A businessman's daughter runs away from an arranged marriage, only to find herself penniless and suspected of theft after she becomes the victim of a bag thief in the train. When she refuses... Read allA businessman's daughter runs away from an arranged marriage, only to find herself penniless and suspected of theft after she becomes the victim of a bag thief in the train. When she refuses to tell him who she really is, her accuser decides to take her home where he can keep an ... Read allA businessman's daughter runs away from an arranged marriage, only to find herself penniless and suspected of theft after she becomes the victim of a bag thief in the train. When she refuses to tell him who she really is, her accuser decides to take her home where he can keep an eye on her until 12 o'clock the next day, the time at which she has calculated that it wil... Read all
- Director
- Writers
- Stars
- M. Marquand
- (uncredited)
- Mme. Marquand
- (uncredited)
- M. Marquand's Butler
- (uncredited)
- Gendarme
- (uncredited)
- Police Chief
- (uncredited)
- Mons. Duchaine
- (uncredited)
- Alphonse
- (uncredited)
- Undetermined Secondary Role
- (uncredited)
- Housekeeper
- (uncredited)
- Rudolph
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Lightweight frothy farce
As the pert and wilful Annette, Jessie Matthews is all big eyes and eloquent reaction; it is interesting to note that she has already established the character without any real dialogue to speak of until after the first few scenes. In fact, for an early sound film this shows a notable willingness to tell its story through visuals in addition to the laughs obtained by an often genuinely funny script; there were moments when the audience were literally shouting with laughter.
It has to be said that Miss Matthews, in her first leading screen role, sometimes overacts. If she were not already in possession of top billing one might assume that she is doing her best here to steal the show! However, it is hard to say where the actress's cinematic inexperience begins and the impudent Annette's 'putting on an act' ends; certainly her charm is more than enough to excuse any exaggeration. Conversely, Owen Nares has been criticised for lack of charisma, although I couldn't see it -- I did notice one or two flat line readings on his part that sounded as if they should have gone for a retake.
All in all I found this surprisingly good entertainment: undemanding fluff in a polished production that manages to be witty without being annoying, ridiculous without stupidity, and sneaks in a good deal of conscious naughtiness into the bargain. I'm frankly amazed that this apparently rated a 'U' rather than an 'A' ('Adult') certificate on release, as I'd have thought parts of it were quite risqué!
The French Zey Are So English
Miss Matthews sings two songs, dances almost not at all. Like many of Miss Matthews' leading men, Mr. Nares seems frightened of women. David Niven is credited as an extra in what is supposed to be his first appearance onscreen, but I didn't spot him. Henry Koster is co-credited with the script in which the idiot plotting is barely justified and then ignored. I enjoyed it.
better than expected
I didn't know she was in it till I started to watch it.
I don't share the view she was over-acting.
She's just got an impish effervescence about her contributions in light-hearted musicals & comic situations of farce & misunderstandings, near-misses & genuine harmless fun that she excelled herself in!
I simply don't understand why she was not a more famous & more sought after talent! Probably it's because her movies were made in the 1930s & in black & white. This doesn't detract from quality cinema!
All of her movies I've seen are enjoyable. This is no exception!
Jessie wants marriage, not a merger
Jessie is cast as a young bride who runs away on the eve of her wedding, a wedding that she's being hammerlocked into by her father because she's marrying some guy her dad does business with. More of a merger than a marriage.
She runs off to the continent, but has her bag and money stolen and worse is accused of being a thief herself. Her accuser is Owen Nares and with that old Matthews charm worms her way into his house. That part gets rather silly and unreal. Topping it all off everybody thinks she's Nares intended and Carol Goodner who is the intended isn't at all pleased with that.
It all gets sillier and sillier. I wish they had given Jessie Matthews a few more songs and dances, that might have made the film better.
David Niven is supposed to be in this film, more than likely in the party scene. Tried to spot him and thought I might have.
There Goes The Bride isn't a horrible film, but Jessie Matthews had much better to come.
Early Jessie Matthews Musical Comedy
Did you know
- TriviaFilm debut of David Niven.
- Quotes
Max: Now you see what you've done?
Annette Marquand: You ought to be very pleased.
Max: But she is my fiancee!
Annette Marquand: Hah!
Max: What?
Annette Marquand: I said hah. And I meant it. Every word of it!
- SoundtracksI'll Stay With You
(uncredited)
Composed by Fred Raymond
Lyrics by Clifford Grey
Performed by Jessie Matthews
Also sung by Jerry Verno with modified lyrics when Annette is locked in the car
Details
- Runtime
- 1h 19m(79 min)
- Color
- Aspect ratio
- 1.37 : 1

