Walters newly purchased mansion on Long Island to await the assassin.
The Colonel might be the new owner of Melody Manor but it's an old dark house complete with eccentric neighbours (like Raymond Hatton as a local hermit) and maybe even a ghost. Top billed Zasu Pitts is Nora, the housekeeper who expects to see a spirit around every corner. Throw in a cop (James Gleason) who is certain Brand is a criminal and we have a picture which is packed with action and surprises.
You will notice right away that the script writer was at a loss to come up with too much dialog because a lot of characters repeat the same lines over and over. Yoganda (C. Henry Gordon) a Hindu mystic (which movies of that time were loaded with) says "Evil is on the way." many times and I lost count of how often Ms. Pitts says "Something always happens to somebody!". There are many suspects and two characters (Mr. Gleason as the stereotype dumb cop and Roscoe Karns as Mr. Lyon's pal) who serve as comedy relief. The house itself is appropriately spooky looking (in fact I think the same set was used in THE PHANTOM (1931)) with lots of secret passages and violin music coming out of empty rooms but somehow you never really get a feeling of danger. Maybe it's because no one in the movie, and I do mean no one!, is entirely what they seem to be. It all comes out right in the end though; but to go into any more detail would spoil it for you.
Watch carefully for Robert Frazer (from WHITE ZOMBIE) and Frank Reicher (best remembered as Capt. Engelhorn from KING KONG) to pop up among the suspects.
THE CROOKED CIRCLE is a fun film. Some aspects of the plot are predictable and then again several others are not. I suspect you will enjoy it.
The Crooked Circle is a gang of counterfeiters and thieves who have decided to take revenge on Col. Walters (Berton Churchill) who has sent one of their ranks to prison. They decide he must die that very night. Meanwhile the Colonel's own group, The Sphinx Club, is determined to protect him at all costs. This does not sit well with Thelma (Irene Purcell) fiancée of club member Brand Osborne (Ben Lyon, late of the mega-budgeted HELL'S ANGELS (1930)) who wants him to quit the club and stop endangering his own life. Brand promises to resign after saving the colonel's life. Everyone heads off to Walters newly purchased mansion on Long Island to await the assassin.
The Colonel might be the new owner of Melody Manor but it's an old dark house complete with eccentric neighbours (like Raymond Hatton as a local hermit) and maybe even a ghost. Top billed Zasu Pitts is Nora, the housekeeper who expects to see a spirit around every corner. Throw in a cop (James Gleason) who is certain Brand is a criminal and we have a picture which is packed with action and surprises.
You will notice right away that the script writer was at a loss to come up with too much dialog because a lot of characters repeat the same lines over and over. Yoganda (C. Henry Gordon) a Hindu mystic (which movies of that time were loaded with) says "Evil is on the way." many times and I lost count of how often Ms. Pitts says "Something always happens to somebody!". There are many suspects and two characters (Mr. Gleason as the stereotype dumb cop and Roscoe Karns as Mr. Lyon's pal) who serve as comedy relief. The house itself is appropriately spooky looking (in fact I think the same set was used in THE PHANTOM (1931)) with lots of secret passages and violin music coming out of empty rooms but somehow you never really get a feeling of danger. Maybe it's because no one in the movie, and I do mean no one!, is entirely what they seem to be. It all comes out right in the end though; but to go into any more detail would spoil it for you.
Watch carefully for Robert Frazer (from WHITE ZOMBIE) and Frank Reicher (best remembered as Capt. Engelhorn from KING KONG) to pop up among the suspects.
THE CROOKED CIRCLE is a fun film. Some aspects of the plot are predictable and then again several others are not. I suspect you will enjoy it.
Breezy romp is worth a look for those who like comedy and mystery mixed
1930's comedy mystery about "The Crooked Circle" a band of hooded crooks who set about plotting the murder of some one who swore to oppose them. Enjoyable but really unremarkable little film, the movie works simply because the cast headed by Zazu Pitts and James Gleason (both of whom would later appear together in a couple of Hildegarde Withers films after Edna Mae Oliver dropped out of that series) and supported by a great cast of actors and actresses you know but may not know the name of (I don't hence the lack naming). A breezy hour long romp, the movie doesn't make a great deal of sense with mistaken identity, secret passages, ghostly music and people not being who they seem. Its the perfect thing for a dark and stormy night or a late night viewing when one is nostalgic for the late late show.
Creaky Good Comedy
"The Sphinx Club is a group of amateur detectives who are the bitter rivals of The Crooked Circle, a collection of hooded villains. After The Sphinx Club aids the authorities in catching and imprisoning a member of The Crooked Circle, the evil gang swears revenge by targeting Colonel Walters, a well-known member of The Sphinx Club. Will the Sphinx Club be able to protect Colonel Walters or will The Crooked Circle succeed in their quest to kill him?" asks the DVD sleeve.
The threatened Sphinx Club member, Berton Churchill (as Theodore Walters) is pretty good - but, he is not the focus of this comedy-mystery. Instead, we get zany Zasu Pitts (as Nora Rafferty) complaining to Christian Rub (as Old Dan) about living in spooky "Melody Manor". Ms. Pitts does her best "Olive Oyl" (from "Popeye") dress and voice. And, as a bonus, Mr. Rub responds with his "Gepetto" (from "Pinocchio"). You won't see "Olive Oyl" and "Gepetto" in too many movies!
Meanwhile, Ben Lyon (as Brand Osborne) is preparing to resign from the Sphinx Club. His replacement is foreboding Indian C. Henry Gordon (as Yoganda), who warns, "Evil is on the way." When Gordon arrives at "Melody Manor", Pitts looks at his turban and says: "I'm sorry you got a headache sir, shall I get you a Bromo-Seltzer?" Others in the funny cast: cop James Gleason ("Here Comes Mr. Jordan"), hermit Raymond Hatton ("The Whispering Chorus"), and gay Roscoe Karns ("It Happened One Night").
****** The Crooked Circle (9/25/32) Bruce Humberstone ~ Ben Lyon, Zasu Pitts, C. Henry Gordon, Christian Rub
The threatened Sphinx Club member, Berton Churchill (as Theodore Walters) is pretty good - but, he is not the focus of this comedy-mystery. Instead, we get zany Zasu Pitts (as Nora Rafferty) complaining to Christian Rub (as Old Dan) about living in spooky "Melody Manor". Ms. Pitts does her best "Olive Oyl" (from "Popeye") dress and voice. And, as a bonus, Mr. Rub responds with his "Gepetto" (from "Pinocchio"). You won't see "Olive Oyl" and "Gepetto" in too many movies!
Meanwhile, Ben Lyon (as Brand Osborne) is preparing to resign from the Sphinx Club. His replacement is foreboding Indian C. Henry Gordon (as Yoganda), who warns, "Evil is on the way." When Gordon arrives at "Melody Manor", Pitts looks at his turban and says: "I'm sorry you got a headache sir, shall I get you a Bromo-Seltzer?" Others in the funny cast: cop James Gleason ("Here Comes Mr. Jordan"), hermit Raymond Hatton ("The Whispering Chorus"), and gay Roscoe Karns ("It Happened One Night").
****** The Crooked Circle (9/25/32) Bruce Humberstone ~ Ben Lyon, Zasu Pitts, C. Henry Gordon, Christian Rub
Typical old dark house comedy-mystery
The Crooked Circle is a film that has a lot more potential than it fully realizes. It starts with an intriguing scene with a group of black hooded individuals in an underground room. These shady characters are the Crooked Circle and they are planning revenge on a group of amateur sleuths called the Sphinx Club. Now this set-up makes it sound like the movie could go in an interesting direction with both these groups fighting against each other. Unfortunately, the focus is subsequently too often on comedy, rather than suspense.
The film takes the form of the old dark house format which was hugely popular in the 1930's. The house itself is full of the usual array of secret passageways, trap-doors and hidden rooms that was part and parcel in these movies. The mystery isn't ultimately too compelling, although there is a reasonable twist near the end. It's as creaky as you would expect but not without some charm.
The film takes the form of the old dark house format which was hugely popular in the 1930's. The house itself is full of the usual array of secret passageways, trap-doors and hidden rooms that was part and parcel in these movies. The mystery isn't ultimately too compelling, although there is a reasonable twist near the end. It's as creaky as you would expect but not without some charm.
Did you know
- TriviaOn March 10, 1933, this became the first feature film ever shown on TV when the experimental Los Angeles station W6XAO-TV broadcast it from the corner of 7th and Bixel Streets. There were perhaps five or six television sets in the greater Los Angeles area which were able to receive the broadcast. It was still playing in local theaters at the time.
- Quotes
Brand Osborne: What the deuce?
- ConnectionsReferenced in Public Enemies: The Golden Age of the Gangster Film (2008)
Details
- Release date
- Country of origin
- Language
- Also known as
- Noche de fantasmas
- Production company
- See more company credits at IMDbPro
- Runtime
- 1h 10m(70 min)
- Color
- Aspect ratio
- 1.37 : 1
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