The Meanest Gal in Town

Although perky Pert Kelton is billed second to ZaSu Pitts, she's the one the title refers to. She plays an actress, stranded when the manager of her troupe absconded with the funds. Asked by a fellow actress what she is going to do, she responds "Don't worry, I'll wiggle my way out of this one," as she wiggles her derriere walking out of the door. This was the first of many sexual innuendos within the film, released early in 1934, before the Hays Office started really cracking down on violations of the Production Code that July. Even so, I was surprised to hear the expression "cop a feel," used by "Skeets" Gallagher, when he asks a woman to place her hand on his breast to feel his heart beating. Kelton is not mean as much as she is wily, building up El Brendel's barbershop business as a manicurist, by enticing men to come in, and causing much jealousy from ZaSu Pitts, who has been courted by Brendel for ten years. Because of Kelton, this film was an enjoyable romp; without her, it would have been a flat, unfunny comedy.

Pert Kelton bowled me over with her very sexy portrayal which allowed her to manipulate the male characters. The very wry Zazu Pitt and the apparently naive but winning El Brendel along with the wise cracking James Gleasen and the traveling salesman character all were very funny and cleverly written. The script had many very pointed comments on the indomitable spirt and frailty of the human character. I have watched the movie many times and always see some different bit that I hadn't noticed before. Obviously, this was a low budget programmer in its day, but a far better movie than most megabudget movies of today.

This movie is hilarious!! Especially Pert Kelton and James Gleason--those two are a hoot to watch in this movie!!

Considering this is back in the 1930's--the risque talk is that more astonishing!!

A very good little comedy.

Producers run out on star performer Lulu White (Pert Kelton) and the whole crew. Penniless Lulu is confident to wiggle herself out of the predicament. She gets a manicurist job with struggling barber Chris Peterson (El Brendel). The place is soon swarming with Lulu's male admirers. Long-suffering girlfriend Tillie Prescott (Zasu Pitts) gets jealous.

Lulu White is a fun character and Pert Kelton is a solid comedic actress. I've never heard of her and it's interesting to read up on her career or lack thereof. El Brendel's accented performance is a little problematic with the early sound. I don't even know what he's trying to be. This is pre-Code which allows some more fun. Mostly, I'm taken with Pert and Lulu.

Zasu Pitts owns a dry goods store. She's engaged to El Brendel, who owns a barber shop that on a good day, there's as much money in the till when he closes as when he opened. Then stranded actress Pert Kelton sets up as manicurist in his shop and business booms. Miss Pitts is jealous, and takes in as partner a big firm fronted by Skeets Gallagher, which Brendel advises against. Gallagher's firm freezes her out.

While I usually enjoy Miss Pitts, as well as James Gleason, who plays a fifth wheel to this plot, Brendel and Miss Kelton annoy me. Add in the general thrust of the film, which is clearly intended for small-town audiences, and this movie does not appeal to me at all. Perhaps it did poorly at the box office; at any rate, it was writer-director Russell Mack's last time wielding the megaphone. He had begun in vaudeville, then went on the legitimate stage as an actor and director. His first movie credit was Rio Rita, and he was on his way for a while. After this movie, he returned to the East Coast, where he managed a theater in Newark, NJ. He died in 1972 at the age of 79.