Air Hostess

One reason you watch 1930s movies to experience the mood and atmosphere of the age. Grace Perkins who wrote a handful of those iconic early thirties movies such as NIGHT NURSE also wrote this. She wrote this however when she was just 19 working at a magazine in 1919 so its story, its attitudes are a decade older than the actual film. It's a 1930s picture but it's also a picture from an era even longer ago, from a time even more different and alien to us than the thirties. Not a great film but an interesting snapshot into how we thought, lived and loved in the 1920s.

It was set in a time when men were men, women were women, planes were called ships and aviation was pronounced aah-viation. The blend of Great War attitudes in a 1930s context makes this a little more interesting than your usual Columbia B movie. Evalyn Knapp's Kitty certainly isn't your typical girl of the thirties and certainly not a twenties flapper. She's a sweet young thing and it's the duty of her male companions to protect her from the attentions of other men....until she can marry someone she's only known for a couple of days because that's what girls had to do! It's fascinating to see that that their way of thinking and behaving seems so perfectly normal to them. These people look like us but they're so different even from the familiar faces we see in 1930s pictures; their sensibilities and points of view seem Victorian.

What is most definitely not Victorian is Thelma Todd. She has almost as much fun vamping up her role as the man-eating, sex crazed 'other woman' as we do watching her. Holy mackerel - now that's what I call a dress! I'm not sure I'd be able to resist her charms either. Her character isn't exactly subtle neither is it a well-developed character. And that's a problem with this film: the characters are very black or white. We have a good girl, a nice but boring boy, an exciting bad boy and a naughty bad girl. There's no nuance to anyone, their personalities are just clichés, but..... Grace Perkins was only a teenager when she wrote this so didn't have the experience of life to draw from at that stage....and the story probably didn't cost Columbia much

The story, which is as unbelievable as the characters, centres on Kitty's husband trying to get financial backing for his new airplane from wealthy Thelma Todd who will do so in return for sex. Does Kitty love her husband enough to allow him to achieve his dream by letting him be seduced by the wild, wealthy widow? Is husband actually thinking about airplanes at that point!!! It's not the best acting or direction you'll ever find but it will keep you amused for an hour.

Evalyn Knapp is Kitty King, air hostess. Her dad was an ace pilot who cracked up in the war and so now all the airport crew think she belongs to them and want to protect her—especially from any new fellows around who might try to get fresh. "Say, listen," Kitty finally tells one of them, "I've never been alone long enough with any man to see how it feels to get properly insulted."

Enter James Murray as Ted Hunter, hot shot daredevil pilot who was once great but drank himself out of the flying profession. All of the airport crew hold him in scorn…so naturally Kitty falls for him.

Evalyn Knapp is the best thing going for this occasionally exciting but frequently dreary melodrama. Knapp is bright, cute—and just walks the line between naive kid and focused, determined adult.

The plot is pretty so-so….Ted the pilot has an idea to build a super-duper plane and attempt the first trans-Pacific crossing, but he can't find a backer to help pay for the thing. Kitty keeps her job as air hostess to put food on the table, against his wishes. Can he raise the money? Can he stay sober? Will Kitty's stubborn faith in his essential goodness be rewarded?

Thelma Todd is devilishly wicked as a publicity crazy rich divorcée who proposes to finance Ted's project but instead seduces him with liquor and other temptations. She really gives no hint of Thelma the great comic actress here—this Thelma is all dark side, and she's convincingly dangerous.

A genuinely thrilling climactic chase sequence does partly make up for the slow-moving middle section....Overall, aside from a few exciting moments, I'm afraid it's pretty mediocre—although the flying sequences do add some interest, presumably, for fans of early airplanes.

Aside from supporting performances by Thelma Todd and Jane Darwell, very few today will recognize the actors in this B-film from Columbia Studios. Likewise, it seems to be the sort of old fashioned film that few would watch today. However, me being an airplane buff and B-movie fanatic, it's a natural I'd see this film.

Although the film begins in WWI, it soon switches to the present (1933) and features folks working with the early airlines. I loved seeing all the great old planes, such as the Ford Tri-Motor, as this is a period in aviation history that it almost forgotten today.

Cute Evalyn Knapp stars as the daughter of one of the pilots killed in the prologue. Now a decade and a half later, she's working as an air hostess (flight attendant) for one of these airlines founded by pals of the dead pilot. The men have sort of adopted Knapp--keeping an eye out for her and protecting her at every turn. Eventually, a bad boy (James Murray) turns up and Knapp marries him--mostly to spite her protectors. The new couple struggle to make ends meet and Evalyn is forced to return to her job as an air hostess. Unfortunately, Murray ends up spending much of the marriage feeling sorry for himself because he is having trouble making a go of his new business idea as well as falling under the influence of the evil vamp (Thelma Todd). Will the marriage last through these strains or will Murray and Todd hurt poor little Knapp? See this one for yourself to find out what happens next.

Overall, this isn't a terribly great film. The plot is awfully familiar and there's not much to make it stand out--unless, as I said above, you are an aviation nut (like me). Not bad, but not especially noteworthy--that is until the dopey ending. In a very contrived twist, the two men who love Knapp have to work together to save her life--she's on a train bound for a bridge that has just washed out and there isn't a second to lose!!! This ending loses a point from the overall score.

By the way, at the beginning of the film you see some footage of WWI air combat. I am not sure which, but the film clips were lifted from either "Hell's Angels" or "Wings" (I am inclined to think "Hells Angels"). I recognized these clips--particularly the scene with the pilot bleeding from the mouth. If anyone can figure out which of the films it was from, drop me a line.

Note--About halfway through the film, Murray gives Knapp a playful little smack on the rump. Such goings on could not have occurred in this film had it come out a year later--after the toughened Production Code was enacted.

The film opens with the words "Somewhere in France..." showing us where we are, and an aerial dogfight going on. One airman tells another that he will go lookup the other's daughter after the war. Then we are "Somewhere in America....". Kitty the air hostess (the beautiful 25 year old Evalyn Knapp) makes a date with a pilot, but has to break it when the rest of the airport workers scare him off. They have been keeping an eye out for her, scaring off men that try to get near her. In the meantime, we are treated to some air stunts by the dashing James Murray as Ted Hunter. He's a loud, outspoken showoff, so we know there will be trouble ahead somewhere down the road. Pretty good photography and sound quality, considering it was the early days of talkies (and flying too!) They pack a lot in this short, pre-code adventure-drama (67 minutes). Good acting and good story, except for the ending, which gets a little hokey. In real life, it didn't end well for Murray -- he drowned in NYC at 35, only three years after this film. Directed by Albert Rogell, who had started in silent movies in 1920. Original story written by Grace Perkins, who had just written "Night Nurse", made into a film starring B Stanwycke.

Air Hostess (1933)

** (out of 4)

Boring "B" movie from Columbia about air hostess Kitty King (Evalyn Knapp) who is protected by everyone who works in the aviation field because of her father's heroic work during WWI. This protection at times is too much and this here sends her into the arms of a man (James Murray) who might not be the best thing for her and especially after he starts to see a rich woman (Thelma Todd) who might be able to help him with his dream. AIR HOSTESS is a pretty bland and boring picture that manages to make the viewer incredibly tired through its 67-minute running time but I'd say the picture is still worth watching thanks to a few factors that I'll get to in a moment. The biggest problem with this film is its rather bland screenplay, which offers up the typical story of a good girl caught between two men and of course she picks the bad one, which means the viewer has to sit through countless scenes where she feels sorry for herself. This entire concept was pretty boring even by 1933 standards and the problem here is that there simply isn't anything fresh or original done. Had the screenplay at least given the viewer a few twists or turns then perhaps we could have put up with things but that never happens. There are a few good things going for the film and this includes the performance of Knapp who has been forgotten by most people but she's quite charming here. She's certainly cute to look at but she manages to take a blandly written character and bring her to life. I also thought Todd was very good in her role as the sexy other woman. Murray really doesn't do much in his role nor does Arthur Pierson. What makes the film worth watching is that we get to see some pretty good airplanes from the era and we also get a rather amazing stunt at the end of the picture. This stunt involves a couple planes trying to stop a train and I won't ruin what happens but it's quite thrilling.