A meek governess and her mysterious employer strike up a romantic relationship.A meek governess and her mysterious employer strike up a romantic relationship.A meek governess and her mysterious employer strike up a romantic relationship.
- Director
- Writers
- Stars
Gretta Gould
- Miss Temple
- (uncredited)
Anne Howard
- Georgianna Reed
- (uncredited)
Olaf Hytten
- Jeweler
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
This version of the classic story should move like the wind at 62 minutes, instead its slow and talky and not very good. I'm not certain how much is the result of too much time having passed since this film was made, 70 odd years ago and counting, but this is a movie to a avoid simply because time has not been kind to it. The film feels more like a filmed stage play than a movie as there is never any sense place beyond what we would see if it were on a stage. The performances are okay but there are times one wonders if they were aware of that film acting for sound had advanced from the overdone to a more naturalistic style. I don't think it would be fair to comment on the additions and subtractions from the book, especially in light of the fact that they use chapter headings from the book to advance the plot that gallop from one to ten and onward. Not something to watch unless you love the story or hate yourself enough to watch a film thats almost too painful to get through.
I totally agree with reviewer of May 2003. This film is a travesty of a wonderful classic novel.
The entire film is made up..there are characters that do not even exist in the book and ones that are pivotal to the story were left out.
But the best mess was "Rochester's wife". Where did they dig her up? She was suppose to be insane not ugly and look like a witch.
Don't even bother to waste your time watching this turkey.Another case of "Did anybody bother to read the book"..
The Timothy Dalton version for the BBC is best and I also liked the Welles/Fontaine version in 1944 as well as the one with George C. Scott in 1970....all the newer ones are mediocre, at best.
The entire film is made up..there are characters that do not even exist in the book and ones that are pivotal to the story were left out.
But the best mess was "Rochester's wife". Where did they dig her up? She was suppose to be insane not ugly and look like a witch.
Don't even bother to waste your time watching this turkey.Another case of "Did anybody bother to read the book"..
The Timothy Dalton version for the BBC is best and I also liked the Welles/Fontaine version in 1944 as well as the one with George C. Scott in 1970....all the newer ones are mediocre, at best.
... that's not at all faithful to that tale. Virginia Bruce stars in the title role, a young woman raised in an orphanage who hires on as a governess of the niece of the cranky Mr. Rochester (Colin Clive). As Jane tries to find her way within the household, she starts to fall in love with her boss while also wondering about the strange screams coming from the room into which she's forbidden to look.
Some sources have called this the best movie ever made by a Poverty Row studio. There are plenty that I liked more than this, but I'm not really the audience for this type of story. The acting is decent, and the costumes and sets are nicer than in most Monogram efforts, but it still seems clunky, sometimes amateurish, and with very uninspired direction. Running at just over an hour, it's not a major investment in time.
Some sources have called this the best movie ever made by a Poverty Row studio. There are plenty that I liked more than this, but I'm not really the audience for this type of story. The acting is decent, and the costumes and sets are nicer than in most Monogram efforts, but it still seems clunky, sometimes amateurish, and with very uninspired direction. Running at just over an hour, it's not a major investment in time.
A cheerful Rochester? A beautiful Jane Eyre? A slapstick Adelle? Oy, what's the point of adapting a classic novel if you're gonna change every character!
I suppose the film has a certain appeal anyway; it's pleasantly ancient and strange, and it's nice to see Colin "Dr. Frankenstein" Clive in another role. But, to true devotees of the original novel, this is a real butcher job.
I suppose the film has a certain appeal anyway; it's pleasantly ancient and strange, and it's nice to see Colin "Dr. Frankenstein" Clive in another role. But, to true devotees of the original novel, this is a real butcher job.
Charlotte Brontë's "Jane Eyre" is one of the great novels in the English language, and almost any reasonably faithful movie adaptation can be worth watching. At the same time, the depth of the characters and the complexity of their relationships make it very difficult for a movie to do complete justice to the story, and even the best film adaptations are usually better as movies in their own right than as adaptations. This scaled-down, low budget Monogram version can hardly be compared with the original, but in itself it is pretty much an average B-movie of the era.
Virginia Bruce plays the lead role, and her portrayal of Jane is sympathetic, if rather different from the Jane of the novel. Given the overall production, Colin Clive was a reasonable choice to play Rochester, since he adds a nervous energy to his roles that fits with Rochester's secret concerns, although for much of the time his Rochester is little distinguishable from Henry Frankenstein. Some of the secondary characters are also portrayed a bit differently from the novel, fitting in with the somewhat simplified nature of the adaptation.
Viewed in its own right instead of being compared with the novel, the script sets up a few decent scenes, although at other times some of the running time is wasted on relatively inconsequential material. As other reviewers have pointed out, this version does not work as an attempt to convey some of the depth of the novel and its memorable characters. Instead, it tells a rather simpler story using the same main characters, and in that respect it's about average for its genre.
Virginia Bruce plays the lead role, and her portrayal of Jane is sympathetic, if rather different from the Jane of the novel. Given the overall production, Colin Clive was a reasonable choice to play Rochester, since he adds a nervous energy to his roles that fits with Rochester's secret concerns, although for much of the time his Rochester is little distinguishable from Henry Frankenstein. Some of the secondary characters are also portrayed a bit differently from the novel, fitting in with the somewhat simplified nature of the adaptation.
Viewed in its own right instead of being compared with the novel, the script sets up a few decent scenes, although at other times some of the running time is wasted on relatively inconsequential material. As other reviewers have pointed out, this version does not work as an attempt to convey some of the depth of the novel and its memorable characters. Instead, it tells a rather simpler story using the same main characters, and in that respect it's about average for its genre.
Did you know
- TriviaEthel Griffies also played Grace Poole in the 1943 version (Jane Eyre (1943)), starring Orson Welles and Joan Fontaine.
- ConnectionsFeatured in Jucy (2010)
- SoundtracksSchwanengesang
("Swan song") D.957: Ständchen (Serenade)" (uncredited)
Music by Franz Schubert and lyrics by Ludwig Rellstab
Performed by Virginia Bruce
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Jane Eyre l'angelo dell'amore
- Filming locations
- Production company
- See more company credits at IMDbPro
- Runtime
- 1h 2m(62 min)
- Color
- Sound mix
- Aspect ratio
- 1.37 : 1
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