Red Dust

For those that have never seen a pre-Code film, RED DUST is a great film to begin with. It certainly isn't shy about dealing with adultery, prostitution, or heavy drinking. Although it was made over 70 years ago, it holds up extremely well by today's standards. This is due to a well written script that dealt with these subjects directly and wasn't restrained by the Production Code that was enacted 2 years later. Later films either didn't deal with this type of content or did so in a way that was ridiculous. It is also due to the performances of a rugged and virile Clark Gable and a strong willed and street smart Jean Harlow and a strong supporting cast. There is no doubt as to the sexual stamina of their two characters. We find this out early and often. One example is when Gable tucks money down Harlow's dress and says, "It's been nice having you." and spanks her behind. Most modern films would have shown a sex scene while films subject to the code would have treated its audience as children and made us aware in a ridiculous way that would satisfy the censors. The scene where he warns her against misusing the plumbing and attempts to pull her out of the water barrel(yes, she's naked, but we don't see the nudity) while the society woman he is trying to seduce watches on is hilarious. Clark Gable and Jean Harlow made one the better on screen couples of that time. It is a shame that her career was tragically cut short. I also enjoyed the scene where a frightened Mary Astor slaps him across the face for his indifference to the plight of her sick husband and he responds with a smug and confident grin. The movie also gives one an appreciation of the primitive conditions people lived in on a rubber plantation during that time. RED DUST is directed by Victor Fleming who would later direct THE WIZARD OF OZ and Clark Gable in GONE WITH THE WIND. People have complained that this film is racist, but need to realize that the world was a much different place in 1932 than in 2003. If you can do that, you'll probably enjoy this film. 9/10

The fetid RED DUST of a Malaysian rubber plantation is the setting for an adulterous triangle involving the quick-tempered, rawboned manager, a brassy American prostitute & the upper-class wife of a new employee. Together, they're about to heat up the tropics.

Although blessed with good acting & fine production values, this is merely a soap opera set in the jungle. MGM was pushing the moral envelope here, seeing just how far they could go with libidinous behavior - and in those pre-Production Code days that was pretty far. Clark Gable & Jean Harlow exude sexuality, openly lusting for each other & spreading hormones around the screen. Harlow's lines (of dialogue) are both witty & suggestive, while Gable talks with his eyes and his hands. They were a perfect cinematic match and this film was such a big success that they would repeat the same basic plot 3 years later in CHINA SEAS, although the Code would cause that film to be a bit more covert.

Mary Astor adds a wrinkle to the plot as another fine-looking female for Gable to mate with, but the audience is never in any doubt that gorgeous Harlow will get him in the end. The rest of the cast (Gene Raymond, Donald Crisp, Tully Marshall & giggling Willie Fung) are good in small roles.

It should be noted that the story line contains racist elements, not unusual in a Hollywood film of that era.

By the way, the bedtime story Harlow is reading Gable at the end of the movie is a parody - and a good one - of the animal stories by Thornton W. Burgess which were very popular at the time.

This film was the one which really showcased Jean Harlow, fresh at MGM after a stint at Columbia, and a film or two as one of the muses of Howard Hughes.

In real life she'd married and been widowed in quick succession, and although the Paul Bern scandal must have been a strain, it doesn't show here on screen. Harlow is absolutely luminous, a wise-cracking hardboiled good-time girl with a soft centre and a hint of innocence. What else could she be but a bright platinum blonde? Mary Astor, tight-laced and classy, arrives at the sexually-charged rubber plantation with feverish husband Gene Raymond, and catches the eye of wide-boy hard-man Clark Gable (a real he-man of the 'grab em by the hair' school).

A fascinating slice of 1930s pre-Production Code history, 'Red Dust' sizzles and is always in heat. Remade as 'Mogambo' and apart from the addition of colour, some recasting (Gardner for Harlow, Grace Kelly for Astor, Donald Sinden for Raymond), it remained a heady brew, even down to the indefatigable Mr Gable reprising his role as Carson!

Erotically highly charged melodrama that fairly sizzles, even today, more than 70 years later. Cinematography has a plasticity and a sheen to it that makes the film gorgeous to look at, editing is highly efficient and gets the job done and the story told, and the acting is fabulous. I wasn't prepared for the physical impact of the young Gable, how he makes absolutely no excuses for his raw sexuality and libido and how amazingly attractive he was. Harlow as well, I was prepared to find her vulgar and shallow, but she was quite good and certainly had a chemistry thing going with Gable.

Recommended, and please, all of you insisting that this is an inexcusably racist picture, any work of art needs to be judged by its own unique standards, and those of its time. Racism in movies today is a lot subtler, but certainly exists just like it did in the early 30s, and politics or no politics it doesn't detract from the greatness of this genre movie.

Heartily recommended.

A very entertaining movie with Gable and Harlow at their best.They really shine in their roles.Also a good performance by a young Mary Astor.It's easy to see that Clark Gable consolidated his newly won fame with this film.He shows his magnificent charisma on the screen perhaps for the first time to full effect.Harlow matches him all the way.An inspired pairing.