Rome Express

I always liked train movies, so I bothered to watch this one, on French TV. It was also an occasion to see Conrad Veidt, a very good actor, last seen in CASABLANCA. During the watching, I suddenly remembered the name of Bonar Colleano, the British-American star of the past-war era. From IMDB, I learned that he starred in another train movie, SLEEPING CAR TO TRIESTE (1948), and, to my great amazement, I discovered that the later was a remake of the former! sixteen years after... harrycarasso, Paris

This is the great granddaddy of train portmanteau thrillers and Walter Forde,like Hitchcock, had a thing for trains - he even remade his now lost 1931 "The Ghost Train" and became a serious leading British Director. The production of Rome Express opened the large new Lime Grove(Gainsborough)studios in W London using two huge sets to accommodate both terminii & the impressive express. Conrad Veidt was a comparative newcomer to London from Germany escaping a future under the Nazis and stayed to make a number of other acclaimed 30s films like "Jew Suss" "Passing of the Third Floor Back" "Dark Journey" & "Under The Red Robe" until ending up at Denham with the Kordas. He loved Britain and loathed Hitler but this didn't stop his 40s performances as an assortment of nazi officials - "Escape" "Spy In Black" and,of course,"Casablanca". The popular Scottish actor,Finlay Currie played the same part in this and its almost shot-for-shot remake 15 years later at 70.He was probably best known as the convict,Magwitch, in the superb 1946 remake of "Great Expectations".

Although this film has dated somewhat it remains a classic in it's genre, and surely is the inspiration for other such train based thrillers as Murder on the Orient Express and the Lady Vanishes. Conrad Veidt was never better and is well supported by an illustrious cast. Technically the sound quality in 1932 leaves a little to be desired but this should not detract from a little seen gem of a movie

"Rome Express" is a familiar sort of film...a murder mystery aboard a train going from Paris to Rome. And, like these sorts of films, there is a cast of many folks who are passengers on this journey.

It all begins with the theft of a valuable Van Dyck painting. Someone aboard likely has the painting. However, the killings don't start until much later...when you realize that the man with the painting has cheated his partners and they will stop at NOTHING to get that painting.

The best reason to watch this movie is to watch Conrad Veidt. This German actor is chilling and simply superb here as the baddest of the bad guys in the movie. Apart from that, there are a few decent performances here and there, though Gordon Harker's performance as a really annoying guy is perhaps too good! You can certainly see why the other folks aboard find him tiresome!! Overall, a very good film that is worth your time.

Well-to-do people, all with their own secrets get aboard THE ROME EXPRESS, from a scenario by Sidney Gilliat.

One of the issues of looking at a movie that is clearly the precursor to another, well regarded movie, is that it invites invidious comparisons. It's a phenomenon I call "the end of history" and it reflects our bias that everyone and everything that happened before us is just leading up to our own magnificence, while everything after us will be a severe let-down. This movie was not made as a trial run for Hitchcock's THE LADY VANISHES, despite Gilliat, producer Michael Balcon and the presence of several plot elements -- including a couple who are cheating on their spouses -- that were later used in the more famous movie. If anything, the later movie was probably conceived as a remake.

Looking at this movie on its own merits, we can recognize it as a sparkling cast -- including Finlay Currie as an American, Cedric Hardwicke, Esther Ralson, Hugh Williams and the always brilliant Conrad Veidt as a mysterious threat. It is a skillful blending of comedy and thrills by director Walter Forde, who would return to the theme with 1941's THE MAIL TRAIN. Yes, Hitchcock and others would do it better; they had the model in this movie -- which is vastly entertaining on its own.