An Easterner inherits a cattle ranch, only to discover that thousands of cattle have been stolen. He secretly signs on as a hired hand at his own ranch to discover who's stealing them.An Easterner inherits a cattle ranch, only to discover that thousands of cattle have been stolen. He secretly signs on as a hired hand at his own ranch to discover who's stealing them.An Easterner inherits a cattle ranch, only to discover that thousands of cattle have been stolen. He secretly signs on as a hired hand at his own ranch to discover who's stealing them.
LeRoy Mason
- Dale Hyslip
- (as Le Roy Mason)
Syd Saylor
- Nebraska Kemp
- (as Sid Saylor)
Jim Mason
- Hawk Stevens
- (as James Mason)
Ernie Alexander
- Grocery Clerk
- (uncredited)
Silver Tip Baker
- Townsman
- (uncredited)
Hank Bell
- Party Guest
- (uncredited)
Charles Brinley
- Bank Customer
- (uncredited)
Frank Brownlee
- Sheriff
- (uncredited)
Earl Dwire
- Train Passenger
- (uncredited)
Jack Kirk
- Bank Customer
- (uncredited)
Featured reviews
After inheriting a ranch full of mysteriously vanishing cows, Ernest "Dude" Selby secretly signs on as a hired hand at his own ranch to discover who's stealing them and suspects the culprit may be wheelchair-bound ranch boss Sam Hepburn, father of the beautiful Ann.
George O' Brien is his usual smiling self as an easterner who is curious of who is stealing the cows from his land and when he gets employed as a cowhand he investigates but not without a little playful and light interaction with the ranch boss' daughter. O' Brien plays hard to get which is odd as it's usually the leading actresses who do that. The leading actress here is more forthcoming and flirty, much to LeMason Roy's dismay. He's at his usual villainous self. But don't expect any gunplay - it's more of a mix of humour, a little intrigue and some romance. Maybe a little melodrama. The dialogue is quite snappy and there's witty one liners.
George O' Brien is his usual smiling self as an easterner who is curious of who is stealing the cows from his land and when he gets employed as a cowhand he investigates but not without a little playful and light interaction with the ranch boss' daughter. O' Brien plays hard to get which is odd as it's usually the leading actresses who do that. The leading actress here is more forthcoming and flirty, much to LeMason Roy's dismay. He's at his usual villainous self. But don't expect any gunplay - it's more of a mix of humour, a little intrigue and some romance. Maybe a little melodrama. The dialogue is quite snappy and there's witty one liners.
Easterner George O'Brien inherits his uncle's half of a ranch and goes undercover as a hired-hand in order to find out exactly who has been rustling his livestock. He soon discovers that his uncle's invalid partner isn't crippled after all and is apparently behind the thefts. Complicating things is O'Brien's crush on the old man's daughter.
You really can't go wrong with any of the Zane Grey pictures from the 1930's. They have some of the healthiest budgets and best writing of all the era's B-westerns, making them a cut above the average poverty-row programmer.
This may not have Randolph Scott and John Wayne, some of the stars from Paramount's Zane Grey series. However, The Dude Ranger features some great photography, three-dimensional characters, and some genuine suspense, as well as a few twists near the end that I didn't see coming.
Leading lady Irene Hervey is quite beautiful too.
You really can't go wrong with any of the Zane Grey pictures from the 1930's. They have some of the healthiest budgets and best writing of all the era's B-westerns, making them a cut above the average poverty-row programmer.
This may not have Randolph Scott and John Wayne, some of the stars from Paramount's Zane Grey series. However, The Dude Ranger features some great photography, three-dimensional characters, and some genuine suspense, as well as a few twists near the end that I didn't see coming.
Leading lady Irene Hervey is quite beautiful too.
Solidly entertaining in all departments, this Dude will disappoint in only one respect. Some bloodthirsty fans may find it a little lacking in action. Mind you, there was certainly enough for me. I enjoyed the equal measures of romance, humor and mystery. True, the basic plot is a familiar one, but it's given a very classy work-out here.
Irene Hervey walks away with the picture's acting honors, closely followed by personable hero O'Brien, surly heavy Mason, and, of all people, comic sidekick Syd Saylor whom I usually can't stand! That in itself is a sure-fire indication of the top-grade entertainment qualities of script, direction and photography.
Irene Hervey walks away with the picture's acting honors, closely followed by personable hero O'Brien, surly heavy Mason, and, of all people, comic sidekick Syd Saylor whom I usually can't stand! That in itself is a sure-fire indication of the top-grade entertainment qualities of script, direction and photography.
Syd Saylor was as good a serious side-kick as ever forked a horse, but he was thoroughly capable of playing a comic, or occasionally comic, partner as well.
He proved it in this excellent B Western, with a lot of by-play between him and star George O'Brien.
O'Brien was as good-looking and healthy a specimen as ever played a cowboy hero, fully capable of action heroics as well as romantic scenes.
The story, by iconic Zane Grey, is beautifully presented in a script by Barry Barringer directed by Edward Cline.
What makes this stand out is the characterization by all the performers, including the lovely Irene Hervey. She plays a spoiled, even seemingly conceited young lady of the range in a breezy city-slicker manner, but proves actually very likable, if sometimes flighty.
LeRoy Mason, here Le Roy, is his usual good-looking but rotten villain, alternating between seemingly likable and trustworthy ranch foreman and lecherous and traitorous thief.
Again, the entire cast is just about perfect, from the briefly seen Vesper Pegg, who just steals his scene of bringing up a mount, to the West-loving Earl Dwire, to Slim Whitaker and Lafe McKee and ... well, several others, none of whom get screen credit, but who all give us good reason to praise IMDb for providing the information.
There are a couple of flaws, a moment of trite action happening in just the right place, for example, that brought down the rating from that perfect 10, but I highly recommend "The Dude Ranger" which is available at YouTube.
He proved it in this excellent B Western, with a lot of by-play between him and star George O'Brien.
O'Brien was as good-looking and healthy a specimen as ever played a cowboy hero, fully capable of action heroics as well as romantic scenes.
The story, by iconic Zane Grey, is beautifully presented in a script by Barry Barringer directed by Edward Cline.
What makes this stand out is the characterization by all the performers, including the lovely Irene Hervey. She plays a spoiled, even seemingly conceited young lady of the range in a breezy city-slicker manner, but proves actually very likable, if sometimes flighty.
LeRoy Mason, here Le Roy, is his usual good-looking but rotten villain, alternating between seemingly likable and trustworthy ranch foreman and lecherous and traitorous thief.
Again, the entire cast is just about perfect, from the briefly seen Vesper Pegg, who just steals his scene of bringing up a mount, to the West-loving Earl Dwire, to Slim Whitaker and Lafe McKee and ... well, several others, none of whom get screen credit, but who all give us good reason to praise IMDb for providing the information.
There are a couple of flaws, a moment of trite action happening in just the right place, for example, that brought down the rating from that perfect 10, but I highly recommend "The Dude Ranger" which is available at YouTube.
Ernest Selby (George O'Brien) is an Easterner who has traveled west to take possession of a ranch he inherited. However, before arriving, he learns that about half is cattle have disappeared! But instead of sending in the sheriff to investigate, Selby decides to go undercover himself to see if he can learn the truth. He approaches the man running the ranch, Hepburn, and gets a job as a hired hand...telling no one about his real identity. Soon Hepburn's daughter begins showing a ton of interest in him....which could be a problem if Hepburn himself is stealing the cattle. What's next? See the film.
In many ways, this B-western is better than average. The locations for the shoot were amazing--incorporating many of the greatest spots in the American Southwest, such as the Grand Canyon, Zion National Park and Bryce National Park. It's just gorgeous because of this. Additionally, O'Brien is quite nice as the hero....very enjoyable and a good western actor. The only negatives are the use of a few of the usual cliches and a somewhat weak ending where the villain sure was stupid and sloppy! Still, the good outwieghs the bad and this one is worth seeing.
In many ways, this B-western is better than average. The locations for the shoot were amazing--incorporating many of the greatest spots in the American Southwest, such as the Grand Canyon, Zion National Park and Bryce National Park. It's just gorgeous because of this. Additionally, O'Brien is quite nice as the hero....very enjoyable and a good western actor. The only negatives are the use of a few of the usual cliches and a somewhat weak ending where the villain sure was stupid and sloppy! Still, the good outwieghs the bad and this one is worth seeing.
Did you know
- TriviaThis film's earliest documented telecast took place in New York City Wednesday 16 July 1939 on pioneer television station W2XBS (Channel 1). Post-WWII television audiences got their first look at it in New York City Saturday 11 March 1950 on the DuMont Television Network's WABD (Channel 5).
- Quotes
'Nebraska' Kemp: I'm going to the dance tonight. I always dance better without bullet holes.
- ConnectionsVersion of Roll Along, Cowboy (1937)
Details
- Runtime
- 1h 5m(65 min)
- Color
- Aspect ratio
- 1.37 : 1
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