Jack Frost

Jack Frost is not quite one of my favourite cartoons of all time, but it is a beautiful and hugely enjoyable cartoon that's deserving of more praise. It's also one of those cartoons that I love and appreciate even more as a 23-year old adult than as a child.

The animation in Jack Frost is absolutely wonderful. Not just the beautifully drawn wintry landscape, that sets up the entire atmosphere of the cartoon and its story so well, and the animation on the autumn leaves and at the end, but also some truly imaginative work in the creation of the snowman and the spooky sight gags. Regarding the latter, the pumpkins/Jack O-Lanterns part stood out. The colours are a lovely mix of brightly colourful and dark, the characters are drawn well with little roughness and no obvious over-cutesiness and the backgrounds are truly beautiful on the eyes.

Music is a component that is very important to me when judging animation, or any film and such for that matter. The music in Jack Frost in no way disappoints, the little bear's song is adorable without being sickly sweet. In fact all the songs are lovely, with the standout being the irresistibly catchy one of the scarecrow, that song is also a lot of fun and the sequence itself is hilarious. The incidental scoring has a lot of haunting depth, rhythmic energy and lush orchestration, no surprise as it is from Carl Stalling whose work on cartoons was always consistently great, often elevating them to a higher level.

Often, 1930s cartoons or very visual/technical cartoons are not so strong in the story department, which can have an afterthought feel(but when so many components for that cartoon are so good and when the story still has appeal that's easy to ignore). The story in Jack Frost doesn't come over quite as strikingly as the animation and music, but it does fare stronger than the stories of most cartoons made around the time. It moves swiftly, sustains the running time just right with little obvious padding, and is just a charming, hugely entertaining and poignant story in general. One where you can identify every step of the way with the little bear without being manipulated into doing so. The cartoon has some sweet humour, like with the scarecrow, and the darker parts with Old Man Winter and the spooky sight gags are very imaginatively handled, and in a way that didn't feel too much or out of place. There's even room for morals on obedience and respect, and while it could have been so easy to hammer the morals in a heavy-handed manner Jack Frost manages to avoid this trap, it also couldn't have ended more perfectly either.

Characters in Jack Frost do a great job moving the story forward and making it as succinct as possible(children will be able to follow it with no problem and it shouldn't be too demanding for adults either). The bear is an adorable leading character without over-sentimentalising the story, as can happen with cute characters, while Jack Frost is similarly engaging and Old Man Winter in his brief appearance is a suitably sinister 'antagonist' without being too scary, in fact he's also fun in a very twisted sort of way. The characters are solidly voiced too.

All in all, a beautiful classic cartoon and should be seen more often. 10/10 Bethany Cox

A young grizzly bear, undaunted by his mother's warnings of the coming winter, runs away from home only to be confronted by Old Man Winter himself.

This is an enjoyable animated short. I have a problem with the fact that it is "SOLD" in a DVD collection of "Christmas Animated Shorts". this is not a Christmas short. It takes place in Winter. There is no "Santa" or even a "Christmas Tree". However it is an enjoyable thing to watch.

This Animated Feature has some very impressive animation (For it's time).

It is available;e for free on many streaming sights.

Jack Frost (1934)

*** (out of 4)

Ub Iwerks' directed this animated short about a young grizzly bear who decides to go outside even though his mother warned him that a cold winter was about to hit. I always enjoy watching the work of Iwerks because even today his images are quite striking and they're certainly unlike anything else that was out at the time or even today. This film isn't among his greatest works but I think there are enough unique touches that make the thing worth watching. I really liked the images but this here should go without being said. I especially liked the winter landscape as the bear wonders out of his house thinking that his fur is going to protect him. The scene showing the snowman being created was terrific and the imagination in it was excellent. Earlier there's a very good sequence with some dancing trees and the scenes with the pumpkins was also very good. The bear cub himself was a good and memorable character and his little journey has many cute moments as well as some darker ones.

For a start, I loved all the rich amber tones in the woodland backgrounds, and even more so later on with the the frozen scenery, all exceedingly beautiful to look at. Also the music was very nice and kept things moving at a good pace. The family of bears that is featured look a lot like the ones from the 1935 Iwerks short "The Three Bears." The momma bear sounds like a black women did the voicing. She may give Billy-Bear a spankin', but it probably hurts her more than it does him! For some strange reason a really crummy-looking picture that hangs above the little bear's bed made me laugh! I don't get the strange moment where there's an apparition hovering saw cutting a log above the sleeping bear parents... Maybe a visual pun on the saying "slept like a log"? The only thing I didn't like too much was the annoying little song the bear kid seemed to sing about every two minutes, I think it sounds a bit too childish and brings down the tone somewhat. I liked the slightly creepy character of the trickster sprite Jack Frost, who deems to teach young bratty-bear a lesson the hard way about respecting the cold. This short boasts several very impressive and spooky sight gags, like a hopping quartet of pumpkins whose collective "Whooo!" sound is genuinely eerie to listen to! And then there is my absolute favourite part of the whole short, an awesome scatting scarecrow whose wild movements and bluesy freewheeling sounds still sound extremely catchy and cool today! That scene felt to me very similar to the trio of Betty Boop Fleisher shorts to feature a dancing rotoscoped Cab Calloway! I loved the design and animation of the cackling wicked Old Man Winter who was quite scary as a monster once a vintage animation could only be. During the chase through the icy woods I love the snow-covered objects in the background that look very much like human figures frozen in agonised poses. Quite a dark and Gothic touch, I thought. I think Jack Frost was Old Man Winter, their faces and noses looked alike, and Jack's enigmatic wink to the audience at the "Finis" confirmed it for me. What a great little peril in winter wonderland animation this is, it's well worth anyone's time, and makes for an especially pleasant watch come Christmas time. Overall quite a charming rare old vintage show with an edge! X

. . . by leading seminarian End Times Instructors as an actual horseman of the Apocalypse. JACK FROST, aka the onset of Winter, is so fearsome that some quailing traditions substituted Famine for Frost so that the kids could sleep at night. However, on six of the Globe's seven continents more people freeze to death than expire from starvation in a given year. Furthermore, a consensus of pain experts rank a frigid demise a fate worse than buying the farm with an empty tummy. As their capillaries explode one by one, many victims turning into literal pop-sickles have been heard to bargain that they'd swear off food for a year for one mug of hot chocolate. JACK FROST does NOT give this scourge of glacial glazing his just desserts.