Three con artists dupe two Olympians into serving as editors of a new health and beauty magazine which is only a front for salacious stories and pictures.Three con artists dupe two Olympians into serving as editors of a new health and beauty magazine which is only a front for salacious stories and pictures.Three con artists dupe two Olympians into serving as editors of a new health and beauty magazine which is only a front for salacious stories and pictures.
Buster Crabbe
- Don Jackson
- (as Larry 'Buster' Crabbe)
James B. 'Pop' Kenton
- Caretaker
- (as 'Pop' Kenton)
Roscoe Karns
- Newspaper Reporter
- (scenes deleted)
Monya Andre
- Second Author
- (uncredited)
Stella Bailey
- New York Beauty Winner
- (uncredited)
William Bailey
- Cement Foreman
- (uncredited)
Malcolm Ball
- Georgia Talent Contestant
- (uncredited)
Lynn Bari
- Beauty Contestant Entrant
- (uncredited)
Featured reviews
In spite of its fairly high rating I noticed a few extremely negative reviews about this film and all I can say is... You people should get over yourself. Don't they realize it was never intended to be anything more than a sexy little romp with swimming pools and gymnasiums in the background? One thing that has always been true of show business in all it's forms is that sex sells tickets. Nothing has changed since this film was made. This plot which revolves around a magazine that relies on sexy photographs to sell copies is exactly the world we live in today.
Maybe I am wrong but in recent years has it not been true that the magazine called sports illustrated sells more copies of its "swimsuit issue" than any other. At least this film gives the well-built young men equal time with the athletic young women that are featured here. Whenever possible film makers showed actresses with as little clothing as they could get away with but you almost never see a man with his shirt off and considering the physiques of many of the male stars there's a good reason for that. The great actors of that era were mostly famous from the neck up.
Maybe I am wrong but in recent years has it not been true that the magazine called sports illustrated sells more copies of its "swimsuit issue" than any other. At least this film gives the well-built young men equal time with the athletic young women that are featured here. Whenever possible film makers showed actresses with as little clothing as they could get away with but you almost never see a man with his shirt off and considering the physiques of many of the male stars there's a good reason for that. The great actors of that era were mostly famous from the neck up.
You really have to see this one to believe it! Not many movies flaunt their pre-code liberty so blatantly and lightheartedly (not unlike the Busby Berkeley extravaganza "Gold Diggers of 1933"). At the same time, it's very successful in its own right as a fast-paced comedy satirizing health-product hucksters and wealthy debauchees.
Inspired by the L.A. Olympics, a trio of con artists lure some prize-winning athletes into endorsing their newly-acquired fitness magazine. They stage an international publicity stunt to find the healthiest young bodies in the English-speaking world. While the athletes are out scouting for specimens, the three rogues turn the magazine into a lurid cheesecake rag (their lascivious board of censors is a hoot). This spins off into a health farm, which they try to turn into a high-priced knocking shop for Hollywood swells out to exploit eager young talent.
As the con artists, Robert Armstrong and James Gleason have plenty of fancy, word-mangling patter. And Gertrude Michael holds her own, needling them mercilessly, as well as slinkily seducing all-American hero Buster Crabbe. Crabbe practically plays himself, while an unrecognizable bleached-blonde Ida Lupino is his pert female British counterpart.
Not only are the dialog and situations pretty risqué, but there are plenty of suggestive visuals. Michaels enthusiastically ogles Crabbe's crotch through binoculars; there's a shower scene with bare-assed young men flitting about, and a production number which has the busty and muscled contest winners bouncing around in tight outfits, simulating Olympic events (male and female flesh are flaunted equally in this film). Berkeley favourite Toby Wing has a plumb role as Lupino's fun-loving underage cousin, who almost suffers a fate worse than death at the climactic wild party (not that the filmmakers seem to be too worried about it!). Lupino has to save her by taking her place in a grinding table-dance. Skinny Gleason, in jogging shorts, provides a very low-comedy fade-out gag.
Modern viewers will guffaw at the naive concept that health-conscious athletes would rather stop an orgy than join in. And like most 1930s Paramount films, the set direction is marvellous (just check out Armstrong's dowdy office!).
Even if you can only find a jittery video transfer, it's well worth checking this one out. More Paramount Olympic satire can be found in "Million Dollar Legs" (1932 version), and the magazine-exploitation angle was revived for the Don Knotts extravaganza "The Love God?".
Inspired by the L.A. Olympics, a trio of con artists lure some prize-winning athletes into endorsing their newly-acquired fitness magazine. They stage an international publicity stunt to find the healthiest young bodies in the English-speaking world. While the athletes are out scouting for specimens, the three rogues turn the magazine into a lurid cheesecake rag (their lascivious board of censors is a hoot). This spins off into a health farm, which they try to turn into a high-priced knocking shop for Hollywood swells out to exploit eager young talent.
As the con artists, Robert Armstrong and James Gleason have plenty of fancy, word-mangling patter. And Gertrude Michael holds her own, needling them mercilessly, as well as slinkily seducing all-American hero Buster Crabbe. Crabbe practically plays himself, while an unrecognizable bleached-blonde Ida Lupino is his pert female British counterpart.
Not only are the dialog and situations pretty risqué, but there are plenty of suggestive visuals. Michaels enthusiastically ogles Crabbe's crotch through binoculars; there's a shower scene with bare-assed young men flitting about, and a production number which has the busty and muscled contest winners bouncing around in tight outfits, simulating Olympic events (male and female flesh are flaunted equally in this film). Berkeley favourite Toby Wing has a plumb role as Lupino's fun-loving underage cousin, who almost suffers a fate worse than death at the climactic wild party (not that the filmmakers seem to be too worried about it!). Lupino has to save her by taking her place in a grinding table-dance. Skinny Gleason, in jogging shorts, provides a very low-comedy fade-out gag.
Modern viewers will guffaw at the naive concept that health-conscious athletes would rather stop an orgy than join in. And like most 1930s Paramount films, the set direction is marvellous (just check out Armstrong's dowdy office!).
Even if you can only find a jittery video transfer, it's well worth checking this one out. More Paramount Olympic satire can be found in "Million Dollar Legs" (1932 version), and the magazine-exploitation angle was revived for the Don Knotts extravaganza "The Love God?".
What a great idea for a movie! 'Search for Beauty' assembles some dazzling young specimens of physical perfection (both female and male) and places them in a smart-aleck comedy that's downright hilarious! Real-life Olympic swimming champion Buster Crabbe plays an Olympic swimming champion (but gets almost no swimming footage), and Ida Lupino plays an Olympic high-diving champion ... who emerges from the pool with her lipstick intact. I'm pleased to see Crabbe exhibiting real acting ability in a role that doesn't involve rayguns or loincloths.
This movie parodies the career of Bernarr MacFadden, a crackpot who made a fortune publishing 'health' magazines that were full of fad diets, copper bracelets and plenty of photographs of scantily-clad women and men.
Robert Armstrong plays a confidence trickster, partnered by Gertrude Michael as his Jean Dixon-ish wise-cracking moll. By the way, I really dislike the movie cliché of the female companion who is constantly insulting her male partner. If she really has so little respect for him, why does she stick with him? James Gleason is on hand here too, as another swindler. Surprisingly, Gleason's character is completely subordinate to Armstrong's. Gleason nearly always played the brains of the outfit, but here his character is largely Armstrong's yes-man. Still, Gleason gets off some splendid wise-cracking dialogue, including the word 'gazype' ... whatever that means.
There's an excellent montage sequence featuring actual footage from the 1932 Olympics in Los Angeles, and there are a couple of production numbers with lissome female athletes clambering on top of beefcake specimens. The comely Gwenllian Gill shows great appeal in her brief role. Silent-film comedian Leo White does one very funny slapstick bit, and Gleason's performance is more physical than usual. For one long sequence, we see the runty Gleason stripped down to a pair of gym trunks. Gleason gets the last gag in the picture, a cheeky joke that seems more typical of Lou Costello. 'Search for Beauty' is hilarious from start to finish (except for Toby Wing), and this film is definitely a pleasure to look at. I'll rate it a perfect 10 out of 10.
This movie parodies the career of Bernarr MacFadden, a crackpot who made a fortune publishing 'health' magazines that were full of fad diets, copper bracelets and plenty of photographs of scantily-clad women and men.
Robert Armstrong plays a confidence trickster, partnered by Gertrude Michael as his Jean Dixon-ish wise-cracking moll. By the way, I really dislike the movie cliché of the female companion who is constantly insulting her male partner. If she really has so little respect for him, why does she stick with him? James Gleason is on hand here too, as another swindler. Surprisingly, Gleason's character is completely subordinate to Armstrong's. Gleason nearly always played the brains of the outfit, but here his character is largely Armstrong's yes-man. Still, Gleason gets off some splendid wise-cracking dialogue, including the word 'gazype' ... whatever that means.
There's an excellent montage sequence featuring actual footage from the 1932 Olympics in Los Angeles, and there are a couple of production numbers with lissome female athletes clambering on top of beefcake specimens. The comely Gwenllian Gill shows great appeal in her brief role. Silent-film comedian Leo White does one very funny slapstick bit, and Gleason's performance is more physical than usual. For one long sequence, we see the runty Gleason stripped down to a pair of gym trunks. Gleason gets the last gag in the picture, a cheeky joke that seems more typical of Lou Costello. 'Search for Beauty' is hilarious from start to finish (except for Toby Wing), and this film is definitely a pleasure to look at. I'll rate it a perfect 10 out of 10.
I have to weigh in on this deliciously fun, kitschy movie. Perhaps one needs a historical perspective to appreciate the fun and absurdity of this very game film. The detracting comments have missed the boat. The appreciative comments have laid out the story and gimmicks well. I'd like to add that the big production number, which looks like the concoction of marching band instructor from a military background who saw a Busby Berkeley movie while stoned, has to be seen to be believed. And, yes, the nudity and sexual innuendo seems risqué enough for the time to be very entertaining. Though short on talent, Buster Crabbe is fun to watch, as is a young Ida Lupino who certainly made good from this unpromising start. For me, James Gleason is the treat. Though not nearly as sharp as later performances -- particularly his great drunk scene in MEET JOHN DOE -- it's interesting to see a pro finding his sea-legs on film in 1934. A diamond in the rough!
Featuring a literal army of good-looking, scantily-clad young men and women - 1934's "Search For Beauty" was produced during Hollywood's pre-Code period (1929-1934).
This was a unique era in American film-making when censorship barely existed and directors had free reign to make the movies they wanted (and the public demanded) where no subject was taboo, including adultery, murder, and yes, sex.
So, if you enjoy viewing lots of beefcake and/or cheesecake, then, believe me, "Search For Beauty" is a film highlighting a delicious array of eye-candy that is sure to whet anyone's whistle.
This was a unique era in American film-making when censorship barely existed and directors had free reign to make the movies they wanted (and the public demanded) where no subject was taboo, including adultery, murder, and yes, sex.
So, if you enjoy viewing lots of beefcake and/or cheesecake, then, believe me, "Search For Beauty" is a film highlighting a delicious array of eye-candy that is sure to whet anyone's whistle.
Did you know
- TriviaBuster Crabbe plays an Olympic swimmer in the film. Before entering acting, Crabbe was a two-time Olympian, a bronze medalist in 1928 and a gold medal winner in 1932.
- Crazy creditsWith the 30 winners in the International Beauty Contest
chosen from England, Scotland, Ireland, Australia, New Zealand, South Africa, Canada and the United States.
- ConnectionsReferenced in Thou Shalt Not: Sex, Sin and Censorship in Pre-Code Hollywood (2008)
- How long is Search for Beauty?Powered by Alexa
Details
- Runtime
- 1h 18m(78 min)
- Color
- Aspect ratio
- 1.37 : 1
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