Tarzan the Ape Man

This week I also watched the first two entries in the MGM Tarzan series by way of Warner's elegant 4-Disc Set. I actually took some persuading to purchase these films (the very positive online buzz is what got me), and I finally relented some time ago thanks to a generous 20% sale on the part of Deep Discount DVD!

Anyway, I was pleasantly surprised by them: solid (though primitive) production values, a bevy of exciting action sequences, and gleeful doses of eroticism and sadism made for great (if somewhat repetitive) fun. Johnny Weissmuller and Maureen O' Sullivan created a wonderful (and spontaneous) rapport and generally inhabited their roles very nicely, making them the screen's definitive incarnations of these characters.

TARZAN AND HIS MATE (1934; ***1/2) edges the original slightly because of the former's (necessary) tendency towards exposition: the sequel dives straight into action (though, curiously enough, it still takes quite a bit before Tarzan makes an appearance!) but also features lecherous villainy from Paul Cavanaugh and even takes time to develop the lovable personality of Cheetah (especially in a lengthy sequence where it is beset by assorted creatures while journeying through the jungle to alert Tarzan of the [invariably] impending danger)…and then, of course, there's that famous nude swimming scene! The lion-infested finale, too, is every bit as remarkable as the pygmy sequences at the climax of TARZAN THE APE MAN (1932; ***) – if anything, it's even more ambitious.

It's a pity, therefore, that the special effects (once considered ground-breaking) have not withstood the test of time: innumerable back-projection shots, the conveniently-placed (and thinly-disguised) series of trapeze which allow Tarzan to swing from one tree to the other, all-too-fake snakes and alligators, the rotoscoping of lions into a scene to make them appear as if they were fighting elephants, etc. Unfortunately TARZAN AND HIS MATE (and probably all the others that follow) took a ridiculous turn by having Jane mimic the famous Tarzan cry/yodel, which I felt to be an unwise decision on the part of the studio! Still, I do look forward to the rest of the series, hoping that they're at least as entertaining (even if reviews claim production values got progressively more lavish, and thus unrealistic, and the plots cornier).

TARZAN THE APE MAN was one of Irving Thalberg's 'pet' projects at MGM, an opportunity to take an existing franchise (Edgar Rice Burroughs' jungle lord had been a film staple since beefy Elmo Lincoln donned a loincloth, in 1918), give it 'A'-list production values and a 'name' director (W.S. Van Dyke), introduce charismatic actors as the leads (28-year old multiple Olympic champion Johnny Weissmuller and 21-year old Irish import Maureen O'Sullivan), and create a 'definitive' success for the studio.

A success? Thalberg created a legend!

Utilizing MGM's vast library of stock footage (primarily from 1931's TRADER HORN), a primordial Africa that was more pulp fiction than reality was created on the back lot, and veteran British character actor C. Aubrey Smith and 20s matinee idol (and future 'Batman' regular) Neil Hamilton were introduced, as James Parker and Harry Holt, adventurers questing after the legendary 'Elephants' Graveyard'. The arrival of Parker's daughter, Jane (O'Sullivan), a free-spirited, raven-haired beauty, complicates matters, but her stubborn refusal to lease, and confidence with the natives (shown as rear projections behind Smith and O'Sullivan) finally win the two men over, and soon the trio, accompanied by whip-induced native labor, are on safari.

When a dying porter points the way to the Escarpment, a massive 'taboo' mountainous plateau protecting the Graveyard, the party has the missing piece to the puzzle, and begin an arduous climb to the top. (How a massive mountain range could be hidden, for so long, is not explained). After losing a porter, and nearly Jane, on the steep climb, the summit is achieved, and the famous Tarzan yell (a combination yodel/howl, created by MGM's sound department), is first heard. A treacherous river crossing, featuring stock footage of hippos and crocodiles, then costs the safari more bearers, with another yell saving their lives.

All this leads up, of course, to Johnny Weissmuller's first appearance as Tarzan, observing the party from the trees. He is simply magnificent...tanned, slim, smoothly-muscled (as opposed to the brawny body builders later cast in the role) and nearly naked. He soon kidnaps Jane (he may be ignorant, but he's not dumb!), and the incredible chemistry between the pair is exhibited for the first time. While initially terrified of the savage (particularly as he pulls off her clothing parts to examine them), he doesn't 'have his way' with her, and she realizes he is far more sensitive than she'd assumed.

Holt kills the ape guarding Jane (one assumes it is Kala, ape 'mother' of Tarzan, in the ERB books), and Tarzan screams in anguish at his loss. Displaying the racism prevalent in so many 30s films, Jane tries to defend her erstwhile kidnapper to her father ("He's WHITE!"), but the two hunters aren't buying it, and soon wound Tarzan, himself. Jungle animals spirit the bleeding jungle lord away...and Jane is soon at Tarzan's side, bandaging his head, and looking lustily at the big lug! When he recovers, the pair consummate their passion (in a scene tastefully off-camera), and are swapping names ("Jane...Tarzan...Tarzan...Jane").

Tarzan returns Jane, and walks away, despite her pleas to return to civilization with them. The safari is soon captured by a height-challenged native tribe ("Are they Pygmies?" Jane asks; "They're dwarves," her father replies...uh, whatever...), and a gruesome scene ensues of the surviving members being lassoed and dropped into a pit with a giant gorilla (a not-quite convincing guy in an ape suit). Holt is knocked unconscious, Parker is mortally injured, Cheeta is tossed against a wall, and Jane swoons in the gorilla's arms (shades of KING KONG), then Tarzan busts in, to kill the ape and save them all. As the ever-available stampede of elephants mash the dwarves into pulp, Tarzan leads the dying Parker, Jane, and Holt to the 'Elephants' Graveyard', where Jane's father passes away. Holt returns to civilization (he would return in the sequel, TARZAN AND HIS MATE) and Tarzan, Jane, and a recovering Cheeta start an exciting new life together!

Yes, the story is unintentionally campy, the 'apes', and animal fights, unconvincing, and there is blatant racism throughout the film. But as sheer entertainment, Depression-era audiences were enthralled. Weissmuller and O'Sullivan conveyed the kind of eroticism that pre-Code Hollywood was notorious for (and would reach even greater heights in the sequel), the action sequences were spectacular, and a new MGM franchise was born, that would produce six more films over the next nine years.

Thalberg had again proven why he was considered the film industry's resident genius!

I'm sure I saw bits and pieces of "Tarzan, the Ape Man" on television when I was a kid, but I never really paid much attention to it. I just recently checked out the DVD from my local library, and I was amazed to discover what I had been missing all these years.

This movie made me feel like a young boy, craving excitement and adventure. This first installment in the MGM Tarzan movies delivers big time. Yes, the special effects and interweaving of the stock footage looks a bit dated, but remember that this film was only made three years after the first "talkie" (i.e. a sound picture, not a silent movie). There are certain techniques that obviously stem from the silent movie days. But to me, this just adds to the charm.

The animal footage is excellent. For the first time in a long time, I was actually on the edge of my seat during a movie. The CGI effects today are amazing, but they're so overdone (most of the time). The thrills and suspense in "Tarzan" are heightened, because you know everything you see is physically tangible, not an actor reacting to a green screen.

I still don't know how they did some of those scenes without anyone getting hurt. Swinging from the treetops, wrestling with lions, wrestling with leopards, being chased by wild animals--all of these things make for great entertainment and adventure.

I should also mention that the relationship between Tarzan and Jane is one of the most captivating I've ever seen in a movie. It's very understated, yet very sexy. Today, they would ruin the story by making the couple have sex after five minutes. But because the sexual chemistry is only hinted at, the entire relationship is one of Jane flirting and Tarzan pursuing. It just builds and builds. This romance actually has excitement to it. Definitely one of the best screen romances of all time.

Despite a few minor shortcomings in the special effects of the time, this is a thrilling movie. Great adventure, great excitement, great entertainment. Don't miss it!

I hadn't seen Johnny Weissmuller's debut film Tarzan The Ape Man for many years so I was struck by the fact that Neil Hamilton and Maureen O'Sullivan got first billing with Weissmuller down the opening credits in an 'introducing' category. As if no one in America, let alone the movie going public didn't know who Johnny Weissmuller was.

The fuss over swimming champion Michael Phelps is nothing compared to what Johnny Weissmuller's celebrity was like. In the Roaring Twenties when each sport seemed to have an icon that became a legend, Weissmuller was that for swimming. The records he set in the Olympics stood for many years, with today's athlete conditioning methods I can only speculate what he could do today if he were alive and in his prime.

Still Louis B. Mayer was nothing if not cautious in protecting an investment in a non-actor to be a lead in a major film. He kept Weissmuller's dialog to grunts, guttural jungle utterings, and a few choice words that Maureen O'Sullivan as Jane teaches her new jungle man toy.

With tons of footage left over from MGM's African location film of Trader Horn, Tarzan The Ape Man had all the background needed to make the film look good. It's fairly obvious that when you see shots of Neil Hamilton and Maureen O'Sullivan they're shot against a background of real natives. They never got further to Africa than Toluca Lake in the shooting.

It's also obvious that Weissmuller couldn't act at all which was why he was only given grunts and dialog of one and two words. Later on he did become a competent enough actor. But quite frankly who cared when they saw him in a loin cloth.

Maureen O'Sullivan as Jane Parker comes to Africa to visit her father C. Aubrey Smith and she finds that Smith and his partner Neil Hamilton are planning an expedition into some unexplored territory in search of the fabled elephant's graveyard. A lot of loose ivory to be picked up there without the danger of actually trying to kill the beasts. Hamilton's interested in her, but when white jungle man Tarzan rescues O'Sullivan, Hamilton doesn't have a prayer.

Tarzan The Ape Man is still an exciting adventure film even to today's more sophisticated eyes. And Weissmuller and O'Sullivan's appeal as a romantic couple is timeless.

All right so they haven't got the dialog from Romeo and Juliet, who cares?

A sensational M G M Picture with good cast as Johnny Weissmuller the swimming Adonis, as Tarzan , Maureen O'Sullivan as Jane , C. Aubrey Smith , Neil Hamilton. It deals with James Parker (C. Aubrey Smith) , his daughter Jane (Mauren O'Sullivan) and Harry Holt (Neil Hamilton) are on an expedition in Africa in search of the elephant burial grounds that will provide enough ivory to make them rich . Along the way while they set off in search of the fabled graveyard of the elephants in deepest Africa meet a wild man raised by apes, he is called Tarzan (Johnny Weissmuller) . Then Tarzan abducts Jane , she is terrified when Tarzan and his ape friends kidnap her , but later on , they fall in love . You Will Hail It As The Year's Biggest Screen Thrill!He Knew Only The Law Of The Jungle...To Seize What He Wanted .Mothered by an ape--He knew only the law of the jungle--to seize what he wanted! More thrills than "Trader Horn" . An original M.G.M. Hit and Greatest of All , including glorious new thrills, though the movie is dubiously faithful to Edgar Rice Borroughs story . Here is a picture so unusual, so romantic, so dramatic that you will want to see it all over again.

This is a fascinating story of a girl who goes into the jungle and there finds love in the strong arms of a true son of nature . It contains noisy action , hundreds of wild animal thrills , sensational adventures , many angry natives formed by a tribe of violent dwarfs, hungry animals and marvelous outdoors , though mostly shot in Hollywood studios . It contains a breathless romance defying Convention of the Hays Code .Well starred by a sympathetic cast who bring wit and style to their classic characters . However , Johnny Weissmuller is better Olympic swimmer than actor . And in successive entries will appear Johnny Sheffield whose first role was in ¨Tarzan finds a son¨ (1939) as an orphan whose ambitious relatives hope he stays lost so they can collect an inheritance . And , of course , special mention for the likable Chimpanzee Cheeta that steals the show , here helps bring Tarzan to rescue the imprisoned expedition , giving some humorous moments with his antics , frolics and mayhem . Allegedly , Cheeta died of kidney failure in 2011 according to Florida's Suncoast Primate Sanctuary . However , the Associated Press reports that chimps in captivity live between 40 and 60 years . Cheeta, oftentimes spelled as Cheetah, would have been 80. Also, more than one chimp played Cheeta in the various Tarzan movies . One of those, known as either Jiggs or Mr. Jiggs, is supposed to have died of pneumonia at a very young age in 1938 . Support cast is pretty well , such as Neil Hamilton , C. Aubrey Smith , Doris Lloyd and brief appearance by Angelo Rositto as evil dwarf. The sets and production design are visually appealing , including a brilliant cinematography by Harold Rosson and Clyde De Vinna .The motion picture lavishly produced by prestigious Irving Thalberg was decently directed by W.S. Van Dyke .

The first Tarzan/Johhny Weissmuller was ¨Tarzan , the ape man¨ (1932) by W.S. Van Dyke , this one being the definitive Tarzan movie , the original of the long series . Followed by ¨Tarzan and his mate¨ (1934) by Jack Conway and arguably one of the best of the jungle adventures . Richard Thorpe continued the following sequels : ¨Tarzan escapes¨(1936) , ¨Tarzan finds a son¨ (1939) with the addition of the five-year-old Johnny Sheffield as Boy , ¨Tarzan's secret Treasure¨ (1941) , and ¨Tarzan's New York adventure¨ (1942) where Boy is abducted by an evil circus owner , then Tarzan goes to rescue him and he meets N.Y. big city , being Maureen O'Sullivan's final appearance . These stories were lavishly produced by M.G.M. and R.K.O. Subsequently , to be appeared other Tarzans produced by independent producers as Sol Lesser ; the latter being replaced by Sy Weintraub , these movies were interpreted by Lex Barker and Gordon Scott : ¨Tarzan the Magnificent¨ and ¨The greatest adventure¨ directed by John Guillermin . And ¨Tarzan the Ape Man¨(1959) stars Denny Miller and directed by Joseph Newman . Furthermore , Mike Henry starred as Tarzan in ¨Tarzan and the jungle boy ¨ , ¨ Tarzan and the great river¨ , and ¨Tarzan 66¨ directed by Robert Day . Besides , two performed by Jock Mahoney : ¨Three challenges¨ and ¨Tarzan goes to India¨ directed by John Guillermin , among others . And , to forget ¨Tarzan the Ape Man¨ (1981) by John Derek with Miles O'Keefe . Plus , other TV Tarzan as Ron Ely , Wolf Larsen , Joe Lara ...