Flowers and Trees

This won the very first Academy Award given for animated short and even after close to 69 years, it is still a marvel to behold. It quite justifiably won its praise at the time and is one of Disney's high points. Everything about this is excellent: story, music, characterization, plot, layout, visuals-everything! Periodically, this is run on the Ink and Paint Club on the Disney Channel and should be out on video. Apparently the powers that make the decisions for The Mouse don't see a point in releasing shorts on home video. Such a shame to have such remarkable material out of circulation. *sigh* The winner, on points. Most highly recommended.

This is a beautifully done award-winning animation short, with cleverly done sequences such as the trees and flowers waking up to the day and the characters sounding off the alarm after an old, grumpy tree stump starts a forest fire in a fit of jealous rage.

Wonderful serene music, including some recognizable tunes, as well.

Grade A

This is one of many so-called "Silly Symphonies" that Walt Disney Pictures made in the 30s and they were very, very popular. Given how much cartoons have changed, this film wouldn't play nearly as well today as it did then. Cartoons in the 30s tended to be rather schmaltzy and lacked the insane humor and pacing of classic cartoons of the 40s and 50s. Remember that at the time this film was made, Bugs Bunny, Tom & Jerry (the MGM ones--not the earlier series by the same name) and Tex Avery's shenanigans were still in the future. So, while audiences in later years might have been a bit put off by the style of film that FLOWERS AND TREES represent, in its time it was big...real big. Big enough to earn an Oscar as Best Animated Short.

The film consists of classical style music accompanying scenes of anthropomorphic (people-like) trees and flowers dancing, frolicking and eventually being attacked by the dreaded fire. As I said, most of it very sappy but I did like the adorable mushrooms (Disney seemed to have a knack for this--see FANTASIA for more great mushrooms). However, the artwork is tops for the time and it is diverting. It's also the first three-color Technicolor short to win the Oscar--but it's also very old fashioned and will probably bore many viewers.

A bunch of sentient trees, who you might sort of recognize from Toontown, and some flowers awaken on a sunny meadow and begin their daily ritual. As with most Silly Symphonies is all set to the timing of the music, but as an animation showcase it is still rather impressive by modern standards. The world the plants inhabit is very pretty and bright, and the characterization is amusing.

I was hoping that the fire effects might lead to something like the Bald Mountain segment of Fantasia but it never really gets that far. Still one of the better Silly Symphonies and notable for a bizarre scene in which two trees get married (they fade out before the tree love-making).

A Walt Disney SILLY SYMPHONY Cartoon Short.

One beautiful Spring morning, the FLOWERS AND TREES awake to rise & shine. Two young trees, swept away by leafy bliss, carry on an arboreal romance which is threatened by the arrival of an evil-hearted old stump...

This cartoon has a cute little story, but its significance lies in the fact that it was the first cartoon produced in Technicolor. Walt had cannily entered into an exclusive contract for the use of the procedure, only the latest of a string of risky innovations he would brave. Technicolor proved to be a sensation, and FLOWERS AND TREES pointed the way to the future. It would be three more years before Mickey Mouse took the Technicolor plunge - his films were so profitable he didn't need to abandon black & white just yet - but eventually virtually all cartoons would appear in one of a handful of competing color processes.

The SILLY SYMPHONIES, which Walt Disney produced for a ten year period beginning in 1929, are among the most fascinating of all animated series. Unlike the Mickey Mouse cartoons in which action was paramount, with the Symphonies the action was made to fit the music. There was little plot in the early Symphonies, which featured lively inanimate objects and anthropomorphic plants & animals, all moving frantically to the soundtrack. Gradually, however, the Symphonies became the school where Walt's animators learned to work with color and began to experiment with plot, characterization & photographic special effects. The pages of Fable & Fairy Tale, Myth & Mother Goose were all mined to provide story lines and even Hollywood's musicals & celebrities were effectively spoofed. It was from this rich soil that Disney's feature-length animation was to spring. In 1939, with SNOW WHITE successfully behind him and PINOCCHIO & FANTASIA on the near horizon, Walt phased out the SILLY SYMPHONIES; they had run their course & served their purpose.