Fugitive Lovers

I watched this film merely because of the opportunity to see the Three Stooges in one of their early features. I was surprised (pleasantly) by their appearance, as they actually played real characters, pretty much, and not outrageous clowns. And although their former honcho Ted Healy is in the film, they don't really interact with him. But the true surprise was how wonderfully entertaining and brilliantly shot the whole thing is. Richard Boleslawsky and Ted Tatzleff, the cinematographer, created a visual sense to this film unmatched by anything I remember seeing from the period. And the pacing, both in cutting and in dialog, manages to be rapid-fire and eloquent at the same time. So much has been made about the development of deep-focus photography in the years following this film, it's often forgotten that short focus can be fabulous to look at as well. Inside the bus that provides much of the setting for this film, there is always a sense of constant life going on in the background even though the foreground faces are the only things in sharp focus. I loved the look of this movie. Faces are given immense importance, even when the character who owns the face is not so important to the plot. And even the minor characters have minutely detailed physical, facial, and emotional detail of expression, bringing each of them to vivid life, often in a few seconds or less. Technically, I think this movie represents an amazing accomplishment. The plot and the performances are neither unfamiliar nor astonishing, but the execution in virtually every department is smashing. I wish I'd known about this little gem years ago.

This film is a perfect example of how to turn a pot-boiler into an art form. Each shot is expertly staged, lit and photographed - a stunning example of what a major studio can do with behind-the-scenes-talent in all fields with a minor script. The director is not well known but some of his films, notably Les Miserables, are well loved. The kind of quality he brought to such major films is here just as clearly in a minor one. Each person photographed on the bus could well be a Steichen portrait. The snow scenes have a beauty seldom captured, particularly on a studio set. I recommend everyone record this film on DVD the next time it's on TCM. After seeing it you'll want to go back and study individual frames.

Broadway dancer Letty Morris (Madge Evans) is escaping from the advances of small time gangster Legs Caffey. She takes a bus to Hollywood, but he manages to get onboard. There is a large prison break. One of the prisoners, Paul Porter (Robert Montgomery), steals a suit and buys a bus ticket. One of the oddest and most noteable group of passengers are The Three Stooges who are playing The Three Julians in this movie.

This is a little weird. I kept wanting something intense and comparing this to The Fugitive. Instead, this is going all over the place and not that intense at all. I'm not in the right mind for this.

Robert Montgomery, Nat Pendleton, and Madge Evans turn in remarkable performances. Please note the talents of Mr. Pendleton. He could do comedy and serious roles. Also, his background is very interesting (Olympic athelte). The trip through New Jersey and Pennsylvania at the time (1934) shows a sparsely populated countryside. At that time, the George Washington Bridge had only one level and the highways were mostly two lanes. Also, if you're familiar with the George Washington Bridge, the entrance on the New York side was vastly different from what it is today. It's almost like taking a trip aboard a time machine.

An interesting mix of comedy and drama. I found it interesting that the Three Stooges along with Ted Healy had parts in the movie. This was made the year that the Stooges made their split with Healy. Moe, Larry and Curly were not exactly in character here and while their screen time was limited, it was great to see them. While Healy was in the movie with the Stooges, they did not appear to be together. Healy clearly had a larger part in the movie, interacting with Robert Montgomery. Moe and Curly had more screen time than Larry. There was no "leader" in the group. There was no slapping and poking as they later became famous for. They did however harmonize a tune that later would show up in one of their shorts. I wish they had more screen time! This movie was made the same year that the Three Stooges made their debut in the Columbia short "Women Haters".