The famous detective is pulled away from retirement and his fiancée when the condemned Moriarty escapes from prison and swears vengeance.The famous detective is pulled away from retirement and his fiancée when the condemned Moriarty escapes from prison and swears vengeance.The famous detective is pulled away from retirement and his fiancée when the condemned Moriarty escapes from prison and swears vengeance.
- Director
- Writers
- Stars
Ted Billings
- Carnival Thug
- (uncredited)
Roy D'Arcy
- Manuel Lopez
- (uncredited)
Edward Dillon
- Al
- (uncredited)
John George
- Bird Shop Thug
- (uncredited)
Robert Graves
- Gaston Roux
- (uncredited)
Lew Hicks
- Prison Guard
- (uncredited)
Brandon Hurst
- Secretary to Erskine
- (uncredited)
- Director
- Writers
- All cast & crew
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Featured reviews
The earliest talkie Sherlock Holmes at present available, "Conan Doyle's Master Detective Sherlock Holmes" (to give the movie its full title) will probably outrage Conan Doyle purists. (Although actually credited to William Gillette's stage adaptation, the script bears but two or three faint resemblances to that either). The film is really an original creation, using Doyle characters. It stars an unusually adventurous Clive Brook (in his third impersonation of the sleuth), supported by Ernest Torrence as an engrossingly charismatic, menacing Moriarty. So far, so good. But now we are introduced to the lovely Miriam Jordan (in her second of only seven films) who plays Holmes' fiancée! She has quite a sizable role too, especially compared to Dr Watson (Reginald Owen) who figures in only two scenes, his line-feeding duties being undertaken here by Howard Leeds (his first of only three movies) as Little Billy. There is no Lestrade, alas, but Alan Mowbray creditably fills in the Scotland Yard gap as Gore-King. Although the movie also accommodates no less than three extraneous comic scenes with Cockney publican, Herbert Mundin (whose role has obviously been built up by playwright Bayard Veiller, credited with additional dialogue), and thus occasionally seems too talky (even at 68 minutes), it does have some splendid Moriarty atmosphere (the trial) and action (the escape), most ably contrived by director William K. Howard.
The famous sleuth is marked for death by his nemesis, Moriarty. Clive Brook makes a rather dour Holmes in this early '30s incarnation of the famous detective. Fox updated his story to the modern day, and relegated Watson (Reginald Owen) to the sidelines to be replaced by a glamorous fiancé (Miriam Jordan) who is a nuisance most of the time and, incredibly, has a disapproving father (Ivan F. Simpson), and some kid from Canada (Howard Leeds) whose presence is never satisfactorily explained. Perennial bad guy Ernest Terrence steals the film as Moriarty.
William K. Howard directed this at the top of his powers. Most sources claim he was influenced by Murnau. I think his stuff looks like Tod Browning, but it doesn't really matter where he got that fast-cutting-between-askew-images-from. It's compelling and exciting. On the other hand, the script is the least Sherlockian thing I have ever seen. It's a sequel to the Gillette play. Ernest Torrence, playing Moriarity with a gotch eye is to be hanged, so Holmes is set to retire, marry Miriam Jordan and live a life of riding to the hounds. But Moriarity escapes and begins to wreak a terrible vengeance.
Clive Brooks makes an adequate Holmes, , since he lives in a world of morons. Watson disappears early on, which is a good thing, since the role is played by Reginald Owen.
So, how do I rate this? It's a movie that is worth watching, because it is such a visual treat, with some wonderful ur-Noir cinematography by George Barnes, including a sequence that is mostly lit by arc welding light. However, pretend it's Bulldog Drummond and not Sherlock Holmes.
Clive Brooks makes an adequate Holmes, , since he lives in a world of morons. Watson disappears early on, which is a good thing, since the role is played by Reginald Owen.
So, how do I rate this? It's a movie that is worth watching, because it is such a visual treat, with some wonderful ur-Noir cinematography by George Barnes, including a sequence that is mostly lit by arc welding light. However, pretend it's Bulldog Drummond and not Sherlock Holmes.
In this day and age, we have been exposed to some excellent, enthusiastic actors tackling the mighty Sherlock. In 1932, there was nothing to speak of. Sir Arthur had died a few years before, and fans knew there would be no more original stories.
So, I think this is a pretty good "tour DE force." Sure, it's nowhere near any "real" Holmes story; and sure, it includes some pretty bizarre elements. But, given the times, it's worthwhile. There is some great acting, from underplaying of Holmes to really fun overplaying of the villains; a good pace to the story; and I was very happy with the production.
Think B-gangster movie and you won't be disappointed. But, if you really want Sherlock, fast forward to Basil Rathbone!
So, I think this is a pretty good "tour DE force." Sure, it's nowhere near any "real" Holmes story; and sure, it includes some pretty bizarre elements. But, given the times, it's worthwhile. There is some great acting, from underplaying of Holmes to really fun overplaying of the villains; a good pace to the story; and I was very happy with the production.
Think B-gangster movie and you won't be disappointed. But, if you really want Sherlock, fast forward to Basil Rathbone!
I think the casting for "Sherlock Holmes" (1932) is pretty much spot-on: Clive Brook is a well-rounded Sherlock Holmes, Reginald Owen is an enthusiastic (if underused) Dr. Watson, and Ernest Torrence is a sinister, dastardly Professor Moriarty. William K. Howard's direction is sometimes-dynamic and the film is enjoyable and even funny in spots, although if you take out the names of the principal characters it plays more like a regular crime / gangster film than a detective / deductive film (it all ends with an undergound shootout). But it does tick most of the right boxes along the way. **1/2 out of 4.
Did you know
- TriviaClive Brook bore a striking resemblance to stage actor William Gillette, who was famous for playing Sherlock Holmes on the stage. He did more than 1000 performances of the famous sleuth.
- GoofsThe lamp in Erskine's office is supposed to have been switched on since before Erskine vanished, and so the bulb should have been quite hot, but Holmes unscrews it with his bare hand, showing no pain or discomfort.
- Quotes
Professor James Moriarty: Gentlemen, I regret to say the rope which will hang me has not yet been made! You yourself, Mr Erskine, will hang before I hang. Colonel Gore-King, you are sure to die before I die. And as for Sherlock Holmes, I shall be alive to see his disgrace and death!
- ConnectionsEdited into Dillinger (1945)
Details
- Runtime
- 1h 8m(68 min)
- Color
- Aspect ratio
- 1.37 : 1
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