Another Language

Another Language from 1933 stars Robert Montgomery, Helen Hayes, John Beal, and Louise Closser. Directed by Edward H. Griffith.

Montgomery and Hayes are Victor and Stella, who fell in love in Europe and eloped. After meeting his family back in the states, she gradually realizes that he's basically smothered by their closeness, and they all dance to the tune of their mother (Closser). She's very manipulative, the type who becomes ill whenever Victor and Stella want to leave town. The family finds Stella upper class and make annoying remarks couched as jokes.

(Note: Robert Taylor's mother was like this. The story is she went on the Taylor/Stanwyck honeymoon-untrue. She delayed it by becoming ill. Barbara referred to her as "that miserable b--.")

To make matters worse, Victor's nephew Jerry (Beal), who is not like the rest of the family, falls for Stella.

Victor needs to stand up for himself and Stella. Will he?

Good film. The cast, which also includes Margaret Hamilton, is very good. She and Beal repeat their Broadway roles. Hayes is lovely as the free-spirited wife who adores her husband but also likes to take art class twice a week.

I met John Beal many years ago. He was a lovely man who had a lot of success on Broadway. As a young leading man, he had a great start in films; postwar he worked more on stage.

Apparently, Norma Shearer was supposed to play the lead, but her husband, Irving Thalberg, had a heart attack, and she decided to stay home.

These non politically correct movies are the most enjoyable. Although his comedy is best, Robert Monty's drama skills are put to good use in this romantic drama. Snobby family versus down-to-earth daughter in law is predictable but it still works.

There's a good film hiding within "Another Language," but it's overshadowed by an overwrought plot and, most significantly, an unsympathetic central character.

The plot concerns Stella (Helen Hayes), a newlywed whose husband Victor (Robert Montgomery) is blind to his family's boorish behavior and their immediate dislike of his new bride. Worst in the bunch is his smothering mother (Louise Closser Hale), whose reaction in every scene is to pretend to be ill to gain her sons' sympathy. Why none of her stupid children see through her manipulative behavior boggles the mind. Victor (or as his family annoyingly calls him, Vicki) is the most frustrating character in the film. He takes his family's side whenever a conflict arises and treats his wife not only like a stranger, but with disdain. It's a mystery as to what Stella ever saw in him and for that matter, why she hasn't walked out on him. There's also a subplot involving Victor's nephew who falls in love with Stella that is never fully developed, nor is it resolved to a satisfying conclusion.

Another weakness, as someone else pointed out, is that the one family member who shows any compassion toward Stella is Victor's father (Henry Travers), yet he never stands up to his wife or any of the other relatives who are always attacking Stella.

Hayes is acceptable in her role, but it's easy to see why she never became a successful film star. Whatever magic she had on stage doesn't translate to the screen. Her acting is sometimes mannered and she doesn't have a face the camera would fall in love with. She isn't helped by Montgomery, who is just so unlikeable in this film. The two have zero chemistry.

Louise Closser Hale fares better as Mrs. Hallam, the mother-in-law from hell. The standout, though, is Margaret Hamilton in her film debut as one of Stella's sisters-in-law. Though bitchy most of the time, she does show some humanity in the final reels and is the only truly believable member of the family. The movie is only worth sitting for through the performance of this consummate character actor. It's like she's speaking another language compared to the rest of the cast.

ANOTHER LANGUAGE is the story of a marriage that suffers because the husband (ROBERT MONTGOMERY) is a self-centered snob ruled by a family that views its mother (LOUISE CLOSSER HALE) as the matriarch of the family who must be paid attention at all costs and smothers Montgomery with motherly affection. I loved the line spoken by HENRY TRAVERS, who tells her at a crucial moment, "Shut up, ma and don't faint. He's not looking."

HELEN HAYES gives one of her more natural performances on film. Very often she was prone to stage acting techniques, but here her manner is subdued and never overplayed. Montgomery is excellent and makes the man a weakling the viewer can never really warm up to until the final moments when he stands by her side.

Rose Franken was an expert at telling stories about family relationships, as she did with "Claudia" and the sequel "Claudia and David". Here she paints a vivid portrait of unpleasant family relationships.

In strong supporting roles, MARGARET HAMILTON and JOHN BEAL repeat their stage roles effectively.

"Another Language" works because the whole is greater than the sum of its parts - and that is not meant to insult the parts. Robert Montgomery plays multiple roles, and he plays them all well: sometimes a genuinely caring husband, sometimes a stand-offish snob, and sometimes a superior bully. It's as if he was doing a greatest hits part.

It is Helen Hayes, however, in one her rare film appearances, who shines out a little more than everyone else. She was really a fine actress, here playing the increasingly isolated and desperate wife of Robert Montgomery, the victim of a squeezing out instigated by Montgomery's petty family. Interesting how at one point one of his "sister-in-laws" suggests that Hayes is "not even that pretty". I guess she really wasn't particularly so, her eyes in particular seemingly too far apart.

But the script moves along delightfully. The ensemble scenes, of which there are many, bringing all 10 or so characters on screen at one time, are surprisingly fun. This is because the writers have managed to accomplish something quite difficult, in allowing the different character's personalities slowly to come through. None of them is all good, but none of them is really all bad, though as a group they are intimidating to poor Helen Hayes.

Even Margaret Hamilton, made up and dressed up to be especially homely, who appears to be the nastiest of the women, shows a little humanity at times - but it is never overdone. A nice touch.

But Henry Travers, as the kindly father, is a source of frustration for the viewer: he knows the games that everyone is playing, and is genuinely sympathetic to Hayes, yet he never actually speaks up for her. This weakness is all the more irksome because it is his wife, the manipulative matriarch (played quite well by Louise Hale), with her many fake fainting spells, who is the cause of the film's discord, and though he is not afraid of her, he never helps out either.

An interesting film, and not as predictable as it might seem.