Meet the Baron

I don't understand critics. Leslie Halliwell's Guide gives this movie no stars and writes, "An incoherent script provides an opportunity for several comics to do their stuff." So what's not clear about the script? The story seems perfectly intelligible and well-structured, with three foreshadowed, logical but surprising twists of fortune for the main characters. This is a very funny movie, tightly edited and continuously amusing (OK, droll). It picks up steam after the introductory scene, and clips away pretty briskly after that. I intended to see just a few scenes at a time, but ended up watching it all the way through (with no fast-forwarding).

Maybe Halliwell was confused about the script because so much of the action is at a girl's college. Anyway, he's certainly right about the comics. I've been disappointed by Durante films since childhood, but this comes the closest I've seen to a "real" Jimmy Durante movie. (If only he had a song!)

Healy and the Stooges have large sequences throughout, and succeed as the only comedy team to manage a sufficiently interesting 4th member. Although I'm not a fan of Pearl or Pitts, here they seem fittingly cast, with Pitts at her most natural and likable. But the real treat is Edna May Oliver, not a bad looking woman and perfectly cast as the prissy (but not entirely prudish) dean. She is a marvelous comedienne, her timing and gestures and faces are exquisite, and she doesn't shy from an insult, a shove, or a slap in the rear. She takes it in and dishes it out, and her ensemble work with the roughest comedians of the day is stunning.

Jack Pearl's puns seemed much funnier to me watching alone than they did years ago in a revival theatre with an audience. I guess it helps the enjoyment of dopey humour when you don't have people around you groaning.

The film of the Warnervideo release has some nicks at the beginning, but that clears up after a few minutes, and it becomes a clean, sharp, vintage-looking print the rest of the way through.

Eight stars not to signify proximity to a "great" movie, but because that's how much I enjoyed it, and an excellent print to boot.

I confess I found it hilarious. Stooges were a bit stiff, probably because of Ted Healy's (a truly unfunny person) relationship with the Stooges off camera. How can you not love Jimmy Durante? A true ham, hamming it up every second on screen. Zasu Pitts, Edna Mae Oliver, and newborns performing on a twirling fan as the final shot - I can't help but like it. Hey, it's screwball not exploding cars and obscenities mouthed every few seconds while someone passes gas (and that's just a current PG-13.) I'd rather watch a poor movie from this period than any of the trash being spewed out today. The print is of wonderful quality and hopefully more MGM classics of this calibre will surface. If nothing else, perhaps the gorgeous MGM girls routines will bring a new audience to this DVD.

After years of seeing the Ted Healy & His Stooges sequences of this movie on the VHS tape "The Lost Stooges", I just finally watched the whole movie of Meet the Baron. It stars Jack Pearl as the title character who tells tales that can't be believed. Jimmy Durante provides support as his manager, Edna Mae Oliver is the dean of a girls college, and Zazu Pitts is a maid. As for Ted Healy with Moe Howard, Larry Fine, and Jerry (Curly) Howard, they're plumbers sent to get water back in operation so the female students can continue showering. You know this was a pre-Code movie when you see various nude (though strategically covered with water) ladies singing while showering! Overall, the Stooges were perhaps the funniest parts of the movie with some amusing lines from Pearl, Durante, Oliver, and Pitts. Not really hilarious all the way through but Meet the Baron had some good moments. P.S. I wonder if Herman J. Mankiewicz got the Rosebud name that became a part of a classic he co-wrote called Citizen Kane from this film which he also had a hand in writing and in which the mule is called by that name!

This film is uneven: the first half is very promising, and it looks like "Meet The Baron" could develop into a classic of the absurdist-nonsense school of comedy, in the same vein as "Duck Soup" and "Horse Feathers". But the second half has too much violent, unsophisticated slapstick, and too many lame word puns ("take it with a grain of salt" - "you mean you can eat it?"). The two best sequences are the two musical numbers: the satirical "The Best is None Too Good", and especially the very pre-code "Clean as a Whistle", which must have been considered extremely hot by moviegoers back in 1933, and remains quite provocative and teasing today. Great closing gag, too! **1/2 out of 4.

I confess. The "Clean as a Whistle" number made me purchase the DVD. I wish that number was a bit longer. The choral blending drives home the art deco musical styles of the 1930's. The Stooge's scene after the water stopped was very good, especially with the head mistress as comic relief. The rest of the film, well, I did manage to watch all of the DVD, sort of. There are a number of musical comedy films from this great period in Hollywood. One that comes to mind is "International House." That one, with W.C. Fields, is worth a view. Bela Lugosi seems a bit out of character in this movie but it was great seeing him in a slightly different roll. The music played over the Chinese Radio station during W.C. Fields bedroom scene is another great example of the 1930's art deco music style.