An unexpected suicide prompts much speculation about honesty and theft.An unexpected suicide prompts much speculation about honesty and theft.An unexpected suicide prompts much speculation about honesty and theft.
- Awards
- 1 win total
Featured reviews
It's amazing how different 1934 looks to us now, on the evidence of this movie. An ensemble cast of no more than eight, all with speaking parts and none of them filmed anywhere but the standard three sets. Camera angles are static and rigid, only the occasional pan out when confessions are being made and these are legion. Clearly this script could not have been filmed without the invention of cigarettes - they are central to almost every scene and crucial to the turn of the plot itself.
The plot is strong and rather typical of J B Priestly in that much of the drama consists of revelations and contradictions. No-one is quite what they seem!
The plot is strong and rather typical of J B Priestly in that much of the drama consists of revelations and contradictions. No-one is quite what they seem!
Definitely based on a play, "Dangerous Corner" from 1934 is a dated melodrama starring Conrad Nagel, Melvyn Douglas, Virginia Bruce, Betty Furness, and Ian Keith.
The story begins with the suicide of Martin Chatfield; eventually, the film goes into flashback about what really happened on the night he died. The film has an odd, twist ending.
The premise is "let sleeping dogs lie," except during most of the film, they don't, with the various people who knew and worked with Martin revealing feelings and actions that are often painful. I imagine this worked very well on the stage. It's a film about the upper class, as plays were before the "working man" plays of Odets.
Conrad Nagel, who had been a matinée idol in the silent era, stars here. Melvyn Douglas is very young and gives a good performance, and Virginia Bruce is absolutely beautiful. The acting as can be expected is a little on the melodramatic side as was the style then.
The problem with this story as a film is that it is very static and all talk with no action.
Certainly worth seeing for the young Douglas, Bruce, and the small role played by Ian Keith who was so fabulous in "Nightmare Alley."
The story begins with the suicide of Martin Chatfield; eventually, the film goes into flashback about what really happened on the night he died. The film has an odd, twist ending.
The premise is "let sleeping dogs lie," except during most of the film, they don't, with the various people who knew and worked with Martin revealing feelings and actions that are often painful. I imagine this worked very well on the stage. It's a film about the upper class, as plays were before the "working man" plays of Odets.
Conrad Nagel, who had been a matinée idol in the silent era, stars here. Melvyn Douglas is very young and gives a good performance, and Virginia Bruce is absolutely beautiful. The acting as can be expected is a little on the melodramatic side as was the style then.
The problem with this story as a film is that it is very static and all talk with no action.
Certainly worth seeing for the young Douglas, Bruce, and the small role played by Ian Keith who was so fabulous in "Nightmare Alley."
Plot— elite members of a publishing house gather for a celebratory evening only to find out one of their staff has apparently committed suicide. In the emotional aftermath, a number of hidden truths emerge.
There are elements of a mystery in the story, but overall, the film amounts to considerably more. The narrative appears fairly conventional until the upshot. Then the threads that have accumulated are exposed in an unexpected manner, and we're left with considerable food for thought. As a lesson in "sleeping dogs" the film succeeds brilliantly; as movie however, the narrative requires real patience. There's no action and darn few scene changes. Instead, the cast stands around in evening clothes and talks and talks-- it is, after all, a filmed stage play. At least a few interesting personal embarrassments get revealed as the story moves on, but how interesting you find the characters themselves is, I think, a matter of taste. Except for actor Keith's overdone Martin, the acting helps by being nicely accomplished.
Anyway, as a dramatized lesson in social truths, the movie rates highly. As a form of sheer entertainment, however, the movie's average, at best. My advice is to exercise patience because the upshot does furnish timely food for thought.
There are elements of a mystery in the story, but overall, the film amounts to considerably more. The narrative appears fairly conventional until the upshot. Then the threads that have accumulated are exposed in an unexpected manner, and we're left with considerable food for thought. As a lesson in "sleeping dogs" the film succeeds brilliantly; as movie however, the narrative requires real patience. There's no action and darn few scene changes. Instead, the cast stands around in evening clothes and talks and talks-- it is, after all, a filmed stage play. At least a few interesting personal embarrassments get revealed as the story moves on, but how interesting you find the characters themselves is, I think, a matter of taste. Except for actor Keith's overdone Martin, the acting helps by being nicely accomplished.
Anyway, as a dramatized lesson in social truths, the movie rates highly. As a form of sheer entertainment, however, the movie's average, at best. My advice is to exercise patience because the upshot does furnish timely food for thought.
That's the start of a song from HMS Pinafore, and this picture goes on to prove just that. "Dangerous Corner" is a filmed stage play and is a fascinating character study of a group of people with skeletons cascading out of their respective closets. On the surface, it seems one of their number has committed suicide over some embezzled funds. Please note that 'on the surface' is the operative term in this engrossing film.
All concerned turn in good performances and the dialogue ranges from clichéd to the profound to the philosophic, and you can't leave the room or else you'll lose the thread of the story - remember, it's only 65 minutes long and with a lot of plot squeezed in.
This is a timeless parable about human frailty and appetites and layered relationships. Nevertheless, it becomes all the more interesting to consider that it was made in 1934. They think like us, exhibit our own doubts and weaknesses but all are in evening clothes and smoke and drink at all hours, all of which gives the proceedings a surreal feel, that we are eavesdropping on a living museum scene. You think of how alien such a lifestyle seems today.
"Dangerous Corner" turned up on TCM the other morning and is not available in any format. If it comes on again, you should do yourself a favor and watch it.
All concerned turn in good performances and the dialogue ranges from clichéd to the profound to the philosophic, and you can't leave the room or else you'll lose the thread of the story - remember, it's only 65 minutes long and with a lot of plot squeezed in.
This is a timeless parable about human frailty and appetites and layered relationships. Nevertheless, it becomes all the more interesting to consider that it was made in 1934. They think like us, exhibit our own doubts and weaknesses but all are in evening clothes and smoke and drink at all hours, all of which gives the proceedings a surreal feel, that we are eavesdropping on a living museum scene. You think of how alien such a lifestyle seems today.
"Dangerous Corner" turned up on TCM the other morning and is not available in any format. If it comes on again, you should do yourself a favor and watch it.
This film is full of surprises, twists and turns. The whodunit theme has the added plus of making the viewer think about big issues like, "what is truth?" The Dangerous Corner is taken when the main characters "spill their guts out" -- telling secrets and hidden feelings that lead only to conflict, hurt and despair. The film supports the theory, "Let Sleeping Dogs Lie" -- purporting that the mind can only come up with meager "small truths". The mystery is eventually solved in this innovative, intriguing film. Wonderful Virginia Bruce is on hand to admire, along with dapper Melvyn Douglas, Conrad Nagel and hammy Ian Keith. I've watched this film many times and had great conversations with friends afterwards. Unusual!
Did you know
- TriviaThe original Broadway production of "Dangerous Corner" by J.B. Priestley opened at the Empire Theatre on October 27, 1932 and ran for 206 performances. The cast included Colin Keith-Johnston, Stanley Ridges (Charles Stanton), Jean Dixon (Freda Chatfield) and Barbara Robbins (Betty Whitehouse).
- Quotes
Mrs. Freda Chatfield: I wish I knew what to do.
Robert Chatfield: About what?
Mrs. Freda Chatfield: You'd hardly understand, Robert, but I am now facing a most urgent problem; the sort of problem that only women have to face. If a man has been dragged back to your house to be told he's a liar, a cad, and a possible thief, oughtn't you to make a few sandwiches for him?
- ConnectionsVersion of Dangerous Corner (1949)
Details
- Runtime
- 1h 6m(66 min)
- Color
- Aspect ratio
- 1.37 : 1
Contribute to this page
Suggest an edit or add missing content