The Chases of Pimple Street

Chases of Pimple St. (1934)

*** (out of 4)

Charley Chase comedy has him play a tormented husband who's married to a lovely wife. The only problem is that the wife's sister lives with them and refuses to move out. I'm actually a pretty big fan of Chase's silent shorts and find them more entertaining and funny that those of Harold Lloyd. I had heard his sound shorts weren't as good but I find them just as funny. There are countless gags in this film including a wonderful sequence where Chase must get ready downstairs because his sister in law is in the bathroom. The film starts off with a stupid musical number but gets better after that.

What a pity this little gem of a film is not available on DVD or tape. This is simply a joy to watch, from the opening song and nostalgic moon in the window of the Chase residence to the closing scenes at the night club, this is one great short.

I especially like the line "Why he's one of the finest men from Ashtabula, Ohio." That's where I live and when that finest man shows up drunk, it's absolute hoot for local audiences who enjoy a screening of this film at my home.

I am running a super 8mm Blackhawk sound print, but hope one day to have a 16mm print of this wonderful comedy. It's certainly the best he did in 1935 and eclipsed only by Pip from Pittsburgh, IMHO.

CHARLIE CHASE seems to be using silent screen technique for his broad antics on display here in THE CHASES OF PIMPLE STREET. He's amusing as a hen-pecked husband whose sister lives under the same roof with him and his wife. She exasperates him to the point of hysteria, but when his boss needs an extra "girl" for a party, he has to use his own wife as the girl when his sister is mistakenly identified by his boss as his wife. Does that make any sense? Well, of course, it doesn't really. It's a merry mix-up and Chase makes the most of it. The early scenes in the busy household with Charlie shut out of his own bathroom by his sister-in-law are funnier than what takes place later at the party.

In other words, it's an uneven comedy, getting laughs where it should but not over-the-top hilarious.

Summing up: Enjoyable two-reeler owes a lot to Chase's skill as a comedian with silent screen technique embedded in his acting, as late as 1934.

Charley has to find a date for his boss, and in the mix-up he has his wife, Betty Mack, portraying his sister-in-law, while his sister-in-law, Ruthelma Hill, is supposed to be his wife.

It's not original, and Chase had done it a couple of times before, particularly in the silent era. He often reused a plot, but the different gags he put in each time made them very different. Here he sings a duet with Miss Mack, and the guy he has to get a date for is Arthur Housman, as hilariously drunk and befuddled as he ever was.

Loud and annoying does not equal comedy. Charley Chase had a great silent film career but unfortunately sound came along and Charley just became obnoxious. Mighty low brow stuff that's poorly executed even by 3 Stooges standards. Inexplicably high IMDb rating.

IMDb wants ten lines of text for this review but frankly there isn't enough to this curiously high rated dreck to write ten lines about.

The terrible direction is credited to Chase but nobody's taking claim for writing this witless, vapid, tired (tired by Vaudville standards) tripe. What could possibly be the mystery of the high rating? This is just stupid. Funny's funny and this ain't funny.