Two Seconds

There's no chance a movie like this is coming out of Hollywood this decade or the previous decade or in the nineties or eighties. Two Seconds is the story of an unhappy steel worker and his squalid little life. At times, Edward G. Robinson is very over the top, but when it matters, his performance is crackling with authenticity and passion and it is clear why this small and unattractive man became a huge Hollywood icon. His fire is undeniable.

Unpredictably plotted in the way many pre-code B pictures were, this piece is always engaging and alive and perhaps a bit too short. It contains an absolutely searing monologue that you will never forget and overall the work is a dirty window through which the desperation of life for the lower class in 1930 American can be gleaned.

A good film and a rich portrait.

(I saw 35mm prints of the movie at Film Forum, N.Y. on two occasions.)

Here's a short but interesting pre-Code thriller about lonely riveter John Allen (Edward G Robinson) who lives with his pal Bud. John doesn't have much luck with the ladies; all his blind dates turn out to be duds. While escaping one particularly bad date, John ends up in a dance hall and meets the charming 10-cents-a-dance girl Shirley Day (Vivienne Osborne). She knows how to take care of herself (she slaps one groping guy, saying "you payed 10 cents for your feet, not your hands"), but when John helps her escape from another pesky patron she treats him like her knight in shining armor.

Well, a guy who looks like Edward G should know that the cutest girl in the room is not REALLY going to fall for him, but he takes the bait, and life goes downhill from there.

The film is told in an interesting fashion. It begins at the electric chair, and the events of the next hour are supposedly John Allen's flashbacks during the two seconds it takes to "fry."

Robinson does a nice job in the film, showing a lot of range from his usual swagger, to vulnerability, to sheer insanity. TWO SECONDS is fairly edgy in terms of content, coming two years before the Hays code cracked down on such things. It's worth a look to see Robinson doing something in the 30s besides playing gangsters.

Edward G. Robinson again shows what a powerful actor he was in "Two Seconds," a precode from 1932 directed by Mervyn LeRoy. The two seconds refers to the time it takes a man to die in the electric chair.

Robinson plays John Allen, who is condemned to death and about to be executed. As he waits for the electric current, he relives how he wound up there.

Allen and his best friend, Bud (Preston Foster) were welders on a huge building. That part of the story was probably inspired by the Empire State Building, which opened to the public in 1931.

Bud wants his girlfriend to find a girl for John so they can double date, but John hates the women Bud's girlfriend finds for him. And the current on is no exception. He leaves the three of them and goes to a dime a dance joint. There, he meets a pretty young woman who dances there, Shirley, and they start to date. Bud thinks she's a gold digger and handing him a big line, and warns John that he's going to end up married and miserable. John pays no attention.

One night, he gets blotto drunk and Shirley manages to get him to a Justice of the Peace and tie the knot. Bud confronts her, and we see more of Shirley's true colors as she undresses in front of Bud and plans to get the marriage consummated before John sobers up and wants an annulment.

John was making good money, but Shirley spends it faster than he can make it. When tragedy strikes, John is a completely broken man and can no longer work and Shirley goes back to the dime a dance joint. More tragedy will follow.

Very absorbing film, with an excellent performance by Robinson for those times - I say that because acting today has been toned down some, and he has a huge monologue that today seems a little over the top.

In the beginning of the film, we see a closeup of a college student (William Janney) who attends the execution as part of research for a paper. The film ends with the same closeup.

Very, very well done. Robinson was part of a small group of character actors who rose to leading man status - Spencer Tracy, James Cagney, Humphrey Bogart, and Wallace Beery. He was an actor of tremendous range and ability, and it shows here.

Highly recommended, a great precode.

The movie, itself, may not be the finest available for viewing entertainment. However, the outstanding acting skills of Edward G. Robinson are fulling exploited and beautifully captured. And, that talent, that genius, makes "Two Seconds" a must see.

Robinson shows the depth of his talents and the emotions he is capable of demonstrating. Ah, that contemporary actors could act so well. Watch the expressions on his face, watch his hands, watch his walk, watch the pain -- this is not melodrama, this is a thespian par excellence showing the world how it is done.

Alas, the movies does not appear to be available for purchase, but this is one outstanding film that should be in any collection of those who are serious about studying drama and acting skills.

I caught this movie last night when I couldn't sleep.Not being a fan of Edward G Robinson I decided to watch for the kitch appeal I guess I was expecting to see him play some world weary mob gut who would say funny things that I could repeat at work,well about 30 minutes in I was absolutely gob-smacked It was like watching a train wreck I could not take my eyes off it. I am not exaggerating when I say I will always remember this movie and be haunted absolutely haunted by the riviting almost painful job done by Mr.Robinson I thought I knew who this man was I thought I could judge his body of work with out ever seeing this movie I was wrong This movie will stay with me for a long long time