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Stage Mother

  • 1933
  • Approved
  • 1h 25m
IMDb RATING
6.1/10
272
YOUR RATING
Maureen O'Sullivan and Alice Brady in Stage Mother (1933)
DramaMusicalRomance

A vaudeville star has to leave her daughter with her dead husband's stuffy Boston parents while she makes a living. But when the daughter shows some talent, the mother become a stage mother ... Read allA vaudeville star has to leave her daughter with her dead husband's stuffy Boston parents while she makes a living. But when the daughter shows some talent, the mother become a stage mother and pushes her daughter into becoming a Broadway star. The mother is a monster with a hear... Read allA vaudeville star has to leave her daughter with her dead husband's stuffy Boston parents while she makes a living. But when the daughter shows some talent, the mother become a stage mother and pushes her daughter into becoming a Broadway star. The mother is a monster with a heart of gold, and after breaking up the daughter's love affair, finally sees the error of her... Read all

  • Director
    • Charles Brabin
  • Writers
    • John Meehan
    • Bradford Ropes
  • Stars
    • Alice Brady
    • Maureen O'Sullivan
    • Franchot Tone
  • See production info at IMDbPro
  • IMDb RATING
    6.1/10
    272
    YOUR RATING
    • Director
      • Charles Brabin
    • Writers
      • John Meehan
      • Bradford Ropes
    • Stars
      • Alice Brady
      • Maureen O'Sullivan
      • Franchot Tone
    • 13User reviews
    • 1Critic review
  • See production info at IMDbPro
  • See production info at IMDbPro
    • Awards
      • 1 win total

    Photos13

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    Top Cast55

    Edit
    Alice Brady
    Alice Brady
    • Kitty Lorraine
    Maureen O'Sullivan
    Maureen O'Sullivan
    • Shirley Lorraine
    Franchot Tone
    Franchot Tone
    • Warren Foster
    Phillips Holmes
    Phillips Holmes
    • Lord Aylesworth
    Ted Healy
    Ted Healy
    • Ralph Martin
    Russell Hardie
    Russell Hardie
    • Fred Lorraine
    C. Henry Gordon
    C. Henry Gordon
    • Ricco
    Alan Edwards
    Alan Edwards
    • Dexter
    Ben Alexander
    Ben Alexander
    • Francis Nolan
    Lowden Adams
    • Dexter's Butler
    • (uncredited)
    Luis Alberni
    Luis Alberni
    • Hors D'Oeuvres Waiter
    • (uncredited)
    Sam Ash
    Sam Ash
    • Mr. Mark Thorne
    • (uncredited)
    Hank Bell
    Hank Bell
    • Mustached Man With Badge
    • (uncredited)
    Margaret Bert
    • Nurse
    • (uncredited)
    Nora Cecil
    Nora Cecil
    • Miss Gilford - Kitty's Music Store Boss
    • (uncredited)
    Elspeth Dudgeon
    Elspeth Dudgeon
    • Music Store Customer
    • (uncredited)
    Jay Eaton
    Jay Eaton
    • Mr. Sterling - Dance Instructor
    • (uncredited)
    Bill Elliott
    Bill Elliott
    • Audience Member
    • (uncredited)
    • …
    • Director
      • Charles Brabin
    • Writers
      • John Meehan
      • Bradford Ropes
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews13

    6.1272
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    10

    Featured reviews

    6PCC0921

    Healy's Real-Life Parallels, Mommy Dearest, Tarzan's Jane and Larry Fine

    This is one of the MGM feature films Ted Healy did, while still with Howard, Fine and Howard. Along with Healy, Larry Fine has a cameo, as a music store customer. That was an interesting scene because, in record stores in 1933, to sell records, live singers would sing samples of the song and charge 50 cents for the actual song on a record. It's the 1930s version of going to iTunes. In Stage Mother (1933), a pregnant theater-singer loses her trapeze artist husband, in a tragic accident. I wasn't ready for that. It was a good start to this film. Although, when the doomed husband landed on the ground, you could clearly see the giant mattress he safely lands on. In the next shot, he's lying on a hard stage floor. This was a technical mistake, that could have been fixed, even in 1933. Later on in the film, after the baby has grown to three years old, the mother Kitty Lorraine (Alice Brady), has to give the kid up to the in-laws, because the theater life isn't a place for a child. Healy, who's character, Ralph Martin, a friend of Kitty's, goes after her quickly, with desires for marriage. They go off, get married, make it through things, for about a decade and then Martin becomes a drunk, that ruins their theater act. This is an eerie sequence of events, considering the real-life story, that happened to Ted Healy in his real life.

    The crazy life of a theater performer in the 1930s, is the main drive of the plot. The kid grows up to be Maureen O'Sullivan. Yes, that Maureen O'Sullivan. The one, who would go on to play Jane, in six of the Johnny Weissmuller, Tarzan films. After staying with her grand parents for a number of years, Shirley is reunited with her mother, Kitty. She is 16 years old and this is the point O'Sullivan steps in for her character. In fact, I was impressed with the way the filmmakers made-up 22 year old O'Sullivan, to age from 16 to her 30s. So, stage Mother wants her daughter to be a dancer. An idea, Shirley isn't to keen about, but accepts the direction her life is about to go in, thus setting up a possible Mommy Dearest scenario. Fortunately, Shirley will age to a point, that the Mommy Dearest phase doesn't fester.

    When Shirley goes for her first try-out, the collection of kids routines were pretty funny. I did notice some bad edits in Stage Mother (1933), even by 1933 standards, but the camera work was really nice. 55 minutes into the film, Shirley breaks up sadly, with her man she is seeing and minutes later, does a great show, with some amazing sets, created for the dance numbers. Some may question moments of the acting in the movie, but I liked C. Henry Gordon as Ricco. The film ends kind of quickly and abruptly, plus there's a uneasy feeling, that things didn't go the way you thought they would. The happy music, playing out to the film's end, doesn't hide the real anguish behind Shirley's eyes. Did Mommy Dearest actually win? Stage Mother (1933), is still a cinematic artifact, from an earlier time. I thought it was cool. It's not a great film, but still, fairly good.

    6.3 (D+ MyGrade) = 6 IMDB.
    8museumofdave

    Zippy Little Precode Moves Along With Style

    There are older films one sits through to see a specific star, or because there is a legendary scene as highlight, but frequently when stories of this period so close to the silents or snatched from the theatre move into explication, they drag, are full of static scenes or wooden performances. Stage Mother is no such case--powered by the energetic, electric "on" personality of Alice Brady in most of the film, a high interest in plot development ensues, and the expected conflict between mother and daughter similar to what Merman and company essayed in Gypsy some 25 years later keeps the narrative moving right along--it doesn't hurt that peppy Franchot Tone pops in for an early film appearance as a wealthy suitor, or that Maureen O'Sullivan can hold her own with Brady. Some folks complain about the final melodrama, but given the period when audiences expected to be send home feeling good, and given that this is an MGM studio product, it doesn't matter one way or another. It's a fun film to watch! Singing! Dancing! Jokes Aplenty!
    marcslope

    Move Over, Mamma Rose!

    For most of its length, a good, tough melodrama of a mama (Alice Brady, excellent) living her life through her reluctant daughter (Maureen O'Sullivan), pushing her into show business and scaring away her suitors, and with them any chance of happiness.

    Co-screenwriter Bradford Ropes, who also wrote the novel on which "42nd Street" is based, knew this tawdry milieu intimately and wasn't afraid to expose its seamy sides; fortunately, the movie came just before the Production Code, so its portrayal of the shabbiness and moral compromises of the show biz doesn't pull its punches. It resembles "Gypsy" and the great early talkie "Applause," and in particular, its look at backstage and onstage vaudeville is historically fascinating. Its main shortcoming is a too-fast, too-tidy final reel that races unconvincingly toward a happy ending. Also, Maureen O'Sullivan, pretty and spirited as always, doesn't really convince as a young miss aiming to become the toast of Broadway. (She's dubbed, and that's clearly a double dancing in the long shots.) Till that rushed denouement, though, it's a brash and winning backstager, and Brady's uncompromising, unsympathetic performance stays with one for days.
    5st-shot

    Stage Mother falls on its face in the last act.

    Husband wife high wire act Freddy and Kitty Lorraine split up the team while she tends to having a child. When dad is killed in a fall she and the new baby move in with his staid New England parents. Buzz killers from the outset Kitty decides to take kid Shirley (Maureen O'Sullivan) on the road and push her into a stage career. With mom managing her career gets traction and she's soon headlining. Making a nostalgic visit to her old home in Boston she meets Warren (Franchot Tone) a painter and the two fall in love. When mom gets wind of it though she puts a stop to it as well as shake down his family for ten grand. Shirley is devastated and seeks to get out from under the influence of her mother.

    Stage Mom is Alice Brady's picture as she cajoles and plays hardball with all comers to advance her daughter's career including pimping her to a prominent politician causing things to get hot enough to blow town and head for Europe. Brady's raspy voice suits her hard bargaining style well as she negotiates with some pretty tough customers along the way. O'Sullivan's Shirley is sharp innocent counterpoint to a point of insipid. She dances poorly and remains naive and childlike most of the picture while her suitors (Franchot Tone and Phillip Holmes) can only wish they had a backbone like Kitty.

    The dance scenes are flat and uninspired as director Charles Brabin does his best to mask O'Sullivan's abysmal hoofing abilities with close-ups while at the same time offering some pretty racy pre code enforcement shots of the chorus replete in diaphanous costume.

    There are a handful of well played scenes (particularly with C. Henry Gordon) in Stage Mother as Brady brawls her way to the top with tough talk and a touch of extortion void of sentiment but in the end it depends on sentimental tug to bring the curtain down and the limpid denouement forcing Kitty to go meekly simply reinforces the films mediocrity.
    7ksf-2

    Mom pushes daughter right into show biz

    With the rows and rows of dancing girls all in unison, I would have sworn that Busby Berkley or Ziegfeld had to be involved in this, but no sign of them mentioned on IMDb. Alice Brady is Kitty Lorraine, the pushy mom who makes sure her daughter Shirley (Maureen O Sullivan) gets ahead in show biz. As usual, Brady is loud and a little lower-class, but you know exactly where you stand, and she means well. O'Sullivan made a whole bunch of Tarzan movies, and was in the Thin Man. Franchot Tone is Shirley's boyfriend in one of his earliest film roles. O'Sullivan sings (or pretends to sing) several numbers. Story is soooo similar to Gypsy Rose Lee... she would have been about 20 when this film came out. Novel and screenplay of "Stage Mother" written by Bradford Ropes. Viewers will recognize Alice Brady as the silly giggling aunt from Gay Divorcée; she seems to have died young at 47. The cast list shows Larry Fine (one of the Stooges) as a customer in the music store, but I must have missed him. Fun story. Plot starts a little slow and sad, but gets better as it goes along. Director Charles Brabin had been making films for 20 years, and this was one of the last ones he made. Turner Classic shows this now & then, and has it listed as G rated, but that can't be right....

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    Drama
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    Musical
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    Romance

    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      Larry Fine's only solo screen appearance without his partners in The Three Stooges.
    • Goofs
      Tap dancing is heard during the child contortionist's audition.
    • Quotes

      Kitty Lorraine: I'm going to Boston to Fred's people. They sent me a telegram.

      Blonde: What, live in Boston? I'd hate to take a kid as young as that one to that town. It's liable to make her peculiar for life!

    • Connections
      Referenced in Fugitive Lovers (1934)
    • Soundtracks
      Any Little Girl, That's a Nice Little Girl, Is the Right Little Girl for Me
      Music by Fred Fisher

      Lyrics by Thomas J. Gray

      Sung by Alice Brady at the music store

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    Details

    Edit
    • Release date
      • September 29, 1933 (United States)
    • Country of origin
      • United States
    • Language
      • English
    • Also known as
      • Sådan är hon!
    • Filming locations
      • Metro-Goldwyn-Mayer Studios - 10202 W. Washington Blvd., Culver City, California, USA(Studio)
    • Production company
      • Metro-Goldwyn-Mayer (MGM)
    • See more company credits at IMDbPro

    Tech specs

    Edit
    • Runtime
      • 1h 25m(85 min)
    • Color
      • Black and White
    • Aspect ratio
      • 1.37 : 1

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