Devil and the Deep

With a cast like this - Cooper, Bankhead, Laughton, Grant - I just had to check out Devil and the Deep. This is the earliest Grant film I've seen and he has already established his trademark speech patterns and carriage that would be with him for his entire career. Needless to say his does a fine job. Cooper looks great but his performance is a bit flat, mostly due to the script and direction. Laughton is very good and his character brings a lit to the film. Bankhead does a fine job but her character is so weak willed and passive that it's hard not to get a bit frustrated with her character let alone root for her. It is an odd little film for sure but one that I think is still worth checking out mostly for the cast.

... and in fact only the last thirty minutes or so has much suspense or tension.

Commander Charles Sturm (Charles Laughton) of the U. S. Navy is well liked by his men and their wives. However, his own wife Diana (Tallulah Bankhead) is not well liked. She appears snooty and glum. In fact she is just a very sad person because her husband is insanely jealous without cause and even violent sometimes. In fact he has been to a doctor and is just plain insane and delusional, and this has killed what love she had for him. He even has a fellow officer, Lt. Jaekel (Cary Grant) transferred for inefficiency just because he is so sure Jaekel and his wife are involved. His wife even has an impromptu conversation with Jaekel with her husband listening nearby to prove it's not true but he remains unconvinced.

So Diana takes a walk through the North African town in which they are stationed, meets a stranger, and gets romantically involved with that stranger. What she doesn't know is that the man is her husband's new second in command to replace the one he transferred, Lt. Sempter (Gary Cooper). So Sturm's old jealousies begin to rise up again, except for once he is right. And a submarine is a terrible place in which to play out a love triangle. Complications ensue.

This is noteworthy for the once-in-a-lifetime cast. Laughton gets an "introducing" credit as being that "noted British character actor". Laughton goes big and florid with his performance, Cooper gives his normal "aw shucks" performance, and Bankhead plays it quiet and sullen. Bankhead is best when she's the one handing out the withering one-liners, so the film may have worked better with a more conventional and vulnerable leading lady.

Cary Grant's charm and looks he displayed in his first movie, 1932's "This Is The Night," earned him a role in his next feature film, his second, as a potential love-interest to the wife of a naval ship commander in August 1932's "Devil and the Deep." Grant plays Lt. Jaeckel under the command of Charles Strum (Charles Laughton), a deeply flawed and extremely jealous husband to Diana Sturm (Talluhlah Bankhead). Based on Maurice Larrouy's novel, 'Sirenes et Tritons," Jaeckel sparks Strum's insane jealousy, which is unfounded by his wife's disinterest in the lieutenant. Jaeckel is quickly shipped out early in the film and is replaced by another lieutenant, Sempter (Gary Cooper), who it turns out gets kissy-wissy with Diana. Actress Bankhead said she accepted the role because she really wanted to get physically close to Cooper.

"Devil and the Deep" was Hollywood's first detailed look at the insides of a submarine. Once the U-Boat's commander Strum has his wife and her officer boyfriend Sempter underway in the underwater sub, he sets forth his plans to kill the lovers, taking along his crew for a suicidal maneuver. Laughton is clearly the star in the movie: the actor's menacing behavior fits the deranged Strum perfectly to a tee. The English-born and raised Laughton began acting on the stage in 1926 while dabbling in film during the late 1920s before securing his first major role in "Devil and the Deep." Tallulah Bankhead, primarily a stage actress, found acting in movies to be a complete bore. Her first two years in Hollywood, 1931 and 1932, were marked with her yearning to return to the live stage. "Devil and the Deep" was her second-to-last picture before reemerging on the screen twelve years later in Alfred Hitchcock's 1944 "Lifeboat."

"Devil and the Deep" marked the return to Hollywood for Gary Cooper. Burnt out and drained from an aggressive schedule of acting in ten movies within a two-year span, Cooper suffered from anemia and jaundice from his poor dietary habits. He decided to make a break from Los Angeles, feeling depressed and lonely. Reconnecting with an acquaintance, American heiress Dorothy Taylor, now a countess living in Rome, Italy, Cooper rehabilitated himself with her good food and great advice on nutrition. Developing a continental appreciation for the arts and customs of Europe, the actor's rough Western edges were smoothed out by the countess' patient tutorship. She took him on a ten-week big game safari hunting trip in Kenya, where he bagged a variety of trophy animals. His love of the wilderness kick in during the trip. In his role as the submarine's second-in-command, Cooper appears more comfortable and restrained in his role as the leader of the mutiny when it becomes obvious its commander is attempting to kill everyone on board.

"Devil and The Deep" is the only movie, besides a brief appearance in 1933's "Alice in Wonderland," Cooper and Grant ever shared credits in the same movie. This was a bit ironic since Grant had Cooper in mind when he selected his stage name Cary after the actor from Montana.

Devil And The Deep finds Tallulah Bankhead cast with two Hollywood icons, Gary Cooper and the up and coming Cary Grant as the wife of a submarine commander who has a fling with both guys. But the one who really steals the film in what was his American film debut with Paramount is Charles Laughton.

Although The Old Dark House was made first, Paramount held up its release for Devil And The Deep, the better to give Laughton exposure with a proved box office champion in Gary Cooper. Laughton is stunning as an insanely jealous husband.

I think a lot of Devil And The Deep may have been left on the cutting room floor. In the beginning it's made quite clear that Tallulah is a woman of easy virtue. But later on the tone of the film abruptly shifts so that your sympathies shift from Laughton to her. The story loses a lot of coherency with that.

Still the performances are great and the climax on board the submarine is very well staged. Definitely a must for a fan of any of the stars in the quartet.

Wow does this film have some odd casting. While practically everyone aboard the submarine speaks American style English, Charles Laughton and Cary Grant are cast in two of the leading roles despite their accents. This sort of casting happened relatively frequently in older Hollywood films, but it is confusing to the viewer.

The film begins with Charles Laughton married to Tallulah Bankhead. It seems their friends have been talking about Tallulah's behaviors. Common knowledge is that she is cheating on poor old Charlie, though it turns out this is not true. Laughten is exceptionally paranoid and delights in playing like the slighted husband by starting these rumors himself! Later, he accuses one of his officers (Cary Grant) of committing adultery with Tallulah and delights in destroying Grant's career--even though the man did nothing inappropriate.

In response to Laughton's cruelty, Tallulah runs off and is rescued by dashing young Gary Cooper as she runs amok in an Arabian town. He falls for her but she rebuffs his advances because she's a decent woman. However, she does kiss him and soon makes her escape back home. Soon afterward, Cooper reports to her home--it seems he's the officer who's replacing Grant. However, seeing that his nice commanding officer is married to a woman that let him kiss her, he assumed (incorrectly) that Talullah is a cheat--not understanding that Laughton is certifiably insane.

Talullah comes on board the submarine that will be sailing later that night in order to try to explain herself to Cooper. However, when Laughton sees she's on board, he orders the boat to sail immediately, as he sees an insane chance to punish the two "lovers"--leading to a very exciting final portion of the film. In fact, from then on, the film is at its best. The final moments aboard the ship were exceptionally well done and Laughton's final scene quite memorable. Since this film was made "Pre-Production Code", the scene is particularly graphic and exciting.

Overall, although the film starts a bit slowly, it's a dandy film that combines a naval film with a psychological drama. I must admit that the final five minutes or so of the film seemed a tad awkward, but what proceeded was exciting and it's a heck of a good film.