Nertsery Rhymes

After seeing this film and looking at the reviews, it's obvious that this film is yet another case where rabid fans see EVERYTHING their favorite stars is in is pure cinema gold! Heck, giving ANY Three Stooge film a 10 is hard to imagine, but in the case of this abysmal film, it's a crime against common sense and IMDb fans! The reality is that this is a truly awful film in every possible way, though it is very important historically since it's the first Three Stooges film. Even most of the die-hard Stooges fans will hate this film as it's nothing like later films and just isn't funny.

Like all the early Stooge's films, their front man was Ted Healy--a rather obnoxious and abrasive vaudevillian who spent all his time smacking the crap out of the hapless Stooges. While in later Stooge films without Healy this violence was funny and comical, with Healy it tended to just be cruel and it was a great move by the boys to dump their rather vicious front man.

So why was it so bad? Well, it's very obvious that MGM didn't know what to do with the team and put very little effort into producing the film despite the fact that it was in the expensive Two-Color Technicolor process. This decision was less based on their commitment to the team and more because they had some existing two-color clips and wanted to combine them with the Stooge clips to save a few bucks. This was certainly NOT done in a seamless manner and the existing song and dance clips were simply dreadful--totally dull and unappealing. Plus, some of the clips and dialog have absolutely nothing to do with Nursery Rhymes! The end result was uninteresting and showed little to indicate that the team would one day make it big. Unfortunately for the studio, this trend continued until the team made the jump to Columbia and the rest is history.

See it only for historical purposes--don't say I didn't warn you!

It always amuses me that some people are so dismissive of Healy. Usually the reason is profound ignorance of his career and the early career of his Stooges. He's the guy who created them, who came up with the routines. And the Stooges didn't dump him, as stated by the clueless reviewer above. MGM offered Healy a solo contract and he took it. At the same time he helped the Stooges start an independent career. The only dispute was who should retain the copyright for the name. Healy, as the guy who came up with it, thought it should be him and he was in the right. The Stooges never lost their love and respect for Ted, even though the law suit became acrimonious at times. Moe was utterly distraught on hearing of Healy's death (he wasn't murdered by Beery BTW, that's another exploded myth).

This short is one of my favorites, it shows just how well Healy and his Stooges worked together and the color is an added bonus. The musical clips are great too. Some people today are just incapable of appreciating the early talkies.

From their earliest career period when they were still part of Ted Healy's act, this short subject Nertsery Rhymes is a chance to see the Three Stooges in color on the screen. Although Nertsery Rhymes is in bad need of restoration and the color is pretty washed out, still seeing Moe, Larry, and Curly in all shades of the rainbow is something.

The guys play three precocious lads who father Ted Healy is trying to put to sleep so he and Bonny Bonell can go out to a beer joint. Note they don't say speakeasy as it looks like happy days have arrived and Prohibition is gone.

The fantasy musical numbers are nothing to write home about. But nice to see Moe, Larry, and Curly in their salad days even in washed out color.

This is the film debut of Curly Howard. A very important moment in film history. At this time, they were known as "Howard, Fine and Howard". It's interesting seeing these old Ted Healy-Stooges shorts, because you can see what Moe did, after they split from Healy. When the boys went on their own, Moe took his character from these films and merged it with Healy's character, in essence becoming the leader of the trio. The two-color film process they used for Nertsery Rhymes (1933), does enhance it. It was part of a five film series, called the Colortone Musical Revues for MGM. This film is very vaudeville, with the singing, dancing, comedy and a lot of girls, in this pre-code era short subject. This includes, series regular, Bonnie Bonnell. She ended up being in all of their MGM shorts with Healy. These films were mostly geared towards adults in 1933.

I was impressed with the sets they had built on the stages, used in the film. They had impressive set designs for the dancing acts. The singing, jokes and over-all choreography, are pretty good for 1933. It was clear the boys didn't need Healy, because he seems almost pointless to the story, even though his character is the one, that guides the direction of the events, happening in Nertsery Rhymes (1933). He is Papa to the three kids, who resemble full grown men, who won't go to sleep without a bedtime story. Enter the singing, dancing, comedy and the girls, in dreamlike sequences, that go by on the screen. This is not a bad film for the debut of Curly Howard in the cinemas. I found the two-tone version on YouTube. It is an interesting piece of cinema art, that was the first of five at MGM studios. Its place in film history, makes it a strong film. It's hard to believe Nertsery Rhymes (1933) and the legend, known as the Three Stooges, is over 90 years old now.

7.1 (C MyGrade) = 7 IMDB.

MGM, ever thrifty, did something slightly unusual with this short. Mixed in between Ted Healy (as a top-hatted "daddy") and his Stooges (guess who?), not to mention a shapely fairy princess, we see two color segments recylced from earlier MGM films. One is the "Woman in the Shoe" number from "Lord Byron of Broadway," and another is a number entitled "A Girl, a Fan and a Fella," which is a number that was cut from either "The Hollywood Revue of 1929" or "March of Time." The first number fits in much better with the "bedtime story" theme, and features slick dancing, but the second number (which is actually shown first) has a quirky, Erte-like elegance about it that demands attention. MGM would do something similar later with "Roast Beef and Movies," with Curly Howard, but not to the same whacked charm-effect. Try it, and get an interesting idea of early Technicolor music.