When Aggie's boyfriend Red is sent to jail, she meets a mild-mannered man and decides to turn him into a real man.When Aggie's boyfriend Red is sent to jail, she meets a mild-mannered man and decides to turn him into a real man.When Aggie's boyfriend Red is sent to jail, she meets a mild-mannered man and decides to turn him into a real man.
- Director
- Writers
- Stars
Brooks Benedict
- Hiring Clerk
- (uncredited)
Jane Darwell
- Mrs. Spence - Landlady
- (uncredited)
Bud Geary
- Prison Guard with Mail
- (uncredited)
Edward Keane
- Construction Boss
- (uncredited)
John Kelly
- Butch - Tough Workman
- (uncredited)
Walter Long
- Red's Prison Cellmate
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
'Aggie Appleby, Maker of Men' is surprisingly good - surprisingly because it is so little known. Until I came across it I had never heard of it. Neither had I heard of Wynne Gibson, and I had encountered Charles Farrell only in a couple of silent films he did together with Janet Gaynor. Judging by the small number of reviews here on IMDB and by the fact that the film has under 300 ratings (as of March 2022), it really is almost unknown. That's a pity because it is as neat a pre-code comedy as you could wish for. Aggie, played by Gibson, gets evicted from her flat when her boy friend has to spend some time in the 'can' and she cannot pay the rent. Her friend Sibby (Zasu Pitts) helps her and lets her sleep in a room whose tenant (Farrell) is out. When he returns earlier than expected, complications ensue... The film has good acting and snappy dialogue full of innuendos. It moves fast and is all in all a pleasure to watch. Don't miss it!
The Depression era comes alive in this film about a waitress (Wynne Gibson) who falls in love with a street-fighting hoodlum, Red Branagan (William Gargan). When Branagan goes to prison for beating up some cops, Aggie is left broke and on her own, eventually meeting Adoniram Schlump (Charles Farrell), a rich sissy from Upstate trying to make it in the big city. Under Aggie's tutelage, Schlump takes on Branagan's identity and his combativeness. Then the real Branagan gets out of prison....
Gibson and Gargan are particularly good as a couple of tough New Yorkers struggling to make ends meet, and Farrell (reminiscent here of Harold Lloyd, whom he slightly resembled) comes alive as a neurotic rich boy who finds success as a brawler. The film's use of slang is especially entertaining -- dated, but colorful. (Aggie tells Schlump: "Stop talking like a lollipop. Use some words with hair on them.")
Can't help wondering whether the film's clever title would have been possible a year or two later, with the coming of the Production Code.
Gibson and Gargan are particularly good as a couple of tough New Yorkers struggling to make ends meet, and Farrell (reminiscent here of Harold Lloyd, whom he slightly resembled) comes alive as a neurotic rich boy who finds success as a brawler. The film's use of slang is especially entertaining -- dated, but colorful. (Aggie tells Schlump: "Stop talking like a lollipop. Use some words with hair on them.")
Can't help wondering whether the film's clever title would have been possible a year or two later, with the coming of the Production Code.
Wynne Gibson's live-in boyfriend, roughneck William Gargan, gets sent up the river for hospitalizing a bunch of coppers. She falls in with prissy Charles Farrell, who's trying to make it on his own, and remakes him in the image of Gargan, even giving him the same name.
It's a chance for Farrell to do some acting, showing off the sort of two-toned performance that would win the Oscar regularly -- especially when the winner had a disability. It's doubtless the fact this is a comedy that kept it out of the running. The real fun is in the supporting characters: Zasu Pitts as Miss Gibson's sister, and Betty Furness, surprisingly good in a small role as Farrell's fiancee. With Blanche Friderici, Brooks Benedict, and Jane Darwell.
It's a chance for Farrell to do some acting, showing off the sort of two-toned performance that would win the Oscar regularly -- especially when the winner had a disability. It's doubtless the fact this is a comedy that kept it out of the running. The real fun is in the supporting characters: Zasu Pitts as Miss Gibson's sister, and Betty Furness, surprisingly good in a small role as Farrell's fiancee. With Blanche Friderici, Brooks Benedict, and Jane Darwell.
Aggie Appleby, Maker of Men (1933)
*** (out of 4)
Agnes "Aggie" Appleby (Wynne Gibson) is kicked out of her room when her tough guy boyfriend (William Gargan) goes to jail. Broke and out on the streets, Aggie meets the soft-spoken and kind Adoniram (Charles Farrell) who begins to fall for her but she plans to make him into a tough guy. With such an off-beat title it seems like this film would be better known to film buffs but it has pretty much been forgotten to the ages. This is too bad because it's actually a quite clever little film that has a few nice twists along the way. The film starts off as a comedy as we see Aggie trying to turn this wimp into a man. This includes getting rid of his glasses, getting him a "tough" job and then making him a fighter. She's able to turn this nice guy into the type of tough guy that she likes but things get messy once they fall in love and then her ex gets out of prison. I was really surprised by how effective the entire film was. The early scenes are full of great comedy and especially one sequence where Adoniram wins his fight by the luckiest of ways. The middle portion of the film turns into a romantic drama but this here also works thanks in large part to the two stars. Both Gibson and Farrell are so good together and so believable in their roles that you can't help but fall for both of them. Farrell was extremely impressive with the way he plays this rather soft character and he's also believable once he starts to change. Gargan is a blast as the rather dumb but tough boyfriend and Zasu Pitts is fine as the girl's best friend. I'm not going to spoil the ending but it too is something you just won't expect.
AGGIE APPLEBY, MAKER OF MEN is certainly a very fun little gem that deserves to be rediscovered.
*** (out of 4)
Agnes "Aggie" Appleby (Wynne Gibson) is kicked out of her room when her tough guy boyfriend (William Gargan) goes to jail. Broke and out on the streets, Aggie meets the soft-spoken and kind Adoniram (Charles Farrell) who begins to fall for her but she plans to make him into a tough guy. With such an off-beat title it seems like this film would be better known to film buffs but it has pretty much been forgotten to the ages. This is too bad because it's actually a quite clever little film that has a few nice twists along the way. The film starts off as a comedy as we see Aggie trying to turn this wimp into a man. This includes getting rid of his glasses, getting him a "tough" job and then making him a fighter. She's able to turn this nice guy into the type of tough guy that she likes but things get messy once they fall in love and then her ex gets out of prison. I was really surprised by how effective the entire film was. The early scenes are full of great comedy and especially one sequence where Adoniram wins his fight by the luckiest of ways. The middle portion of the film turns into a romantic drama but this here also works thanks in large part to the two stars. Both Gibson and Farrell are so good together and so believable in their roles that you can't help but fall for both of them. Farrell was extremely impressive with the way he plays this rather soft character and he's also believable once he starts to change. Gargan is a blast as the rather dumb but tough boyfriend and Zasu Pitts is fine as the girl's best friend. I'm not going to spoil the ending but it too is something you just won't expect.
AGGIE APPLEBY, MAKER OF MEN is certainly a very fun little gem that deserves to be rediscovered.
A brawling roughneck and a timid wimp are both whipped into shape by AGGIE APPLEBY MAKER OF MEN.
This refreshingly forthright & honest look at a Depression-era New York City female and her two problem men is a delight from start to finish. Elements both comic and tender are blended together into a very satisfying package which, whatever the situation, rings true every time. Wynne Gibson gives a remarkably unaffected performance--bold, brassy, bossy, but also unfailingly decent & loving. She doesn't waste time with either regrets or excuses, but gets on with her tough life, helping others whenever she can.
Charles Farrell, a major box office star in the early 1930's, is excellent as the diffident young fellow who changes his entire persona, thanks to Miss Gibson's efforts. Farrell lets us see how vulnerable his character still is, even after assuming his new attitude. The short scene in which he is attacked by a bully is actually painful to watch. William Gargan epitomizes the kind of loudmouthed bruiser who's actually a softy when it comes to his girl.
Wispy & almost ethereal, the enormously talented ZaSu Pitts plays the cleaning lady friend of Miss Gibson. Future consumer advocate Betty Furness portrays Farrell's surprisingly liberated hometown girlfriend, while Blanche Frederici appears as his rather frightful aunt.
Movie mavens will recognize an unbilled Jane Darwell as Miss Gibson's practical landlady.
This refreshingly forthright & honest look at a Depression-era New York City female and her two problem men is a delight from start to finish. Elements both comic and tender are blended together into a very satisfying package which, whatever the situation, rings true every time. Wynne Gibson gives a remarkably unaffected performance--bold, brassy, bossy, but also unfailingly decent & loving. She doesn't waste time with either regrets or excuses, but gets on with her tough life, helping others whenever she can.
Charles Farrell, a major box office star in the early 1930's, is excellent as the diffident young fellow who changes his entire persona, thanks to Miss Gibson's efforts. Farrell lets us see how vulnerable his character still is, even after assuming his new attitude. The short scene in which he is attacked by a bully is actually painful to watch. William Gargan epitomizes the kind of loudmouthed bruiser who's actually a softy when it comes to his girl.
Wispy & almost ethereal, the enormously talented ZaSu Pitts plays the cleaning lady friend of Miss Gibson. Future consumer advocate Betty Furness portrays Farrell's surprisingly liberated hometown girlfriend, while Blanche Frederici appears as his rather frightful aunt.
Movie mavens will recognize an unbilled Jane Darwell as Miss Gibson's practical landlady.
Did you know
- TriviaThe original play was written by Jos Kesselring who later wrote the play, 'Arsenic and Old Lace.'
- Quotes
Sybby 'Sib': Listen Aggie, I figure that men are like trees - the more you tap them, you know, the more sap comes out.
- SoundtracksGive My Regards to Broadway
(1904)
Written by George M. Cohan
Part of a medley in the score during the opening credits
Details
- Runtime
- 1h 13m(73 min)
- Color
- Aspect ratio
- 1.37 : 1
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