The Mystery of Mr. X

This was an excellent pre-code mystery which cried out for a series starring the dapper, cosmopolitan Robert Montgomery. Could have been a second-story-man-turned-detective, or something along those lines. Always thought he had a charismatic presence on screen which commands your attention, and charisma is an elusive quality; either you have it or you don't.

He is paired here with Elizabeth Allan (not his wife, but same name) and there is a great deal of chemistry between the two (funny how important an ingredient it is to a successful picture). A sentence or two about the plot; Someone is killing bobbies in and around London, much to the chagrin of Scotland Yard. As another cop murder is taking place on the street, RM is stealing a precious diamond in an adjacent mansion. As he jumps out a window, he lands on the dead policeman, bloodying his gloves in the process. He leaves them at the scene - seemingly The Yard's first clue. For the rest of the picture he tries to extricate himself from the murder while hanging on to the stolen diamond.

Things go somewhat awry towards the end - apparently, the screenwriter was stuck for an ending and opted for one of convenience and unbelievability, but the picture was so good up to that point I decided to go with it and suspend disbelief. It was easy, as it is such an enjoyable movie.

Well-done mystery/thriller with Robert Montgomery playing a jewel thief suspected of being a police serial killer. The plot adapted by Philip MacDonald from one of his own novels is tightly woven and executed very nicely by director Edgar Selwyn. Selwyn, for a 1934 film, uses lots of flair and style in creating a suspenseful pace and good atmosphere. I particularly liked the way he used his cast - all of whom do excellent jobs. Montgomery is in top form as the "hero" out to find the killer in order to exonerate himself of the heinous killing spree. Aiding him is a love interest played by Elizabeth Allan, a truly lovely actress as the police commissioner's daughter. Henry Stephenson plays her father in that very stiff upper lip fashion he was so accustomed to. Lewis Stone also rounds out the cast playing a police superintendent convinced Montgomery is guilty of the crime of stealing a valuable diamond and killing the bobbies. Forrester Harvey gives an inspired portrayal as a London cabbie in on the jewel heist. He has marvelous comic timing in a more subtle way than just being a buffoon as so typically used in films like this. But it is Montgomery's portrayal that really gives the film its steam and he is as charming as ever. This is one of those rare diamonds one comes across every now and then from the Golden Age of film-making. This is a first-rate mystery with excellent direction, good performances, and an interesting,convincing script.

Robert Montgomery, always the class act, gets to do more here than MGM normally let him in the very early years of his career when they too often typecast him as a wealthy playboy. I always enjoyed him in those roles, but he was capable of so much more.

Someone is going about killing London policemen with a long sword in the absence of any other crime. Enter Robert Montgomery as the unlucky cracksman Nicholas Revel. He is unlucky because he steals a beautiful diamond at virtually the same time and place that one of the policemen is killed. The police unfortunately deduce that the cop killer, "Mr. X", is also the diamond thief and figure when they find the diamond and its thief they'll find Mr. X.

In yet another plot thread the daughter of police commissioner Fresham is engaged to a young man, Sir Christopher 'Chris' Marche, who is prone to nocturnal drunken adventures. During one of these benders he scuffles with a policeman minutes before Mr. X kills that policeman. With the young man's scarf clutched in the dead policeman's hands, Sir Christopher is instantly a suspect.

These threads intersect when Revel, a man with a profound conscience for a jewel thief and apparently better investigative instincts than the police, decides he cannot let Sir Christopher be blamed for a crime that he believes he did not commit. He has a theory on how to catch the real cop killer - and thus get himself off the hook too - but he needs to talk to police commissioner Fresham and tell him his theory. Knowing the commissioner will probably be at Sir Christopher's hearing, Revel concocts a plan to falsely vouch for Sir Christopher the night of the killing, and thus be able to simultaneously free Sir Christopher from suspicion and enter into conversation with the commissioner.

Some of this plan works out for Revel - and some of it doesn't. All in all it's a very interesting crime drama/romance from the 1930's. Lewis Stone as police superintendent Conner is also excellent here as usual, as he wages a passive-aggressive battle of wits with Revel. You see, Conner is on to Revel from the first time they meet and Revel realizes this. The film has a very satisfying precode ending, but not the kind you would normally think of when you mention precode.

Also, let me correct one common mistake. The leading lady here is Elizabeth Allan, a fine British film actress, not Elizabeth Allen the stage actress and wife of Robert Montgomery at the time this film was made.

Robert Montgomery stars with Elizabeth Allen and Lewis Stone in "The Mysterious Mr. X" from 1934.

A serial killer is going around London killing policemen. Unfortunately for Nick Revel and his band of merry men, a taxi driver named Joe and an insurance clerk named Hutch, the killer struck outside a home where the famous Drayton Diamond was stolen.

Nick is the thief. But he's not the killer known as "Mr. X," who writes letters to the police just before he strikes. The police think the robber is the killer.

Nick and his cronies know that they can't return the diamond for the insurance reward or pawn it until the serial killer is caught. When a man is arrested, one Sir Christopher March, Nick knows he's the wrong man.

He has an idea as to how the police can catch the killer. He figures if he testifies on behalf of March, he will be able to present his plan to the police.

March turns out to be the fiancé of Jane, the daughter of the police commissioner, and Revel and Jane are attracted to one another. Meanwhile, her father is suspicious of Revel.

Pleasant mystery, with a charming performance by Montgomery. Some fun moments, especially when an accomplice delivers the diamond to Revel and drops it in a glass of liquid. The end is quite exciting, with a very dynamic either set or location.

Good movie.

Some pictures I can watch again-and-again. This is one.

Set in London, it is a romantic, mystery thriller (with comedy elements). It is also a fascinating window on a world now seventy-five years removed. Its pace, plot, acting, and dialog are all excellent.

Robert Montgomery is most charming as a gentleman thief. Elizabeth Allan is exquisitely lovely as his romantic interest. She's somewhat reminiscent of Paula Prentice in looks and manner, and comes across as intelligent, vivacious, wholesome, natural, and honest. (Yum!) Also, Forrester Harvey, as Montgomery's Cockney cab driver stooge, does an excellent turn as comedy relief.

What really sets this movie apart from others, however, is the absolutely amazing chemistry and timing between Montgomery and Allan. I find it a joy to replay their scenes over-and-over to watch the many nuances that occur. It really is a great shame that they never again worked together.

Finally, the villain himself appears to be the evil twin (in dress and features) of the contemporary pulp-magazine hero "The Shadow." Could this just be a coincidence? Naa! I don't think so.